来到智树家拜访的田中,无意中偷听了女人的电话,他屏住呼吸,无意中听到了她与智树父亲以外的男人通话的声音。与此同时,她在不知道田中正在监视她的情况下与她的外遇伴侣进行电话性爱,挂断电话后,她看到了不想让儿子发现她外遇的田中,并要求田中保守秘密,但田中对加奈的猥亵外表感到兴奋,并开始以此为借口威胁加奈。最终,加奈无法承受田中的威胁,别无选择,只能按照他的吩咐去做,最终与儿子的朋友田中发生了性关系
1953年的纽约,杀虫人比尔(Peter Weller 饰)进行着孤独的个人写作,只有两个好友知晓他的文学尝试。比尔的妻子琼(Judy Davis 饰)沉迷于注射杀虫粉,比尔为她拜访了戒毒医生班威,不久被麻醉品管理处传讯,在那里他遇到了能说话的虫子,它指出比尔的真实身份是一名间谍,比尔惊慌失措的逃回家,开枪误杀妻子,只得按照怪异生物的指点远赴中东的“区间”避难。当地的黑肉场场主、美国作家和他酷似琼的妻子、同性恋商人、以及集市上的女人看起来无不是一桩阴谋的一部分,比尔在自己那台会说话的打字机“克拉克诺瓦”的帮助下进行创作,并不断接近阴谋的真相,在又一次失去了琼以后,比尔发现了区间同班威医生的联系。 本片获1993年伦敦电影节年度女演员奖,1992年加拿大吉尼奖最佳导演、最佳摄影等多项褒奖。根据威廉·罗伯斯同名小说改编。
这是一档介绍住在中国的外国人拍摄住在全世界的中国人和住在日本的中国人的旅行式纪录片。由主持人阿部力或者导演竹内亮,带着观众们去拜访住在各地的主人公,了解他们的生活,找寻他们选择住在这里的理由。
竹内是一名新员工,他陪同美丽的老板七森经理出差。由于第一次行程中的一系列失误,住宿预订开始出现问题……因预订错误而被迫与竹内住在同一房间的七森原本打算整夜喝酒聊天,但随着他的突然表白和冲动的挑衅,她压抑的性欲爆发了
Al Shines,这位“US race car track circuit”的前冠军,自从失去赞助商罗宾,他的车队组建越发艰难。罗宾选择了Al的不成熟的女儿作为替代。 Al Shines, former king of the US race car track circuit, has a hard time starting his own team, once he's fired by his sponsor Robin Cates. Robin hired Al's immature daughter Kylie Shines instead. She resents Al's inevitable 'absence' as a widowed father, as well as the reigning champion, equally young but professionally vetted Kid Walker. Kylie tries to prove herself against Kid while having an on-off affair with him. Cates's marketing strategy dictates his intentions to manipulate Walker and both Shines racers.
Nour makes a living from smuggling exotic animals and illicit products (birds of prey, venom, rare roots, etc.). Wishing to get her son out of the city and offer him a better future, she designs and develops a mobile app that connects clients and marabouts. It’s a success, but a patient’s consultation turns into a tragedy and Nour has to face a wave of violence that could cost her and her son their lives.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
A 65-year-old single artist living in New York City has a good life: a stable teaching job, successful friends, and a loyal, aging dog named Bing. As her dream of a respectable place in the art world becomes more elusive, her frustration with her lack of recognition feels alarmingly urgent.