电影筛选珠万与真女有染，并赶走了他的妻子顺贞。被赶到空荡荡的房子里的顺贞遇到了强盗道植，被道植玩弄后，善贞突然改变并开始虐待道植。道植突然爱上顺政，顺政和道植绑架了周万和真女
Layla is ten years old, and about to meet her new family. She just doesn't know it yet. An act of kindness met with deception leads to Layla's abduction and descent into a life of sex slavery hidden in an ordinary neighborhood. It could even be yours. I AM STILL HERE takes us inside Layla's new world, showing what really happens to these children after the first 48 hours, and why it's so difficult to combat the fastest-growing illegal enterprise in the world: the child sex slave industry. Starring Johnny Rey Diaz (Hawaii Five-O), Erika Ringor (Love and Basketball), and Ciara Jiana (Sharknado), this movie is based on exhaustive research into real cases, and is dedicated to all the missing children who are still out there. From first-time writer/director Mischa Marcus and Emmy-nominated and award-winning producer Stephanie Bell.
妻子去世后暂时和儿子一起生活的岳父。儿子很不高兴，但善良的里科表示看在岳父的份上，他愿意接受。但她公公看她的眼神有些奇怪。那一天，里科夫妇时隔许久，第一次公开他们的感情，场面激昂。但洗完澡后，我再次感受到了那双阴险的目光……
爱尔兰的建筑工人们为纽约市的崛起贡献了力量，同时也在这一过程中度过了难忘的时光。翡翠城团队的每位成员都在与各自的困境抗争：酗酒、赌博、失去亲人的痛苦、家族遗产的重担，以及面对一个逐渐不再需要他们的城市。
与新经纪公司签订专属合约后首次拍摄。人气AV女优初美咲在拍摄前用剃刀将阴毛全部剃掉，以与以往不同的决心开始做爱……
在一项政府人口减少计划毒害了数百万人之后，当一名暴虐的官员为了拯救自己的儿子而追捕他时，一名免疫的、隐居的幸存者必须为保卫自己的庇护所和自己的理智而战斗。
影片简介 做了多年职业杀手的乔舒亚在一次合同途中，要在小奥德萨停留，因为当年的他就是从这俄罗斯移民区跑出去闯荡江湖的，这里有他的亲人和朋友。但是这次省亲彻底失败，母亲重病不起，父亲嫌他名声不好，态度冷淡，旧日的爱情和兄弟间的手足情都已成为过眼云烟，而惟有当地的黑帮对他的旧怨一丝没有减退... 影片评价 最初，导演James Gray万事俱备, 只是找不到理想的男主角----一个青年版帕西诺, 很巧他看了《凡高与提奥》, 当时的反应就是"这人是谁!", 他那时还没看过《落水狗》, 立刻找了来看, 看完了决定Tim就是乔舒亚; 他随后去找Tim, Tim和他谈过后, 当即同意出演: 那时他既没看剧本也没问价钱, 就直接签上了自已的名字. 对此Gray对记者说: 他, 有种. 对片中的一段床戏, Tim说他这么多年, 即使从前拍captives, 也没碰到过这种情况. 据他的描述, 演他女朋友的Moira Kelly是个很清高的女孩子, 而且信天主教, 拍戏之前他们都喝了点酒, 然后一遍就通过了. 有人统计Tim在这个片子里只笑了两次. James Gray评价TR, 说他"人很好, 但是被一些黑暗的东西吸引". 本片获得1994年威尼斯电影节最佳女配角
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
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