西宫是公司的新员工,总是完全瞧不起、不服从顶头上司泽田。某天,泽田正在公司附近的一家酒店等候,准备紧急情况,而西宫也住在他所住的酒店里。经过客房时,他看到西宫穿着淫秽的内衣自慰,他仿佛趁机进入她的房间,将她推倒并袭击了她
一直吸引我目光的后辈佐佐木。晚宴结束后,醉酒的佐佐木被带回家。当最后一班电车被切断时,千早袭击了佐佐木。不知不觉中,两人已经爱上了对方
胸恋经理人心里有月见。有一天,经理让月见检查她的身体,并说一个重要的U盘不见了。经理首先检查了她的乳房之间的区域,然后强奸了赤身裸体的月见,身为单身收入的月见无奈接受了经理
Adapted from Culpables Series by Mercedes Ron. A different version from the original Culpa mía. An 18-year-old girl moves from America to London with her mother and wealthy stepfather. She meets her stepbrother, and an attraction brews despite their efforts. Unaware, her estranged father tracks her down after release from prison.
Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.