Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).
辻井在浅野的推荐下结束了打工,来到浅野家喝咖啡,由于浅野的记事能力,她感受到了丈夫感受不到的亲切。与此同时,明知她已婚却暗恋她的浅野却趁机向她表白,无奈之下,辻井爱上了以这种方式向她表达感情的浅野,最终在喝咖啡时与她发生了性关系,两人成为了一体。几天后,无法忘记那天关系的浅野这次来到了家里,而无法离开浅野的辻井最终又和他混在一起了
水木夫妇婚姻生活幸福美满。然后不幸降临到两人身上。因为丈夫的失误,公司遭受巨大损失,丈夫最终被调到肤浅的部门,整天盯着办公桌。当她的丈夫从他不喜欢的同事那里听说这件事时,他得到了一笔交易……
男女之间的色情漫画的制作始于漫画市场上的销售,他们成为恋人,第一次发生性行为,并因为漫画素材而花了半年的时间练习各种东西。漫画市场那天,漫画终于完成了。结果只卖了3本,是一次巨大的失败,两人在酒店里发生了争执,泪流满面的和解性爱与他们郁闷的心情相反,几次猛烈的高潮
故事发生在人头攒动的大都市纽约,在这里,生活着一位名叫伊莎贝尔(艾米·欧文 Amy Irving 饰)的姑娘,在这个物欲横流的城市里,伊莎贝尔的特质则显得尤为珍贵,她是书店的店员,整日博览群书,对知识的渴望永无止境。 可是,正直善良的伊莎贝尔在她祖母的眼中俨然就是一位“问题少女”,因为已经到了成家年龄的她似乎并没有任何想要结婚的打算。就这样,着急的祖母风风火火地开始为伊莎贝尔物色起了对象,通过祖母的牵线搭桥,伊莎贝尔结识了名为山姆(彼得·里格特 Peter Riegert 饰)的犹太男子。山姆是一名小贩,他对秀外慧中的伊莎贝尔很快一见钟情,可是,伊莎贝尔却并不这么觉得。
A 65-year-old single artist living in New York City has a good life: a stable teaching job, successful friends, and a loyal, aging dog named Bing. As her dream of a respectable place in the art world becomes more elusive, her frustration with her lack of recognition feels alarmingly urgent.
Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.