她骑自行车时不小心撞到了一名男子,致使他受伤。他过来道歉,但该男子默默地指着受伤的部位,要求就医。如果得不到道歉,她的处境就更尴尬了,所以她只能答应男人的要求……
With a sense of duty and iron toughness, the Burgundian weapon master Hagen von Tronje holds the crisis-ridden kingdom together. In doing so, he suppresses his secret love for the king's daughter Kriemhild and represses his own dark past. When the legendary dragon slayer Siegfried of Xanten appears in Worms and threatens the old structures with his unpredictable nature, Hagen progressively turns into a tragic figure. The fantasy film is a new interpretation of the Nibelung saga and captivates with its fantastic scenery and brilliantly choreographed combat scenes.
基于各种原因,自幕府末期至昭和初期,日本大批穷苦人家的女孩被贩卖到南洋当妓女,世称“南洋姐”。她们的命运坎坷,受尽人世间的屈辱。有些人客死他乡,有些即使回到故乡,却仍要承受世俗鄙夷的目光。 女性史学家三谷圭子(栗原小卷 饰)为了调查和解开这段历史,走访了九州天草的崎津町 ,不过她的采访并不顺利,曾经历那个年代的老人们对此皆闭口不谈,讳莫如深。偶然间,她在路边冷饮店邂逅曾当过南洋姐的阿崎婆(田中绢代 饰),经过一段时间的试探和交往,原本紧锁心门的老婆婆终于向圭子敞开心扉,一同回首那段不堪回首的悲伤往事…… 改编自山崎朋子的小说《山打根8号娼馆 底层女性史序章(サンダカン八番娼館- 底辺女性史序章)》,影片荣获1973年亚太电影节最佳影片奖、1975年柏林国际电影节最佳女演员奖等多个奖项。
辻井在浅野的推荐下结束了打工,来到浅野家喝咖啡,由于浅野的记事能力,她感受到了丈夫感受不到的亲切。与此同时,明知她已婚却暗恋她的浅野却趁机向她表白,无奈之下,辻井爱上了以这种方式向她表达感情的浅野,最终在喝咖啡时与她发生了性关系,两人成为了一体。几天后,无法忘记那天关系的浅野这次来到了家里,而无法离开浅野的辻井最终又和他混在一起了
分期买牛肉,靠性服务交房租,阿根廷真的等来了好时候吗?
故事发生在第二次世界大战期间,霍伯(西恩·潘 Sean Penn 饰)和尼基(尼古拉斯·凯奇 Nicolas Cage 饰)是学生时代的好友,两人之间友谊十分的坚实。一次偶然中,霍伯邂逅了在电影院打工的凯蒂(伊丽莎白·麦戈文 Elizabeth McGovern 饰),霍伯深深的爱上了她。实际上,凯蒂的母亲在当地的有钱人家里打工,凯蒂跟随母亲也住在那里,而霍伯和尼基都误以为凯蒂一家是那幢别墅的主人。 尼基的女友怀孕了,尼基急需150美元来帮助他的女友进行流产手术,而霍伯也要一笔钱来买一双鞋子送给凯蒂。两人打算策划一个骗局,但是最终还是失败了,无奈之下,还是凯蒂向雇主借了钱,才解决了尼基的燃眉之急。
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.