电影筛选The Deadly Companions is a 1961 Western film directed by Sam Peckinpah and starring Maureen O'Hara, Brian Keith, Steve Cochran, and Chill Wills. Based on the novel of the same name by A. S. Fleischman, the film is about an ex-army officer who accidentally kills a woman's son, and tries to make up for it by escorting the funeral procession through dangerous Indian territory. The Deadly Companions was Sam Peckinpah's motion picture directorial debut.
竹内是一名新员工，他陪同美丽的老板七森经理出差。由于第一次行程中的一系列失误，住宿预订开始出现问题……因预订错误而被迫与竹内住在同一房间的七森原本打算整夜喝酒聊天，但随着他的突然表白和冲动的挑衅，她压抑的性欲爆发了
《人间世》抗疫特别节目摄制组,深入红区，拍摄武汉与上海两地病区医护与患者们的鲜活故事和危难之中激发的人性光辉,力求细腻呈现疫情下的动人故事。 3月31日，摄制组随上海援鄂医疗队返沪后，立即开始进行后期制作。历时两个多月，拍摄的逾三万分钟的素材，最终剪辑成6集共240分钟的纪录片《人间世·抗击疫情特别节目》。纪录片秉承沉浸式记录，大主题、小切入，分为《红区》《相逢》《脸庞》《雷神山往事》《我要找到你》《我会陪着你》六个主题，用鲜活的叙事语言和画面，展现面对重大突发公共卫生事件的时候，人类所表现出的勇气和力量。 前四集计划分别于5月21日、22日、27日、28日在东方卫视晚间22:00播出。
Andrea Absolonová was a talented Czech professional diver with a bright career ahead of her. However, her sports career had been cut short by a spinal injury during a training session at the Atlanta Olympic Games. She then embraced a professional career in the adult entertainment industry, where she became an internationally recognized porn actress. She died at the age of 27.
尤里作为一位拥有出色技能的女主人经营着一家旅馆。有一天，竞争客栈的老板娘派了两个探子。然而，在发现间谍是处女后，女主人以第一次体验的男人的强烈色情技巧来回应他们
玛丽（朱迪斯•戴维斯 Judith Davis 饰）从乡下来到法国里昂国家音乐学院进修钢琴演奏，借住在童年好友艾玛（伊希尔•勒•贝斯柯 Isild Le Besco 饰）的公寓里。儿时很害羞少语的艾玛长大后变得成熟自信，让玛丽深深着迷，产生了不一样的感情。玛丽所在的学院学期末考核要求学生必须弹奏舒曼的狂欢节外加两首自选歌曲，因为课程上高标准的要求，玛丽不得不牺牲很多娱乐时间来严格练习钢琴。因而她大部分时间都是在艾玛陪伴下度过，二人分享着彼此生活的快乐，感情日益深厚。一次舞会上玛丽受到陌生男子的骚扰无法脱身时，艾玛及时相救，并给与安慰，使玛丽倍感温暖，二人的爱欲一触即发。但艾玛对玛丽日益强烈的控制欲却让事情走向了不可控制的方向….
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
妻子发现丈夫有偷看兴奋的癖好，感觉到他的目光，勾引了另一个男人。当兴奋终于达到顶峰的时候，就连丈夫的下属都忍不住想直接给他打电话……
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