妻子的朋友和歌与丈夫相处得不好,所以她总是进出敦的家。有一天,当她穿着他妻子的性感衣服躺着时,他误以为她是他的妻子,并立即插入了她。两个人明知道不对劲,却又感到高兴。此后,秘密恋情在妻子不知情的情况下继续进行
莉莉被一个看似孤独的单身中年男人所吸引。每天,她都会来到一间又旧又破旧的房间,和一个中年男人谈情说爱。有一天,隔壁的男人整晚都被他们的噪音打扰了,打电话劝告莉莉,但莉莉走近他,说他不介意她靠近他,并想和他成为朋友
因为你是我的!女老板艾米发现自己喜欢的后辈有女朋友后,嫉妒不已。她制定了一个计划,让她的小学生再次成为她的孩子。艾米带着学弟出差,试图用身体诱惑学弟的心
1978年,死亡峡谷。警官戴维•麦克阿里斯特(David Stanbra 饰)将杀人如麻、残酷血腥的雾人(Ben Gunther 饰)绳之于法,这个作恶多端的噩梦最终死在毒气室里。 时间回到现在,警长麦克阿里斯特(Robert Pine 饰)即将退休,他的儿子哈里斯(Michael Muhney 饰)则尾随父亲当上了警察。父子二人在六角餐馆用餐时,遭遇了在逃的赌场抢劫犯。双方展开对峙,年轻气盛的哈里斯引起大爆炸,两名劫匪劫持餐馆女招待玛雅(Mircea Monroe 饰)逃亡。在救援部队迟迟未到之时,戴维带着儿子展开谨慎的追踪。不过令双方始料未及的是,似乎有另一个神秘、恐怖的杀手将他们玩弄于鼓掌之中。邪恶的雾人精神不死,重返人间……
故事发生在一间名为“鸟笼”的夜总会中,艾伯特(内森·连恩 Nathan Lane 饰)是其中的当家花旦,不仅如此,他和夜总会的老板阿曼德(罗宾·威廉姆斯 Robin Williams 饰)还是出双入对的同性情人。 某日,阿曼德同前妻所生的儿子瓦尔(丹·福特曼 Dan Futterman 饰)找到了老爸,喜滋滋的告诉他他即将带着未婚妻芭芭拉(卡莉斯塔·弗洛克哈特 Calista Flockhart 饰)前来造访。阿曼德在感到欣喜的同时亦十分紧张,因为芭芭拉的父母凯文(吉恩·哈克曼 Gene Hackman 饰)和路易斯(黛安娜·维斯特 Dianne Wiest 饰)是保守派人士,如果让他们知道了自己同艾伯特之间的关系,儿子的婚事可能就要岌岌可危了。于是,阿曼德开始劝说艾伯特,让他假扮成为一个正常人,表面上答应了阿曼德的请求,艾伯特的内心里却十分郁闷。
With a sense of duty and iron toughness, the Burgundian weapon master Hagen von Tronje holds the crisis-ridden kingdom together. In doing so, he suppresses his secret love for the king's daughter Kriemhild and represses his own dark past. When the legendary dragon slayer Siegfried of Xanten appears in Worms and threatens the old structures with his unpredictable nature, Hagen progressively turns into a tragic figure. The fantasy film is a new interpretation of the Nibelung saga and captivates with its fantastic scenery and brilliantly choreographed combat scenes.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.