在青春的校园里,16岁的斯泰西·柯林斯总是默默无闻,她的羞涩让她从未涉足恋爱的领域,总觉得自己与周围的世界格格不入。然而,当校园里的风云人物——运动健将鲍比对她表示出兴趣时,斯泰西的心湖泛起了涟漪,她毫不犹豫地投入了这段感情。但好景不长,鲍比的占有欲和嫉妒心逐渐显露,他开始对斯泰西施加精神上的操控,严格限制她的行为自由。随着时间的推移,鲍比的控制欲愈发强烈,甚至演变成了身体上的暴力。每当斯泰西违背他的意愿,鲍比便会以暴力相向。争吵、尖叫、误解和伤痕成为了他们关系的常态。斯泰西的母亲和朋友们察觉到了异常,他们忧心忡忡,担心斯泰西的生命安全。尽管周围人的劝说和恳求不断,斯泰西却固执地坚守在鲍比身边,对外宣称一切安好,拒绝结束这段扭曲的关系。终于,在一次次的痛苦和反思后,斯泰西醒悟了,她决定与鲍比分手。但在决断的最后一刻,她做出了一个改变命运的选择。这个选择,却意外地引发了一场悲剧。这部影片灵感来源于杰米·富勒的真实经历,他是一名16岁的高中生,在1991年8月23日夺走了14岁女友艾米·卡内瓦尔的生命。
她邀请她一直关注的小辈到她家发生性关系,并试图引诱他与她睡觉。但男子一直拒绝,称有女朋友了,怎么能和学长睡觉。然后,女人在男人面前脱掉衣服,开始猛戳男人的身体……
来到智树家拜访的田中,无意中偷听了女人的电话,他屏住呼吸,无意中听到了她与智树父亲以外的男人通话的声音。与此同时,她在不知道田中正在监视她的情况下与她的外遇伴侣进行电话性爱,挂断电话后,她看到了不想让儿子发现她外遇的田中,并要求田中保守秘密,但田中对加奈的猥亵外表感到兴奋,并开始以此为借口威胁加奈。最终,加奈无法承受田中的威胁,别无选择,只能按照他的吩咐去做,最终与儿子的朋友田中发生了性关系
珠万与真女有染,并赶走了他的妻子顺贞。被赶到空荡荡的房子里的顺贞遇到了强盗道植,被道植玩弄后,善贞突然改变并开始虐待道植。道植突然爱上顺政,顺政和道植绑架了周万和真女
Chosen Family sees Ann, a yoga teacher trying to find inner peace despite the fact her family is manic, and whose dating life is miserable. Ann doesn’t know how to say no and finds herself fixing everyone’s problems. Struggling to repair her estranged relationship with her sister Clio, Ann relies on her friends Roz, Max and Frances to be her rock and guide her through life’s troubling decisions.
男女之间的色情漫画的制作始于漫画市场上的销售,他们成为恋人,第一次发生性行为,并因为漫画素材而花了半年的时间练习各种东西。漫画市场那天,漫画终于完成了。结果只卖了3本,是一次巨大的失败,两人在酒店里发生了争执,泪流满面的和解性爱与他们郁闷的心情相反,几次猛烈的高潮
The Deadly Companions is a 1961 Western film directed by Sam Peckinpah and starring Maureen O'Hara, Brian Keith, Steve Cochran, and Chill Wills. Based on the novel of the same name by A. S. Fleischman, the film is about an ex-army officer who accidentally kills a woman's son, and tries to make up for it by escorting the funeral procession through dangerous Indian territory. The Deadly Companions was Sam Peckinpah's motion picture directorial debut.
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).
胸恋经理人心里有月见。有一天,经理让月见检查她的身体,并说一个重要的U盘不见了。经理首先检查了她的乳房之间的区域,然后强奸了赤身裸体的月见,身为单身收入的月见无奈接受了经理
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.