胸恋经理人心里有月见。有一天,经理让月见检查她的身体,并说一个重要的U盘不见了。经理首先检查了她的乳房之间的区域,然后强奸了赤身裸体的月见,身为单身收入的月见无奈接受了经理
两兄弟试图安抚家族传承的性感女人的故事!充满性欲的性精灵每天出现数次,窃取兄弟们的能量!最后我以为兄弟俩可能就这样死去了……我们开始研究摆脱它们的方法
继母在丈夫不知情的情况下与继子拓也发生了身体关系,在拓也读书时拜访他,并开始窃窃私语并引诱他。拓也被继母的淫荡气息打得浑身发抖,放下笔,与继母依偎在床上。在与继母发生了几次关系后,无法控制自己的欲望,拓也越来越沉迷于与继母的关系,最终他因无法抗拒深夜的欲望而吵醒了熟睡的继母。与此同时,她对拓哉的到来感到暗暗高兴,并在熟睡的丈夫身边享受着与拓哉的令人眼花缭乱的性爱
两个失业的朋友有了一个新点子:他们决定在《GTA》游戏中上演莎士比亚的《哈姆雷特》。然而,即使是在虚拟世界中,现实的干扰仍无处不在。这是一部完全拍摄于这款极度暴力电子游戏中的荒诞且迷幻的影片。 对于失业的演员山姆和马克来说,前途一片黯淡。英国正处于第三次封锁,剧院仍然关闭。他们通过在《GTA》中偷车和射击陌生人来打发时间。然而,当他们意外发现游戏中的一座圆形剧场时,灵光乍现:为什么不在GTA中上演威廉·莎士比亚的《哈姆雷特》呢?他们开始为角色挑选其他在线玩家并排练戏剧场景,但困难接踵而至。在这个充满敌意的虚拟世界里,要诵读这部以丹麦为背景的不朽经典几乎不可能——随时可能被乱枪扫射或被警察追捕。 在浓厚的英式幽默之下,是一股深深的焦虑情绪。这场《哈姆雷特》的制作成了两位朋友在艰难时期的全部寄托:马克愈发感到孤独,而山姆则为如何养家糊口而焦虑不已。“丹麦有些腐朽的东西”,但在GTA这个超现实版埃尔西诺尔中,命运瞬息万变。
和庆秀一起喝啤酒的佳熙喝醉了,并与庆秀发生了性关系。 实际上,Ga-hee是在Minsu独自勾引其姐夫时来的。 Gahee从酒中醒来,晚上悄悄前往Minsu的房间。 Minsu真的可以忍受Gahee的诱惑吗?
胸恋经理人心里有月见。有一天,经理让月见检查她的身体,并说一个重要的U盘不见了。经理首先检查了她的乳房之间的区域,然后强奸了赤身裸体的月见,身为单身收入的月见无奈接受了经理……
Chosen Family sees Ann, a yoga teacher trying to find inner peace despite the fact her family is manic, and whose dating life is miserable. Ann doesn’t know how to say no and finds herself fixing everyone’s problems. Struggling to repair her estranged relationship with her sister Clio, Ann relies on her friends Roz, Max and Frances to be her rock and guide her through life’s troubling decisions.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.