电影筛选水木夫妇婚姻生活幸福美满。然后不幸降临到两人身上。因为丈夫的失误，公司遭受巨大损失，丈夫最终被调到肤浅的部门，整天盯着办公桌。当她的丈夫从他不喜欢的同事那里听说这件事时，他得到了一笔交易……
After a string of crushing personal and professional humiliations, Jack Lee accepts that at age 39 he is a failure. Worst of all, he's let down his selfless immigrant parents. To get back on track, Jack reaches out to others: an almost famous guru, a respected arts administrator, and two fellow computer programmers, all of whom have problems of their own.
简介：一架客机原本要从巴黎至纽约，但飞机刚飞过美国领空不久，意外随即发生，所有乘客随着飞机被劫持至北极。一群劫机者迫使这架班机坠毁在阿拉斯加的雪山群峰中。这显然绝非一般的劫机事件。杭特博士，挖掘到传说中的致命武器-特斯拉激光，搭乘了这架班机，他此行目的是护卫这个能在瞬间以意志力毁灭万物的致命武器赴美，随行人士在这场劫机事件不幸丧生，他现在绝不能让歹徒夺走特斯拉激光，更要防止它被引爆而引发地球灭亡的浩劫。杭特博士和数名生还者必须接受这项严酷的挑战，因为若不是拥有特斯拉激光，美国绝对不会来救他们；但也是因为拥有激光，他们无可选择地成为国际恐怖份子追杀的目标。这是一场在绝地里斗智斗力的开始，钓住华盛顿，逃过恐怖份子追杀…他们无所不用其极，只为求生及挽救一场世纪大灾难.。 简评：一架喷射机在飞越美国领空时，一个伪装的持枪逃犯要挟持飞机，不仅乘客被杀死，飞机的压力调整器也被破坏，喷射机迅速坠毁在阿拉斯加一座覆满白雪的山头，听起来很像911的另一个版本。可本片意不在此，数名生还者如何在冰天雪地中活下来，并找出一条生路，才是它的重点。信念，对亲人的挂念，生存的渴望，《极地重生》里的基文斯可以熬过西伯利亚的严寒，上万公里的跋涉，被追赶的恐惧，饥渴难忍的痛苦，不也是靠这些么？
故事发生在一间名为“鸟笼”的夜总会中，艾伯特（内森·连恩 Nathan Lane 饰）是其中的当家花旦，不仅如此，他和夜总会的老板阿曼德（罗宾·威廉姆斯 Robin Williams 饰）还是出双入对的同性情人。 某日，阿曼德同前妻所生的儿子瓦尔（丹·福特曼 Dan Futterman 饰）找到了老爸，喜滋滋的告诉他他即将带着未婚妻芭芭拉（卡莉斯塔·弗洛克哈特 Calista Flockhart 饰）前来造访。阿曼德在感到欣喜的同时亦十分紧张，因为芭芭拉的父母凯文（吉恩·哈克曼 Gene Hackman 饰）和路易斯（黛安娜·维斯特 Dianne Wiest 饰）是保守派人士，如果让他们知道了自己同艾伯特之间的关系，儿子的婚事可能就要岌岌可危了。于是，阿曼德开始劝说艾伯特，让他假扮成为一个正常人，表面上答应了阿曼德的请求，艾伯特的内心里却十分郁闷。
Nour makes a living from smuggling exotic animals and illicit products (birds of prey, venom, rare roots, etc.). Wishing to get her son out of the city and offer him a better future, she designs and develops a mobile app that connects clients and marabouts. It’s a success, but a patient’s consultation turns into a tragedy and Nour has to face a wave of violence that could cost her and her son their lives.
痞老板（劳伦斯先生 Mr. Lawrence 配音）想要统治世界的计划失败了，他继续打理海之霸餐厅，有防水电脑凯伦作为伙伴和妻子，蟹老板作为永不消停的对家…
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
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