西宫是公司的新员工,总是完全瞧不起、不服从顶头上司泽田。某天,泽田正在公司附近的一家酒店等候,准备紧急情况,而西宫也住在他所住的酒店里。经过客房时,他看到西宫穿着淫秽的内衣自慰,他仿佛趁机进入她的房间,将她推倒并袭击了她
儿子对父亲再婚感到不满。一个儿子试图强行强奸继母,继母在父亲去上班后独自一人。但我并不讨厌我的继母。儿子来到父亲睡觉的卧室,继母的身体在儿子的粗暴触碰下张开,随后,继母自己找到了儿子的房间……
帕丁顿(本·卫肖 Ben Whishaw 配音)回到家乡秘鲁看望他心爱的露西婶婶(艾美达·斯丹顿 Imelda Staunton 配音)。露西婶婶现住在退休熊之家。然而一个谜团将帕丁顿和布朗一家带入意想不到的惊险旅程。从亚马逊雨林到秘鲁山巅,一场激动人心的冒险随之而来。
When a faithful police dog and his human police officer owner are injured together on the job, a harebrained but life-saving surgery fuses the two of them together and Dog Man is born. Dog Man is sworn to protect and serve—and fetch, sit and roll over. As Dog Man embraces his new identity and strives to impress his Chief (Lil Rel Howery, Get Out, Free Guy), he must stop the pretty evil plots of feline supervillain Petey the Cat (Pete Davidson; Saturday Night Live, The King of Staten Island). Petey’s latest plan is to clone himself, creating the kitten Lil Petey, to double his ability to do crime stuff. Things get complicated, though, when Lil Petey forges an unexpected bond with Dog Man. When Lil Petey falls into the clutches of a common enemy, Dog Man and Petey reluctantly join forces in an action-packed race against time to rescue the young kitten. In the process, they discover the power of family (and kittens!) to bring even the most hostile foes together.
亚由美用她的大屁股作为武器来勾引隔壁的男人。隔壁的家伙变得硬起来,好像他被大屁股迷住了......
这部电影根据真实故事改编,讲述了摩根和罗德尼·梅泽尔的故事,他们是青梅竹马,摩根 21 岁时结婚。这对夫妇的第一个孩子出生后不久就去世了,但一年后他们有了双胞胎,他们欣喜若狂。当罗德尼失业并负债累累时,他们之间的关系开始紧张起来。罗德尼把他们的争吵归咎于摩根的酗酒——即使她只喝过一次酒——并说服摩根,是她在昏厥愤怒中把他推下楼梯的。这对夫妇最终分居,摩根的生活开始好转,直到罗德尼被诊断出患有癌症。不久之后,一个蒙面入侵者闯入摩根家并袭击了她。入侵者离开几分钟后罗德尼就出现了;当当局询问他时,罗德尼的故事似乎说不通。罗德尼真的得了癌症吗?他是他自称的英雄吗?还是他几十年来一直在欺骗摩根?
结婚6年的夫妻有麻烦了。与其他已婚人士秘密会面,可以激发他们个人的激情
男主去修道院找一位熟悉的女修女,却发现她并不在此地,然而不凑巧的是,他却发现了另外三个饥渴难耐的修女,三个修女如狼似虎,男主瞬间变成了任人宰割的小羔羊,且看男主与这三位修女会有一段怎样“荡”气回肠的故事....
道勋代替忙碌的美爱参加公司面试。 Sojin 正在寻找一家可以同时在家工作的公司。然后有一天,前来采访的素珍开始与道勋调情,随着素珍神秘的自言自语,素珍的秘密开始被揭露……
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.