Oliviero is a burned-out writer, living at his estate near Venice, his dead mother dominating his imagination. He is also a degenerate: sleeps with his maid and his ex-student, hosts Bacchanalia for local hippies, and humiliates his wife Irina in front of strangers. She lives in terror. When a young woman is murdered, police suspect Oliviero. Things get complicated when his young, beautiful, and self-confident niece, Floriana, pays an unexpected visit. A silver-haired stranger observes. More women die, and thoughts of harming Irina give Oliviero new inspiration. What's Floriana's game and who's the observant stranger? Watching all is a black cat named Satan.
Al Shines,这位“US race car track circuit”的前冠军,自从失去赞助商罗宾,他的车队组建越发艰难。罗宾选择了Al的不成熟的女儿作为替代。 Al Shines, former king of the US race car track circuit, has a hard time starting his own team, once he's fired by his sponsor Robin Cates. Robin hired Al's immature daughter Kylie Shines instead. She resents Al's inevitable 'absence' as a widowed father, as well as the reigning champion, equally young but professionally vetted Kid Walker. Kylie tries to prove herself against Kid while having an on-off affair with him. Cates's marketing strategy dictates his intentions to manipulate Walker and both Shines racers.
律师之妻柿内园子(岸田今日子饰)为了排解生活上的沉闷,到艺术学校学习绘画,结识了富家千金德光光子(若尾文子饰)。园子被对方的美貌所吸引,以致绘画课时不知不觉画了光子的像。学校里流言纷纷,惭愧的园子偶遇光子,对方却十分友好,二人渐渐发展成同性恋人。 园子沉醉在这段同性恋情的同时,却发现光子在外头养了一个小白脸─棉贯荣一郎(川津佑介饰)。园子答应与棉贯共同分享光子,卑劣的绵贯却将双姝的私情 告诉园子的丈夫孝太郎(船越英二饰),使孝太郎对妻子和友人的关系起了疑心,园子和光子决定假扮自杀、怀孕等,以避开他们的耳目。 可是,连孝太郎都对光子产生非份之想,两夫妻与光子的关系更趋复杂,甚至甘愿被她玩弄于股掌之中…
武担心他的继母叹息和沮丧,决定让她恢复笑容,他代表忙碌的父亲接近她,以缓解继母的性欲。结果,继母感激武志的好意,但担心父母和孩子之间的关系会被破坏。然而,不久之后,她的担忧开始表明,她的身体开始对一个她很长时间没有感觉到的男人做出敏感的反应。最终,在与武志发生性关系后,她别无选择,只能带走他。之后,经常与武志发生性关系的继母恢复了笑容,并从与武志的关系中获得了多次高潮
因为你是我的!女老板艾米发现自己喜欢的后辈有女朋友后,嫉妒不已。她制定了一个计划,让她的小学生再次成为她的孩子。艾米带着学弟出差,试图用身体诱惑学弟的心
Brooke (Bonnie Dennison) is devastated that she's pulled out of her high school so her family can move to a new town. Even worse, her stepmother is pregnant with a new addition to her dysfunctional family. All seems lost until she becomes smitten with a charming guy (Michael Welch). He's gorgeous, sweet, thrilling, everything her life isn't...until he reveals a menacing dark side.
伊桑·伯格的长篇叙事处女作通过虚构的大学兄弟会的视角,对盲目遵守传统进行了引人入胜的思考。汤姆(亚历克斯·沃尔夫饰)是这个兄弟会的热情“兄弟”,他被高社会地位和校友关系的承诺所吸引,这些承诺为他打开了大门。但随着社交圈外的同学安娜贝尔(哈莉·贝利饰)进入他的生活,他的忠诚度开始动摇。当新兄弟会成员的预定欺凌达到令人不安的程度时,汤姆面临着一生中最重要的决定。在这部独特的电影中,伯格开启了一场可以应用于任何对机构绝对忠诚的例子的对话。沃尔夫的表演令人心碎,他扮演了一个年轻人,质疑曾经构成他生命的每一个信念。约翰·马尔科维奇和丹妮丝·理查兹饰演他贪得无厌的室友腐败而富有的父母——上一代人延续着同样的传统。
雷娜的丈夫今天又赌博了。他坚持要带酒。她似乎厌倦了,给他倒了一杯饮料,然后接到了她丈夫的电话。这是我丈夫的弟弟(他正是我同父异母的弟弟)打来的电话,询问我是否可以留在家里去东京出差。终于见到弟弟的那一天,她趁着丈夫睡着的时候偷偷靠近他,向弟弟展示自己的容貌……
小尼古拉(马克西姆·戈达尔 Maxime Godart 饰)深受父母宠爱,在学校也与一帮朋友玩得开心,这其中包括:想当大官的亚斯特Alceste(Vincent Claude 饰)、以后会继承父业的杰夫Geoffroy(Charles Vaillant 饰)、梦想成为自行车冠军在班上却总是被罚站的克劳岱Clotaire(Victor Carles 饰)、长大要当黑道的奥德Eudes(Benjamin Averty 饰)、希望跟老爸一样成为警察的鲁夫Rufus(Germain Petit Damico 饰)以及全班第一名永远不会被罚站也是老师(Sandrine Kiberlain 饰)的最爱学生同时是其他同学眼中讨厌的大蟑螂的阿南Agnan(Damien Ferdel 饰)。 有一天,尼古拉的妈妈(瓦莱丽·勒梅西埃 Valérie Lemercier 饰)建议爸爸(凯德·麦拉德 Kad Merad 饰)请老板及夫人来家里吃饭,以便获得老板青睐涨工资;但小尼古拉听到和观察到的结果却让他以为父母要生个小弟弟,不要他了。沮丧的小尼古拉请求朋友们的帮助,大家七嘴八舌给他出了一堆建议,包括送花、大扫除,甚至找罪犯领养弟弟等荒谬办法。与此同时,教育部长也要来学校参观,班级又换了严厉的代课老师…… 本片根据由法国作家勒内·戈西尼(René Goscinny)创作,漫画家让-雅克·桑贝(Jean-Jacques Sempé)配画的系列同名漫画故事改编。影片在法国本土上映后一举拿下全法双周票房冠军,并获2010年凯撒奖最佳改编剧本提名。
几十年来,粉丝一直为之着迷,如今,《满月》以其最受欢迎的(也是最恐怖的)角色之一:钩手疯子木偶BLADE首次独立亮相。查尔斯·班德(Charles Band)的《木偶大师》(PUPPET MASTER)系列继续出现,而昔日不可言喻的恶魔以纳粹杀手纳索(Hauser)博士的形式出现。随着豪瑟(Hauser)令人发指的罪行被发现,通灵的战争新闻记者伊丽莎·伊凡诺夫(Elisa Ivanov)唤醒了布拉德(Blade),并开始了流血的复仇之旅。这是哈瑟(Hauser)复活的不死军与一个拥有的洋娃娃和一个美丽的寻求复仇的千里眼相比。谁会赢,它将如何影响满月宇宙?在刀片:铁十字架中查找。
西宫是公司的新员工,总是完全瞧不起、不服从顶头上司泽田。某天,泽田正在公司附近的一家酒店等候,准备紧急情况,而西宫也住在他所住的酒店里。经过客房时,他看到西宫穿着淫秽的内衣自慰,他仿佛趁机进入她的房间,将她推倒并袭击了她
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.