这部作品基于奥斯曼帝国崩溃时期关于“被诅咒的房子”的传闻。故事讲述了不情愿地作为新娘来到阴暗的伊斯坦布尔大宅的菲克里耶,以及这座大宅神秘的主人纳西特·内菲·埃芬迪,他们将踏上一段揭开过去黑暗秘密的旅程。
Two working class youtubers ‘in the making’ enter an abandoned mansion to get their basketball back, and get lost inside while pranking each other. They record their ‘quick adventure’ with their phones for their audience, and tweak it with a fake phantom appearance to attract more followers to their YouTube channel. When uploaded the video goes viral, so they start a challenge: if the video reaches a certain number of views, they will enter the house again, at night, alone, totally unprotected. As fans react positively, they will do as promised, not only to discover and unveil the true nature of the place and their inhabitants, but to realize they might not be among the living anymore. Which opens a question - how far would you go to be famous?
《八月三十一日,我在奥斯陆》的金奖编剧艾斯基佛格,今年首执导演筒长片作品《盲》,一鸣惊人横扫国际各大影展,拿下柏林影展最佳欧洲电影奖、日舞影展世界电影单元最佳剧本奖,以及入围挪威奥斯卡七项大奖。透过独特的叙事结构与影像魅力,捕捉盲眼女主角内心的脆弱与偏执。 最近失明的英格丽 几乎足不出户,尽管失去了视力,但她的心与想像力仍旧清晰而活跃,但恐惧却让她在自己的内在世界,书写出另一个人生剧本。 她时常幻想外出上班的丈夫偷溜回家,观察她在家中的一举一动,或是在网路上认识了一名单亲妈妈,偷偷与她约会;英格丽看见他们在餐厅里谈笑着,突然间,女子失去视力... 而察觉到异样的丈夫不久和女子分手,但她却说自己怀孕了,还挺着大肚子到派对上找他对峙。正当女子一身滑稽的礼服成为众人的笑柄,英格丽仿佛走进自己的幻想世界,化身成穿着礼服的女子和丈夫对峙着...
SISANJE is a story of a young Belgrade high school math champ Novica who gets seduced into the world of skinheads by their charismatic leader Relja. Novica joins the gang of racist skinheads in an attempt to overcome the geek status in school but soon enough he is sucked into the world of racism, violence and hooliganism, the skinhead movement takes him over and eventually he starts climbing up the ladder in the skinhead hierarchy.
The film comprises six interconnected stories, one of them co-written with actress-screenwriter Iulia Lumânare. Interestingly, the feature recycles (and completes) The Christmas Gift and another, unreleased short film, New Year’s Eve. One of the protagonists is Ştefan Silvestru, the director of the national television station, who has to deal with a career-ending issue: an actress who appeared in a sketch to be broadcast on New Year’s Eve has defected the country. Silvestru’s son, Laurenţiu, who plans to defect by swimming across the Danube to Yugoslavia, is the protagonist of another story, all six of them exploring the atmosphere in Bucharest before the “end of the world”, or the fall of the regime.