Without warning, millions of mysterious alien "doors" suddenly appear around the globe. In a rush to determine the reason for their arrival, mankind must work together to understand the purpose of these cosmic anomalies. Bizarre incidences occurring around the sentient doors leads humanity to question their own existence and an altered reality as they attempt to enter them.
未满12岁的加拿大女孩伊莉莎白,住在加拿大与美国边境附近的小镇。某天伊莉莎白突然得知自己不是父母的亲生女儿,而一些巧合让她认为,自己其实是乡村歌手Dolly Parton的孩子。于是伊莉莎白给Dolly Parton写信,并计划跨越边境去Dolly Parton的演唱会与其相见……
Nour makes a living from smuggling exotic animals and illicit products (birds of prey, venom, rare roots, etc.). Wishing to get her son out of the city and offer him a better future, she designs and develops a mobile app that connects clients and marabouts. It’s a success, but a patient’s consultation turns into a tragedy and Nour has to face a wave of violence that could cost her and her son their lives.
美妍和素珍离开一家健康按摩店后正在寻找工作。素珍为了赚大钱而寻找非法按摩店,强迫不自在的美妍与她一起工作。随着素珍越来越主动,VIP客人也越来越多,而一直看着她花钱的美妍也变得更加主动
这是一档介绍住在中国的外国人拍摄住在全世界的中国人和住在日本的中国人的旅行式纪录片。由主持人阿部力或者导演竹内亮,带着观众们去拜访住在各地的主人公,了解他们的生活,找寻他们选择住在这里的理由。
Nate, a 19 year old film student, and Margaret, a 52 year old spinster, are best friends in an odd, quirky, totally working kind of way... until Nate's audacious classmate Darla sets him up on a date with James. Nate's new life shakes apart his friendship with Margaret, who goes off on her own to start a career as a stand-up comedian.
故事发生在日寇入侵我国东北三省之时。绿林好汉关东好,在一个偶然的机会救下了惨遭日军轮奸的少女。少女被救后毅然加入了以关东好为首领的绺子,并渐渐练就一身好骑术和一手好枪法,被人们誉为关东女侠。一次,关东好被日军抓去,在被押往刑场的路上,关东女侠率马队飞驰而来,救下关东好。混乱中,日本小队长击中关东好。关东好的伤势日趋恶化,一天,在老营关东好当众宣布将绺子大旗交给关东女侠,从此她将成为一方绿林的头领--大当家,按山寨规矩,关东好宣布完举枪自毙。第二天,关东女侠只身策马进城为关东好报仇。身为二当家的四虎紧随其后。关东女侠扮成男商人进城后,发现一名叫三月兰的妓女凭借自己的姿色每晚设计诱杀日军,随后便在墙上留下关东女侠的大名。关东女侠劝其不要再打自己的旗号。正说着,遇上日军来追捕。关东女侠慌忙躲避,误入日军浴池,在四虎的配合下,将浴池中的日军全部击毙。日久天长,关东女侠与四虎相互爱慕,但每想到那不堪回首的往事,关东女侠只得将爱深埋心底。关东女侠率队协同其他绺子攻打孤山镇,却被投靠日本人的柳大川抄了后路,伤亡惨重。关东女侠和四虎扮成夫妻去县城找柳大川报仇,看到三月兰被日军押向了法场。当晚,关东女侠率四虎、万炮等人摸入日军县大队处死了柳大川,全歼日军。几天后,四虎为给关东女侠报当年之仇,独出心裁,抓来一日本少女让手下弟兄将其轮奸,并东女侠闻讯赶来,盛怒之下抽了四虎一记耳光,并端枪向参与其事的人疯狂扫射。按规矩参与轮奸的人罪当处死,四虎也在其中。关东女侠念及情份,决定与四虎成亲,三天后再执行枪决。三天后的凌晨,日军摸入老营,喝得烂醉的弟兄们惨遭杀害,关东女侠、四虎也双双被擒。关东女侠、四虎等人从容走向刑场,枪响了,关东女侠、四虎缓缓地倒在茫茫的雪原之中。
In this '60s retro prequel to the bizarro-noir Bloodsucker's Handbook (AKA Enchiridion), Bloodsucker's Planet follows the crew of the space ship Argosy as they respond to a distress signal from the industrial Planet Mara only to discover the planet is ruled by the sinister Mother Vampire. Along the way, they encounter disease-carrying Mara bats, a talking space roach, and Adrianna, the gynoid whose developing self-awareness is aided by her collection of vintage romance comics.
当艾伦释放出巨人的终极力量时,世界的命运岌岌可危。怀着消灭所有威胁艾尔迪亚的人的强烈决心,他率领一支不可阻挡的巨人大军向马莱进击。
光的叔叔被不公平地解雇了。好心的光夫妇让失业无助的他住在他们家。然而,当叔叔看到她耀眼的善良时,他隐藏的欲望被唤醒,他最终强奸了她。后来,原本鄙视他的她,在想起他的时候,也渐渐有了这种感觉……
水木夫妇婚姻生活幸福美满。然后不幸降临到两人身上。因为丈夫的失误,公司遭受巨大损失,丈夫最终被调到肤浅的部门,整天盯着办公桌。当她的丈夫从他不喜欢的同事那里听说这件事时,他得到了一笔交易……
当父亲离开家三天去参加公司研讨会时,浩司很高兴能与继母独处,并试图与他一直钦佩的继母做一些事情,但继母对浩司的鲁莽行为感到尴尬,结束了Koji 打了他一巴掌,生气地跑了出去。此后,随着他们的关系变得尴尬,继母开始担心,不知道该怎么办,而无法放弃继母的浩二,再次冲向继母。无法推开他,最终接受了Koji,两人就这样在一起了三天。
筱原祐司(伊藤英明 饰)曾经是一名消防员,如今,他和妻儿一起过着平静的生活,某日,祐司带着女儿外出游玩,在乘坐地铁的时候突然遇到了地道塌陷。原来,几天前的地震造成了气候的突变,海水升温,冰雹砸下,狂风肆虐,巨浪滔天,整个地下世界支离破碎,摇摇欲坠。 除了祐司和女儿,还有另外三人被困在了地下,没有人知道这无人的存在,亦没有人知道他们的命运来到了生死存亡的紧要关头。祐司使用了消防队通用的信号——252信号,这代表着依然有幸存者还在苦苦挣扎。静马(内野圣阳 饰)是祐司的哥哥,同时也是一名消防员,他带着队员们前往塌陷处进行救援。台风将至,上司命令静马一行人迅速撤离,然而就在此时,静马接收到了祐司所发出的求救信号。
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.