A 65-year-old single artist living in New York City has a good life: a stable teaching job, successful friends, and a loyal, aging dog named Bing. As her dream of a respectable place in the art world becomes more elusive, her frustration with her lack of recognition feels alarmingly urgent.
Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.
当父亲离开家三天去参加公司研讨会时,浩司很高兴能与继母独处,并试图与他一直钦佩的继母做一些事情,但继母对浩司的鲁莽行为感到尴尬,结束了Koji 打了他一巴掌,生气地跑了出去。此后,随着他们的关系变得尴尬,继母开始担心,不知道该怎么办,而无法放弃继母的浩二,再次冲向继母。无法推开他,最终接受了Koji,两人就这样在一起了三天。
一群被拒之门外的美军士兵来到偏远的南太平洋岛屿,调查 1944 年驻扎在那里的海军陆战队失踪事件,据说他们是在日本皇军手中失踪的。他们很快发现,这些海军陆战队员是被一群狼人屠杀的,大多数人都称他们为 "狼人"...... A ragtag group of US Army rejects travel to a remote South Pacific Island to investigate the disappearance of Marine units stationed there in 1944, said to be at the hands of the Japanese Imperial Army. They soon discover the Marines had been massacred by a group of Lycanthropes, known to most as WEREWOLVES...
恶魔附身的大白鲨归来,这次无人可以躲过劫难,特别是发誓要驱赶地狱邪灵的这位牧师。
Nour makes a living from smuggling exotic animals and illicit products (birds of prey, venom, rare roots, etc.). Wishing to get her son out of the city and offer him a better future, she designs and develops a mobile app that connects clients and marabouts. It’s a success, but a patient’s consultation turns into a tragedy and Nour has to face a wave of violence that could cost her and her son their lives.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.