电影筛选纱子，结婚一年的新娘。有一天，当我的丈夫每天因为工作上的老板而感到压力时，老板带着喝醉了的丈夫回家。然后是一个有着秘密过去的老板的阴险之手。纱子原本暗自希望这样做，但她却允许自己站在丈夫身边，向老板屈服。几天后，老板又出现了。纱子期待着丈夫的升职，在夫妻俩的卧室里又做了一件事。她的未来会怎样？
Exotic Eastern European beauty, Linda Allen, flies in to Los Angeles to track down the evil mobsters who tortured and murdered her sister. Meanwhile, the mobsters are trying to find a tape with information that would be incriminating to them. Linda's investigation deals with a pimp who may be the murderer she is after, and a helpful FBI agent who may not be the crime hunter he pretends to be. Cunning and deadly she is, but will she be up to the tangled web of corruption, violence, and death she falls into?
亚历克西斯（菲利克斯·勒费弗尔 Félix Lefebvre 饰）是一位精力旺盛，向往自由的少年。一天，在独自出海的过程中，亚历克西斯遭遇了意外，所幸得到了大卫（本杰明·沃辛 Benjamin Voisin 饰）的出手相救才逃过了一劫。这次事件让两个少年迅速建立了深厚的友谊，他们一个放荡不羁古灵精怪，一个沉着稳重心思细腻，简直就是天作之合。 然而，当一个名叫凯特（菲莉皮娜·维莱芝 Philippine Velge 饰）的女孩出现在两人的生活中时，亚历克西斯和大卫之间的关系开始慢慢出现裂痕。在一次激烈的争吵中，亚历克西斯负气出走，不放心他的大卫驱车在后面追赶，哪知道因此遭遇了车祸命丧黄泉。
Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).
Yui 嫁给了一位年长的男人。但丈夫却无法满足她强烈的性欲。她每天都生活在沮丧之中。后来有一天，她偶然看到了丈夫下属的阴茎。她抑制不住自己的兴奋之情，这次她没有戴胸罩就去迎接他。
With a sense of duty and iron toughness, the Burgundian weapon master Hagen von Tronje holds the crisis-ridden kingdom together. In doing so, he suppresses his secret love for the king's daughter Kriemhild and represses his own dark past. When the legendary dragon slayer Siegfried of Xanten appears in Worms and threatens the old structures with his unpredictable nature, Hagen progressively turns into a tragic figure. The fantasy film is a new interpretation of the Nibelung saga and captivates with its fantastic scenery and brilliantly choreographed combat scenes.
妄想——一个男人爱上了按摩店柜台上的一个女孩，并每天都去那里。后来有一天……我去按摩店见她，在我从她手中接过房间钥匙的那一刻，我感觉到她柔软的手触摸着我。然后过了一会儿……令人惊讶的是，她突然在柜台脱掉衣服，一边看着男人一边开始自慰…… 2.苗条的妹妹 - 搬进新家的男人。我试图去看望女房东并跟她打招呼，但她说她很忙，让我晚点再见她。几个小时后，醉酒的房主走错了房间，进入了那个男人的房间，男人看着她醉醺醺的样子，无法控制自己的思想，开始对她产生欲望。3. 不让妻子知道——A出差的男人丈夫来见他的情妇。他把自己的名片给了女友，但女友一直唠叨他要离婚，于是他让她给他买一个包来安抚她。而那段时间，他非常想勾引她……
我深爱的丈夫由于他的单身妻子而暂时离开。最后，两个人发生了激情的性爱。而现在，只剩下继子了，她突然因为孤独而亲吻了他。当她的孤独达到极限时，突然袭击了他
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
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