故事发生在第二次世界大战期间,霍伯(西恩·潘 Sean Penn 饰)和尼基(尼古拉斯·凯奇 Nicolas Cage 饰)是学生时代的好友,两人之间友谊十分的坚实。一次偶然中,霍伯邂逅了在电影院打工的凯蒂(伊丽莎白·麦戈文 Elizabeth McGovern 饰),霍伯深深的爱上了她。实际上,凯蒂的母亲在当地的有钱人家里打工,凯蒂跟随母亲也住在那里,而霍伯和尼基都误以为凯蒂一家是那幢别墅的主人。 尼基的女友怀孕了,尼基急需150美元来帮助他的女友进行流产手术,而霍伯也要一笔钱来买一双鞋子送给凯蒂。两人打算策划一个骗局,但是最终还是失败了,无奈之下,还是凯蒂向雇主借了钱,才解决了尼基的燃眉之急。
康纳是一位有抱负的作家。她的丈夫是一名编辑,工作时间根据作家的日程安排而变化,非常忙碌。栗原是一位陷入低谷的成人小说作家,饱受缺乏灵感的困扰。秘书见他这个样子,就灵机一动。那就是把当护士的神无叫来当帮手
辻井在浅野的推荐下结束了打工,来到浅野家喝咖啡,由于浅野的记事能力,她感受到了丈夫感受不到的亲切。与此同时,明知她已婚却暗恋她的浅野却趁机向她表白,无奈之下,辻井爱上了以这种方式向她表达感情的浅野,最终在喝咖啡时与她发生了性关系,两人成为了一体。几天后,无法忘记那天关系的浅野这次来到了家里,而无法离开浅野的辻井最终又和他混在一起了
一位顾客叫来女佣来打扫卫生。看着女佣妖媚又妖媚的工作着。最终还是跟管家搞定了,而管家的反应却很反常
尤里作为一位拥有出色技能的女主人经营着一家旅馆。有一天,竞争客栈的老板娘派了两个探子。然而,在发现间谍是处女后,女主人以第一次体验的男人的强烈色情技巧来回应他们
Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).