电影筛选胸恋经理人心里有月见。有一天，经理让月见检查她的身体，并说一个重要的U盘不见了。经理首先检查了她的乳房之间的区域，然后强奸了赤身裸体的月见，身为单身收入的月见无奈接受了经理
沈冬雪和沈乐乐在奶奶的陪伴下长大，听奶奶讲述着父母在外赚大钱的故事，期待着有一天能过上更好的生活。然而，等待的日子却变得漫长而艰难。她们内心充满了期待，但父母却一直未归。沈冬雪决定揭开真相，开始带着妹妹乐乐去探索父母的行踪。她们最终发现，父亲沈心智因为投资失败，背负巨额债务，只能在工地当建筑工人勉力维持生计。而母亲陈风铃则在夜店与大款交往，试图通过这种方式摆脱目前的困境。 然而，当沈心智得知妻子陷入不义之地后，并没有选择与陈风铃理论，而是直接拿着他们偷情的证据去勒索王先生。孩子们亲眼目睹了这一幕，看着父亲被塞进一辆鲜红的小轿车的后备箱，血液流出。这一场景深深地刺痛了两个幼小的心灵，仇恨的种子在她们的心中开始发芽。
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).
Adapted from Culpables Series by Mercedes Ron. A different version from the original Culpa mía. An 18-year-old girl moves from America to London with her mother and wealthy stepfather. She meets her stepbrother, and an attraction brews despite their efforts. Unaware, her estranged father tracks her down after release from prison.
The Deadly Companions is a 1961 Western film directed by Sam Peckinpah and starring Maureen O'Hara, Brian Keith, Steve Cochran, and Chill Wills. Based on the novel of the same name by A. S. Fleischman, the film is about an ex-army officer who accidentally kills a woman's son, and tries to make up for it by escorting the funeral procession through dangerous Indian territory. The Deadly Companions was Sam Peckinpah's motion picture directorial debut.
故事发生在日寇入侵我国东北三省之时。绿林好汉关东好，在一个偶然的机会救下了惨遭日军轮奸的少女。少女被救后毅然加入了以关东好为首领的绺子，并渐渐练就一身好骑术和一手好枪法，被人们誉为关东女侠。一次，关东好被日军抓去，在被押往刑场的路上，关东女侠率马队飞驰而来，救下关东好。混乱中，日本小队长击中关东好。关东好的伤势日趋恶化，一天，在老营关东好当众宣布将绺子大旗交给关东女侠，从此她将成为一方绿林的头领--大当家，按山寨规矩，关东好宣布完举枪自毙。第二天，关东女侠只身策马进城为关东好报仇。身为二当家的四虎紧随其后。关东女侠扮成男商人进城后，发现一名叫三月兰的妓女凭借自己的姿色每晚设计诱杀日军，随后便在墙上留下关东女侠的大名。关东女侠劝其不要再打自己的旗号。正说着，遇上日军来追捕。关东女侠慌忙躲避，误入日军浴池，在四虎的配合下，将浴池中的日军全部击毙。日久天长，关东女侠与四虎相互爱慕，但每想到那不堪回首的往事，关东女侠只得将爱深埋心底。关东女侠率队协同其他绺子攻打孤山镇，却被投靠日本人的柳大川抄了后路，伤亡惨重。关东女侠和四虎扮成夫妻去县城找柳大川报仇，看到三月兰被日军押向了法场。当晚，关东女侠率四虎、万炮等人摸入日军县大队处死了柳大川，全歼日军。几天后，四虎为给关东女侠报当年之仇，独出心裁，抓来一日本少女让手下弟兄将其轮奸，并东女侠闻讯赶来，盛怒之下抽了四虎一记耳光，并端枪向参与其事的人疯狂扫射。按规矩参与轮奸的人罪当处死，四虎也在其中。关东女侠念及情份，决定与四虎成亲，三天后再执行枪决。三天后的凌晨，日军摸入老营，喝得烂醉的弟兄们惨遭杀害，关东女侠、四虎也双双被擒。关东女侠、四虎等人从容走向刑场，枪响了，关东女侠、四虎缓缓地倒在茫茫的雪原之中。
Las maestras republicanas fueron unas mujeres que participaron en la conquista de los derechos de las mujeres y en la modernización de la educación, basada en los principios de la escuela pública y democrática. Este documental, a través de la recreación de la vida de una maestra de la época, e imágenes de archivo inéditas, nos descubre el legado que nos han dejado las maestras republicanas y que ha llegado hasta nuestros días.
亚由美用她的大屁股作为武器来勾引隔壁的男人。隔壁的家伙变得硬起来，好像他被大屁股迷住了......
辻井在浅野的推荐下结束了打工，来到浅野家喝咖啡，由于浅野的记事能力，她感受到了丈夫感受不到的亲切。与此同时，明知她已婚却暗恋她的浅野却趁机向她表白，无奈之下，辻井爱上了以这种方式向她表达感情的浅野，最终在喝咖啡时与她发生了性关系，两人成为了一体。几天后，无法忘记那天关系的浅野这次来到了家里，而无法离开浅野的辻井最终又和他混在一起了
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
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