Prehistoric sand-dwelling sharks are unleashed on the island of White Sands when an underwater earthquake cracks open a crater deep beneath the ocean surface. The most menacing beats to ever rule the waters now rule the sand; with their monster appetities they mercillessly feast on anything that crosses their path Mark Atkins directs this sci-fi 'creature feature' horror. When an underwater earthquake opens up a deep crater on the ocean floor, a prehistoric breed of lethal sand-dwelling sharks is unleashed upon the unsuspecting residents of White Sands Island.
10年后回到家乡,我又见到了我那个随和、阳刚又可爱的儿时玩伴,她依然笑得天真灿烂,但当我看到她那双胸大、没戴胸罩的时候,我就控制不住自己的性欲了。他们从早到晚的做爱,一次又一次将她融化在他的心里。几年过去了,但时不时回想起来,仍然是最美好的回忆
After a string of crushing personal and professional humiliations, Jack Lee accepts that at age 39 he is a failure. Worst of all, he's let down his selfless immigrant parents. To get back on track, Jack reaches out to others: an almost famous guru, a respected arts administrator, and two fellow computer programmers, all of whom have problems of their own.
男主去修道院找一位熟悉的女修女,却发现她并不在此地,然而不凑巧的是,他却发现了另外三个饥渴难耐的修女,三个修女如狼似虎,男主瞬间变成了任人宰割的小羔羊,且看男主与这三位修女会有一段怎样“荡”气回肠的故事....
继母在丈夫不知情的情况下与继子拓也发生了身体关系,在拓也读书时拜访他,并开始窃窃私语并引诱他。拓也被继母的淫荡气息打得浑身发抖,放下笔,与继母依偎在床上。在与继母发生了几次关系后,无法控制自己的欲望,拓也越来越沉迷于与继母的关系,最终他因无法抗拒深夜的欲望而吵醒了熟睡的继母。与此同时,她对拓哉的到来感到暗暗高兴,并在熟睡的丈夫身边享受着与拓哉的令人眼花缭乱的性爱
Moscow, summer 2016. A new lecture, a new guest lecturer (non other than renowned American actor and director, John Malkovich) and a new theme: “How to preserve love in the modern world” – five short stories about love. Some hilarious, some moving, all thought-provoking! The heroes suffer, struggle for love and often find themselves in absurd and ridiculous situations. Yet their trust in love, is even more real. Recommended for adults only, About Love is a must-see.
简介:一架客机原本要从巴黎至纽约,但飞机刚飞过美国领空不久,意外随即发生,所有乘客随着飞机被劫持至北极。一群劫机者迫使这架班机坠毁在阿拉斯加的雪山群峰中。这显然绝非一般的劫机事件。杭特博士,挖掘到传说中的致命武器-特斯拉激光,搭乘了这架班机,他此行目的是护卫这个能在瞬间以意志力毁灭万物的致命武器赴美,随行人士在这场劫机事件不幸丧生,他现在绝不能让歹徒夺走特斯拉激光,更要防止它被引爆而引发地球灭亡的浩劫。杭特博士和数名生还者必须接受这项严酷的挑战,因为若不是拥有特斯拉激光,美国绝对不会来救他们;但也是因为拥有激光,他们无可选择地成为国际恐怖份子追杀的目标。这是一场在绝地里斗智斗力的开始,钓住华盛顿,逃过恐怖份子追杀…他们无所不用其极,只为求生及挽救一场世纪大灾难.。 简评:一架喷射机在飞越美国领空时,一个伪装的持枪逃犯要挟持飞机,不仅乘客被杀死,飞机的压力调整器也被破坏,喷射机迅速坠毁在阿拉斯加一座覆满白雪的山头,听起来很像911的另一个版本。可本片意不在此,数名生还者如何在冰天雪地中活下来,并找出一条生路,才是它的重点。信念,对亲人的挂念,生存的渴望,《极地重生》里的基文斯可以熬过西伯利亚的严寒,上万公里的跋涉,被追赶的恐惧,饥渴难忍的痛苦,不也是靠这些么?
The search for planets beyond our solar system has brought an historic discovery: a planet slightly larger than Earth orbiting a star called Proxima Centauri. At just over 40 trillion kilometers from the Sun, Proxima Centauri is our closest stellar neighbor. Does its planet have a climate, or even life? What will it take to get a closer look, to launch our first interstellar journey to the Pale Red Dot?
With a sense of duty and iron toughness, the Burgundian weapon master Hagen von Tronje holds the crisis-ridden kingdom together. In doing so, he suppresses his secret love for the king's daughter Kriemhild and represses his own dark past. When the legendary dragon slayer Siegfried of Xanten appears in Worms and threatens the old structures with his unpredictable nature, Hagen progressively turns into a tragic figure. The fantasy film is a new interpretation of the Nibelung saga and captivates with its fantastic scenery and brilliantly choreographed combat scenes.
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).