一位已婚妇女对与丈夫单调的性生活感到不满。性欲正处于爆发的边缘。她喜欢角色扮演强迫性行为,所以她要求送货司机强奸她。她邀请丈夫的学生到她家,并在醉酒的丈夫旁边发生性关系。她变态的性欲越来越强烈
莉莉被一个看似孤独的单身中年男人所吸引。每天,她都会来到一间又旧又破旧的房间,和一个中年男人谈情说爱。有一天,隔壁的男人整晚都被他们的噪音打扰了,打电话劝告莉莉,但莉莉走近他,说他不介意她靠近他,并想和他成为朋友
Yui 嫁给了一位年长的男人。但丈夫却无法满足她强烈的性欲。她每天都生活在沮丧之中。后来有一天,她偶然看到了丈夫下属的阴茎。她抑制不住自己的兴奋之情,这次她没有戴胸罩就去迎接他。
Brooke (Bonnie Dennison) is devastated that she's pulled out of her high school so her family can move to a new town. Even worse, her stepmother is pregnant with a new addition to her dysfunctional family. All seems lost until she becomes smitten with a charming guy (Michael Welch). He's gorgeous, sweet, thrilling, everything her life isn't...until he reveals a menacing dark side.
这是一档介绍住在中国的外国人拍摄住在全世界的中国人和住在日本的中国人的旅行式纪录片。由主持人阿部力或者导演竹内亮,带着观众们去拜访住在各地的主人公,了解他们的生活,找寻他们选择住在这里的理由。
这部电影根据真实故事改编,讲述了摩根和罗德尼·梅泽尔的故事,他们是青梅竹马,摩根 21 岁时结婚。这对夫妇的第一个孩子出生后不久就去世了,但一年后他们有了双胞胎,他们欣喜若狂。当罗德尼失业并负债累累时,他们之间的关系开始紧张起来。罗德尼把他们的争吵归咎于摩根的酗酒——即使她只喝过一次酒——并说服摩根,是她在昏厥愤怒中把他推下楼梯的。这对夫妇最终分居,摩根的生活开始好转,直到罗德尼被诊断出患有癌症。不久之后,一个蒙面入侵者闯入摩根家并袭击了她。入侵者离开几分钟后罗德尼就出现了;当当局询问他时,罗德尼的故事似乎说不通。罗德尼真的得了癌症吗?他是他自称的英雄吗?还是他几十年来一直在欺骗摩根?
她邀请她一直关注的小辈到她家发生性关系,并试图引诱他与她睡觉。但男子一直拒绝,称有女朋友了,怎么能和学长睡觉。然后,女人在男人面前脱掉衣服,开始猛戳男人的身体……
2176年,和平的年代下人口激增,地球早已不堪重负。此时人类文明高度发达,与地球环境最为接近的火星成为人类外太空移民的首选之地。此时,这个红色的星球还只是一个正在开发的处女地,大大小小矿场遍布火星之上。 特警小队指挥官梅兰妮(娜塔莎·亨斯屈奇 Natasha Henstridge 饰)奉命前往火星上名为光明峡谷的矿场小镇,去押解重罪犯威廉姆斯(艾斯·古巴 Ice Cuba 饰)。然而就在不久前,在当地进行考古工作的惠特洛克教授(乔纳·卡西迪 Joanna Cassidy 饰)无意中触动了远古文明的遗址,并唤醒了一个沉睡已久的火星幽灵。它誓要杀掉所有入侵的人类,在生死关头,梅兰妮和威廉姆斯被迫联手,于这个邪恶的幽灵展开斗争…
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.