冈本身居《关东新闻》报社营业部长之职,同时还是个小说家,他的作品正在自家的报纸上连载。家中的妻子静代美丽而贤淑,日子过得十分美满。 新调入的编辑部久美子打破了冈本平稳的生活。冈本迷上了妖冶的久美子,她反常的做爱癖好对冈本来说又新鲜又充满刺激。久美子通过冈本知道了新兴宗教崇德教的丑闻,并将之写成报导发上了《关东新闻》。崇德教一直是这份报纸的大广告客户,惹恼教主吉冈意味着报社将陷入财政危机。吉冈要求冈本拿妻子来谢罪。为了替丈夫解忧,静代自愿入教当一个星期的巫女。看着不断自责的冈本,久美子心里也不好受。原来,她过去曾是吉冈的性奴隶,为了复仇才接近冈本利用击垮崇德教。但久美子渐渐地爱上了冈本。她决心救出静代,只身来到了吉冈的家。谁料,久美子完全落入了吉冈的圈套。她和静代一同堕入了无尽的官能地狱……
1960年。 Masae,与丈夫一起工作的妻子。邻居的妻子们都羡慕她去上班。由于孩子的原因,正江经常缺勤,但由于与上级发生身体关系,她得以继续工作。一个星期六,有人看着 Masae 和她的老板发生性关系后出来
Advertising executive Holly walks by the same holiday window every day on her way to work featuring the perfect man(equin). When a fateful icicle knocks her out. The fake window man becomes the man of her dreams. Then she discovers that though his looks are perfect, his personality is still…plastic.
Nour makes a living from smuggling exotic animals and illicit products (birds of prey, venom, rare roots, etc.). Wishing to get her son out of the city and offer him a better future, she designs and develops a mobile app that connects clients and marabouts. It’s a success, but a patient’s consultation turns into a tragedy and Nour has to face a wave of violence that could cost her and her son their lives.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.