因为你是我的!女老板艾米发现自己喜欢的后辈有女朋友后,嫉妒不已。她制定了一个计划,让她的小学生再次成为她的孩子。艾米带着学弟出差,试图用身体诱惑学弟的心
10年后回到家乡,我又见到了我那个随和、阳刚又可爱的儿时玩伴,她依然笑得天真灿烂,但当我看到她那双胸大、没戴胸罩的时候,我就控制不住自己的性欲了。他们从早到晚的做爱,一次又一次将她融化在他的心里。几年过去了,但时不时回想起来,仍然是最美好的回忆
1960年。 Masae,与丈夫一起工作的妻子。邻居的妻子们都羡慕她去上班。由于孩子的原因,正江经常缺勤,但由于与上级发生身体关系,她得以继续工作。一个星期六,有人看着 Masae 和她的老板发生性关系后出来
当父亲离开家三天去参加公司研讨会时,浩司很高兴能与继母独处,并试图与他一直钦佩的继母做一些事情,但继母对浩司的鲁莽行为感到尴尬,结束了Koji 打了他一巴掌,生气地跑了出去。此后,随着他们的关系变得尴尬,继母开始担心,不知道该怎么办,而无法放弃继母的浩二,再次冲向继母。无法推开他,最终接受了Koji,两人就这样在一起了三天。
和庆秀一起喝啤酒的佳熙喝醉了,并与庆秀发生了性关系。 实际上,Ga-hee是在Minsu独自勾引其姐夫时来的。 Gahee从酒中醒来,晚上悄悄前往Minsu的房间。 Minsu真的可以忍受Gahee的诱惑吗?
一位已婚妇女对与丈夫单调的性生活感到不满。性欲正处于爆发的边缘。她喜欢角色扮演强迫性行为,所以她要求送货司机强奸她。她邀请丈夫的学生到她家,并在醉酒的丈夫旁边发生性关系。她变态的性欲越来越强烈
When a faithful police dog and his human police officer owner are injured together on the job, a harebrained but life-saving surgery fuses the two of them together and Dog Man is born. Dog Man is sworn to protect and serve—and fetch, sit and roll over. As Dog Man embraces his new identity and strives to impress his Chief (Lil Rel Howery, Get Out, Free Guy), he must stop the pretty evil plots of feline supervillain Petey the Cat (Pete Davidson; Saturday Night Live, The King of Staten Island). Petey’s latest plan is to clone himself, creating the kitten Lil Petey, to double his ability to do crime stuff. Things get complicated, though, when Lil Petey forges an unexpected bond with Dog Man. When Lil Petey falls into the clutches of a common enemy, Dog Man and Petey reluctantly join forces in an action-packed race against time to rescue the young kitten. In the process, they discover the power of family (and kittens!) to bring even the most hostile foes together.
冈本身居《关东新闻》报社营业部长之职,同时还是个小说家,他的作品正在自家的报纸上连载。家中的妻子静代美丽而贤淑,日子过得十分美满。 新调入的编辑部久美子打破了冈本平稳的生活。冈本迷上了妖冶的久美子,她反常的做爱癖好对冈本来说又新鲜又充满刺激。久美子通过冈本知道了新兴宗教崇德教的丑闻,并将之写成报导发上了《关东新闻》。崇德教一直是这份报纸的大广告客户,惹恼教主吉冈意味着报社将陷入财政危机。吉冈要求冈本拿妻子来谢罪。为了替丈夫解忧,静代自愿入教当一个星期的巫女。看着不断自责的冈本,久美子心里也不好受。原来,她过去曾是吉冈的性奴隶,为了复仇才接近冈本利用击垮崇德教。但久美子渐渐地爱上了冈本。她决心救出静代,只身来到了吉冈的家。谁料,久美子完全落入了吉冈的圈套。她和静代一同堕入了无尽的官能地狱……
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.