Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
妻子去世后暂时和儿子一起生活的岳父。儿子很不高兴,但善良的里科表示看在岳父的份上,他愿意接受。但她公公看她的眼神有些奇怪。那一天,里科夫妇时隔许久,第一次公开他们的感情,场面激昂。但洗完澡后,我再次感受到了那双阴险的目光……
分期买牛肉,靠性服务交房租,阿根廷真的等来了好时候吗?
一位顾客叫来女佣来打扫卫生。看着女佣妖媚又妖媚的工作着。最终还是跟管家搞定了,而管家的反应却很反常
冈本身居《关东新闻》报社营业部长之职,同时还是个小说家,他的作品正在自家的报纸上连载。家中的妻子静代美丽而贤淑,日子过得十分美满。 新调入的编辑部久美子打破了冈本平稳的生活。冈本迷上了妖冶的久美子,她反常的做爱癖好对冈本来说又新鲜又充满刺激。久美子通过冈本知道了新兴宗教崇德教的丑闻,并将之写成报导发上了《关东新闻》。崇德教一直是这份报纸的大广告客户,惹恼教主吉冈意味着报社将陷入财政危机。吉冈要求冈本拿妻子来谢罪。为了替丈夫解忧,静代自愿入教当一个星期的巫女。看着不断自责的冈本,久美子心里也不好受。原来,她过去曾是吉冈的性奴隶,为了复仇才接近冈本利用击垮崇德教。但久美子渐渐地爱上了冈本。她决心救出静代,只身来到了吉冈的家。谁料,久美子完全落入了吉冈的圈套。她和静代一同堕入了无尽的官能地狱……
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).