An expert at sleight of hand and with a keen eye for identifying charlatans and tricksters, our story begins as Harry has fallen on hard times in recent years, professionally and ethically losing his way. He’s resorted to making his living as a fake medium and fraudulent ghost hunter, conducting séances for unsuspecting families who think their lives have been made a misery by ghostly mischief making. Harry’s duplicitous lifestyle has also had serious consequences when after leading a séance for a tragic soldier a young man commits suicide on the doorstep of Harry’s home. A couple of months later, Harry is offered the chance to investigate the haunting of a local MP’s home as the case threatens to ruin the politician’s reputation. With the prospects of leading his political party, Edward Curtis can ill-afford the scandal as his wife Grace begins to hallucinate and act bizarrely and very much out of character as she believes their family home to be haunted. There’s a possibility Grace may be committed to an asylum in scandalous circumstances if Harry doesn’t take on the investigation. Ghosts from Harry’s past influence his decision to take the case and he begins to think it might be time to take a new path. Together with the Curtis family maid, Sarah Grey, whose own mother has fallen prey to con artist mediums in the past, their detection and investigative skills complement one another and they make a formidable partnership. Smart, driven and open-minded, Sarah is a strong-minded woman who can handle herself when unravelling the mysteries behind the hauntings, which are seriously affecting Grace’s health and well-being. Harry also calls on the services of his old friend, Albert, during the investigation. An African pharmacist with a sideline in voodoo con-artistry, Albert has a keen interest in medical and scientific discoveries, which Harry exploits to the maximum. Journalist Vernon Wall also finds himself in Harry’s orbit. Cynical and hard-bitten, although clever at winning the trust of the people he’s interviewing, Vernon is keen to learn about Harry’s techniques and sensing a political scandal sets out to inveigle his way into his life by extracting information from Sarah.
When a faithful police dog and his human police officer owner are injured together on the job, a harebrained but life-saving surgery fuses the two of them together and Dog Man is born. Dog Man is sworn to protect and serve—and fetch, sit and roll over. As Dog Man embraces his new identity and strives to impress his Chief (Lil Rel Howery, Get Out, Free Guy), he must stop the pretty evil plots of feline supervillain Petey the Cat (Pete Davidson; Saturday Night Live, The King of Staten Island). Petey’s latest plan is to clone himself, creating the kitten Lil Petey, to double his ability to do crime stuff. Things get complicated, though, when Lil Petey forges an unexpected bond with Dog Man. When Lil Petey falls into the clutches of a common enemy, Dog Man and Petey reluctantly join forces in an action-packed race against time to rescue the young kitten. In the process, they discover the power of family (and kittens!) to bring even the most hostile foes together.
在一项政府人口减少计划毒害了数百万人之后,当一名暴虐的官员为了拯救自己的儿子而追捕他时,一名免疫的、隐居的幸存者必须为保卫自己的庇护所和自己的理智而战斗。
The Deadly Companions is a 1961 Western film directed by Sam Peckinpah and starring Maureen O'Hara, Brian Keith, Steve Cochran, and Chill Wills. Based on the novel of the same name by A. S. Fleischman, the film is about an ex-army officer who accidentally kills a woman's son, and tries to make up for it by escorting the funeral procession through dangerous Indian territory. The Deadly Companions was Sam Peckinpah's motion picture directorial debut.