男主去修道院找一位熟悉的女修女,却发现她并不在此地,然而不凑巧的是,他却发现了另外三个饥渴难耐的修女,三个修女如狼似虎,男主瞬间变成了任人宰割的小羔羊,且看男主与这三位修女会有一段怎样“荡”气回肠的故事....
辻井在浅野的推荐下结束了打工,来到浅野家喝咖啡,由于浅野的记事能力,她感受到了丈夫感受不到的亲切。与此同时,明知她已婚却暗恋她的浅野却趁机向她表白,无奈之下,辻井爱上了以这种方式向她表达感情的浅野,最终在喝咖啡时与她发生了性关系,两人成为了一体。几天后,无法忘记那天关系的浅野这次来到了家里,而无法离开浅野的辻井最终又和他混在一起了
Yui 嫁给了一位年长的男人。但丈夫却无法满足她强烈的性欲。她每天都生活在沮丧之中。后来有一天,她偶然看到了丈夫下属的阴茎。她抑制不住自己的兴奋之情,这次她没有戴胸罩就去迎接他。
水木夫妇婚姻生活幸福美满。然后不幸降临到两人身上。因为丈夫的失误,公司遭受巨大损失,丈夫最终被调到肤浅的部门,整天盯着办公桌。当她的丈夫从他不喜欢的同事那里听说这件事时,他得到了一笔交易……
北方大屠杀的唯一幸存者,名为桑多·基德(彼得·李·劳伦斯)的人寻求复仇。在遭受了惨无人道的行为后,基德独自执行报复行动,他肆意破坏,击毙并杀死了参与屠杀的每一个人。他在复仇中毫不留情,暴力手段致命。桑多招募了得克萨斯游侠,追捕亡命之徒(路易斯·巴布),并遇到了一位富有同情心的赏金猎人…
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.