声名显赫的京城贾家分荣、宁二府。荣公长孙贾赦,独一子名贾琏。次孙贾政娶王氏,生子名珠,早逝;次女元春,选为贵妃;又得一子,因口中衔玉,玉又有字,名宝玉。宝玉不爱读八股文,却偏爱和女孩子搅在一起。贾政妹妹贾敏嫁扬州林如海,膝下一女,名黛玉。黛玉11岁丧母,林如海将其送到贾 府依伴外祖母史太君。黛玉与宝玉初次见面,竟无一点生疏。王夫人胞妹嫁于薛家,女儿宝钗知书达理。为宝钗选女官,薛姨妈合家进京,客居贾家。贾府为迎元妃省亲,特修省亲别墅——大观园。元月十五,亲人得一日相聚。
Andrea Absolonová was a talented Czech professional diver with a bright career ahead of her. However, her sports career had been cut short by a spinal injury during a training session at the Atlanta Olympic Games. She then embraced a professional career in the adult entertainment industry, where she became an internationally recognized porn actress. She died at the age of 27.
Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.
甜蜜的性爱:再来一次
竹内是一名新员工,他陪同美丽的老板七森经理出差。由于第一次行程中的一系列失误,住宿预订开始出现问题……因预订错误而被迫与竹内住在同一房间的七森原本打算整夜喝酒聊天,但随着他的突然表白和冲动的挑衅,她压抑的性欲爆发了
影片以主角 Marco 的视角展开,他曾误入歧途成为黑帮成员,但内心深处一直保留着善良的本质。故事中,Marco 所在的城市出现了一系列危害社会安全的恶性事件,警方在调查过程中发现这些事件与黑帮的非法活动有千丝万缕的联系。Marco 在经历了一些事情后,开始反思自己的生活和选择。当他发现黑帮的阴谋可能会给城市里无辜的人们带来巨大灾难时,他决定挺身而出。他利用自己对黑帮内部情况的了解,开始暗中协助警方收集证据。在这个过程中,Marco 遭遇了来自黑帮内部的怀疑和追杀,那些曾经的 “兄弟” 对他反目成仇,给他设下了重重陷阱。但 Marco 没有放弃,他与警方紧密合作,同时也在努力保护那些被黑帮威胁的普通市民。强调了正义和救赎的力量。
纱子,结婚一年的新娘。有一天,当我的丈夫每天因为工作上的老板而感到压力时,老板带着喝醉了的丈夫回家。然后是一个有着秘密过去的老板的阴险之手。纱子原本暗自希望这样做,但她却允许自己站在丈夫身边,向老板屈服。几天后,老板又出现了。纱子期待着丈夫的升职,在夫妻俩的卧室里又做了一件事。她的未来会怎样?
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.