Oliviero is a burned-out writer, living at his estate near Venice, his dead mother dominating his imagination. He is also a degenerate: sleeps with his maid and his ex-student, hosts Bacchanalia for local hippies, and humiliates his wife Irina in front of strangers. She lives in terror. When a young woman is murdered, police suspect Oliviero. Things get complicated when his young, beautiful, and self-confident niece, Floriana, pays an unexpected visit. A silver-haired stranger observes. More women die, and thoughts of harming Irina give Oliviero new inspiration. What's Floriana's game and who's the observant stranger? Watching all is a black cat named Satan.
雷奈尔(赖尼尔·迪亚兹 Reinier Díaz 饰)有一大家子人需要靠他养活,然而,想要在这个残酷的世界中生存下去并非容易之事,无奈之下,雷奈尔只得成为了一名站街男妓,依靠出卖自己的肉体和青春获得短暂的温饱。 约斯瓦尼(米尔顿·加西亚 Milton García 饰)和妻子之间的感情并不融洽,与此同时,他亦是以放高利贷为生的岳父手下的一名打手,每天喊打喊杀的生活让约斯瓦尼疲惫不堪。一次偶然中,这两个性格地位截然不同的男人相遇了,命运让他们相遇,令他们相爱,在古巴热烈的阳光之下,两个男人陷入欲望的漩涡无法自拔。然而,属于他们的道路注定布满了荆棘,两人为了忠于内心的情感,皆付出了惨痛的代价。
一直吸引我目光的后辈佐佐木。晚宴结束后,醉酒的佐佐木被带回家。当最后一班电车被切断时,千早袭击了佐佐木。不知不觉中,两人已经爱上了对方
简介:一架客机原本要从巴黎至纽约,但飞机刚飞过美国领空不久,意外随即发生,所有乘客随着飞机被劫持至北极。一群劫机者迫使这架班机坠毁在阿拉斯加的雪山群峰中。这显然绝非一般的劫机事件。杭特博士,挖掘到传说中的致命武器-特斯拉激光,搭乘了这架班机,他此行目的是护卫这个能在瞬间以意志力毁灭万物的致命武器赴美,随行人士在这场劫机事件不幸丧生,他现在绝不能让歹徒夺走特斯拉激光,更要防止它被引爆而引发地球灭亡的浩劫。杭特博士和数名生还者必须接受这项严酷的挑战,因为若不是拥有特斯拉激光,美国绝对不会来救他们;但也是因为拥有激光,他们无可选择地成为国际恐怖份子追杀的目标。这是一场在绝地里斗智斗力的开始,钓住华盛顿,逃过恐怖份子追杀…他们无所不用其极,只为求生及挽救一场世纪大灾难.。 简评:一架喷射机在飞越美国领空时,一个伪装的持枪逃犯要挟持飞机,不仅乘客被杀死,飞机的压力调整器也被破坏,喷射机迅速坠毁在阿拉斯加一座覆满白雪的山头,听起来很像911的另一个版本。可本片意不在此,数名生还者如何在冰天雪地中活下来,并找出一条生路,才是它的重点。信念,对亲人的挂念,生存的渴望,《极地重生》里的基文斯可以熬过西伯利亚的严寒,上万公里的跋涉,被追赶的恐惧,饥渴难忍的痛苦,不也是靠这些么?
今天是美容店按摩体验的一天。没有按摩经验的初美咲简单学习了按摩接待技巧,进行了第一次实战训练。终于迎来了第一个顾客。当她怀着颤抖的心开始精油按摩时,她开始在顾客的要求下脱掉衣服
道勋代替忙碌的美爱参加公司面试。 Sojin 正在寻找一家可以同时在家工作的公司。然后有一天,前来采访的素珍开始与道勋调情,随着素珍神秘的自言自语,素珍的秘密开始被揭露……
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.