A 65-year-old single artist living in New York City has a good life: a stable teaching job, successful friends, and a loyal, aging dog named Bing. As her dream of a respectable place in the art world becomes more elusive, her frustration with her lack of recognition feels alarmingly urgent.
故事发生在日寇入侵我国东北三省之时。绿林好汉关东好,在一个偶然的机会救下了惨遭日军轮奸的少女。少女被救后毅然加入了以关东好为首领的绺子,并渐渐练就一身好骑术和一手好枪法,被人们誉为关东女侠。一次,关东好被日军抓去,在被押往刑场的路上,关东女侠率马队飞驰而来,救下关东好。混乱中,日本小队长击中关东好。关东好的伤势日趋恶化,一天,在老营关东好当众宣布将绺子大旗交给关东女侠,从此她将成为一方绿林的头领--大当家,按山寨规矩,关东好宣布完举枪自毙。第二天,关东女侠只身策马进城为关东好报仇。身为二当家的四虎紧随其后。关东女侠扮成男商人进城后,发现一名叫三月兰的妓女凭借自己的姿色每晚设计诱杀日军,随后便在墙上留下关东女侠的大名。关东女侠劝其不要再打自己的旗号。正说着,遇上日军来追捕。关东女侠慌忙躲避,误入日军浴池,在四虎的配合下,将浴池中的日军全部击毙。日久天长,关东女侠与四虎相互爱慕,但每想到那不堪回首的往事,关东女侠只得将爱深埋心底。关东女侠率队协同其他绺子攻打孤山镇,却被投靠日本人的柳大川抄了后路,伤亡惨重。关东女侠和四虎扮成夫妻去县城找柳大川报仇,看到三月兰被日军押向了法场。当晚,关东女侠率四虎、万炮等人摸入日军县大队处死了柳大川,全歼日军。几天后,四虎为给关东女侠报当年之仇,独出心裁,抓来一日本少女让手下弟兄将其轮奸,并东女侠闻讯赶来,盛怒之下抽了四虎一记耳光,并端枪向参与其事的人疯狂扫射。按规矩参与轮奸的人罪当处死,四虎也在其中。关东女侠念及情份,决定与四虎成亲,三天后再执行枪决。三天后的凌晨,日军摸入老营,喝得烂醉的弟兄们惨遭杀害,关东女侠、四虎也双双被擒。关东女侠、四虎等人从容走向刑场,枪响了,关东女侠、四虎缓缓地倒在茫茫的雪原之中。
继母在丈夫不知情的情况下与继子拓也发生了身体关系,在拓也读书时拜访他,并开始窃窃私语并引诱他。拓也被继母的淫荡气息打得浑身发抖,放下笔,与继母依偎在床上。在与继母发生了几次关系后,无法控制自己的欲望,拓也越来越沉迷于与继母的关系,最终他因无法抗拒深夜的欲望而吵醒了熟睡的继母。与此同时,她对拓哉的到来感到暗暗高兴,并在熟睡的丈夫身边享受着与拓哉的令人眼花缭乱的性爱
沈冬雪和沈乐乐在奶奶的陪伴下长大,听奶奶讲述着父母在外赚大钱的故事,期待着有一天能过上更好的生活。然而,等待的日子却变得漫长而艰难。她们内心充满了期待,但父母却一直未归。沈冬雪决定揭开真相,开始带着妹妹乐乐去探索父母的行踪。她们最终发现,父亲沈心智因为投资失败,背负巨额债务,只能在工地当建筑工人勉力维持生计。而母亲陈风铃则在夜店与大款交往,试图通过这种方式摆脱目前的困境。 然而,当沈心智得知妻子陷入不义之地后,并没有选择与陈风铃理论,而是直接拿着他们偷情的证据去勒索王先生。孩子们亲眼目睹了这一幕,看着父亲被塞进一辆鲜红的小轿车的后备箱,血液流出。这一场景深深地刺痛了两个幼小的心灵,仇恨的种子在她们的心中开始发芽。
故事发生在第二次世界大战期间,霍伯(西恩·潘 Sean Penn 饰)和尼基(尼古拉斯·凯奇 Nicolas Cage 饰)是学生时代的好友,两人之间友谊十分的坚实。一次偶然中,霍伯邂逅了在电影院打工的凯蒂(伊丽莎白·麦戈文 Elizabeth McGovern 饰),霍伯深深的爱上了她。实际上,凯蒂的母亲在当地的有钱人家里打工,凯蒂跟随母亲也住在那里,而霍伯和尼基都误以为凯蒂一家是那幢别墅的主人。 尼基的女友怀孕了,尼基急需150美元来帮助他的女友进行流产手术,而霍伯也要一笔钱来买一双鞋子送给凯蒂。两人打算策划一个骗局,但是最终还是失败了,无奈之下,还是凯蒂向雇主借了钱,才解决了尼基的燃眉之急。
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.