心碎旅馆

　　At a quiet motel, a rising star in the film industry must confront her past as she navigates her flourishing career and delicate personal relationships.

塔娜·金吉斯·卡纳

从成吉思汗(1162-1227年)诞生到他的大帝国开始,俄罗斯就对他进行了过度的生产,在东北亚广阔的草原上经历了许多痛苦和血腥的战斗。

坦图拉

　　When Israel was established and civil war broke out hundreds of Palestinian villages were destroyed. Tantura, bringing to light Israel's founding myth and its society's inability to come to terms with its dark past.

阿尔巴特

　　电影《阿尔巴特》以十三世纪的蒙古高原为背景，以“阿尔巴特”(蒙古语，译为“十户”)的一次行动为线索，讲述了一个关于“爱、忠诚、信念与誓言”的故事。影片塑造了十位蒙古勇士的形象。虽然他们都是平凡的人，各有缺点，但是对信念的忠诚，对生命的热爱，让他们生死与共，不离不弃，突出表现了游牧文化的精神内涵与“恪守信义、崇尚自然”的人文主义精神。

蒙古

　　年轻的蒙古人爱上了他的主的女儿。她的父亲谴责他为罪犯，并称他为亡命之徒。蒙古人必须在充满背叛和欺骗的世界中航行，为生存和正义而战。

牵我的手

　　Director John Raftopoulos co-wrote the screenplay with Dave Paterson (2067) based on the true love story between himself and his current wife.　　Take My Hand follows vibrant young Australian woman Laura, who forges a successful banking career in London and seemingly has the perfect marriage. Her world is turned upside down when she is diagnosed with multiple sclerosis and her husband starts to show his true colors. When a tragic accident leaves her a widowed mother with three sons, she returns home to Australia, and is reunited with Michael, a high school friend and a divorcee with one daughter, who has loved Laura since they were teenagers.

这只是一个故事

一名韩国女性性工作者发现自己被一位富有的百万富翁囚禁，而这位百万富翁却隐藏着一个黑暗而险恶的秘密。

她杀之心

　　1955年的智利，著名作家玛丽亚·卡罗琳娜·盖尔杀死了自己的情人。案件得到负责此案的法官秘书梅赛德斯的关注。在参观作家的公寓后，梅赛德斯开始质疑自己的生活、身份以及女性在社会中的角色，因为她在那所房子里找到了一片自由的绿洲。

性梦爱三部曲：性

　　Two chimney sweeps living in monogamous, heterosexual marriages both end up in situations that challenge their views on sexuality and gender roles.

风暴岛的玛雅

　　Between 1968–73, Ålandic writer Anni Blomqvist published five novels that together chronicle the life of Stormskerry Maja. A simple peasant woman whose days are long and full of hard work, Stormskerry Maja believes in God in an unassuming, humble way, and as years pass, finds herself with a small amount of independence.

玛维·马加拉

海军士兵杰姆踏上了他向妻子阿拉拉许诺的“蓝洞”之旅。 《旅程》揭示了他们关系的细节，确认了超越死亡的持久爱情。

拉法丹·泰法 4：海里马托尔

圣诞梦

　　阿什莉和她的母亲苏珊是两个纽约人，她们来到意大利出售祖父母的牧场。在那里，阿什莉爱上了其中一位潜在买家，并决定与他共度一生。

钢琴教师

　　40岁的Erika Kohut（伊莎贝尔·于佩尔 Isabelle Huppert 饰）表面上是一个优雅的钢琴老师，外形独特、气质出众，但对学生却无比严厉。同时她的母亲专制又无理，无休止的折磨令Erika的各种欲望都无法发泄。于是Erika只好躲在厕所用剃刀伤害自己以求快感，嗅着内裤上的味道以发泄欲望，还去租看色情录像带。当18岁英俊冲动的Walter（伯努瓦·马吉梅 Benoît Magimel 饰）闯进她的生活时，一切都改变了。他们互相需索互相慰藉，Erika以为她终于找到了自己的幸福，然而年少的Walter有一日厌倦了这种关系……

她不见了

　　Carnaby拿下艾莎·冈萨雷斯、露西·弗莱主演主演新惊悚片[公路](Highway，暂译)。该片由亚历山德拉·麦吉尼斯([食莲者])自编自导，卡司还有乔什·哈奈特、克里斯蒂安·卡玛戈、希拉·凡德、安东尼娅·坎贝尔·休斯等。影片讲述两个女人生活在沙漠小镇上，在简(冈萨雷斯饰)突然消失后，海蒂(弗莱饰)却发现了一个现实和无边无际的沙漠交织的世界。

卡拉蒂马森林

　　Based on true events, involving powerful Catholic priest Fernando Karadima, who committed crimes of child abuse and pedophile between 1980's-2000's. The struggle of his victims, to be able to reveal the truth and look for justice.

犬吠

　　清晨，诺兰在森林中醒来时发现双手被反绑在树上，几经努力逃生无果。被饥渴折磨了几日后终于有一个徒步者出现，但对方安营扎寨竟然故意忽略自己，诺兰不知为何遭受这般虐待。影片虽然在室外取景，但导演马克·施科尔曼利用被束缚的活动空间营造出特殊的幽闭恐惧感，在全力刻画诺兰为存活而战的同时，也用另一种角度解释了怜悯。本片曾入选美国知名的小众类型片盛会“奇幻电影节”（Fantastic Fest）。

幸福卡片

　　从很小的时候起，妹妹（朱琳 饰）就被父母抛弃成为了孤儿，幸运的是，远在澳大利亚，有一个名叫兰德尔（盖·皮尔斯 Guy Pearce 饰）的绅士出手相助，妹妹才能在孤儿院过上衣食无忧的生活。妹妹从未见过她的救命恩人，她对兰德尔的所有了解都局限于后者寄给她的各种各样漂亮的卡片之中，在妹妹的印象里，兰德尔住在一幢大房子里，家庭幸福，富有又善良。　　一次意外的机会中，妹妹所在的孤儿院来到澳大利亚参加一个活动，妹妹偷偷的离开了队伍，独自踏上了寻找兰德尔的旅途。没想到，现实犹如一盆冷水浇在了妹妹的头上，兰德尔并不富有，甚至都失去了自由。兰德尔的落魄并没有改变妹妹对他的尊重，随着时间的流逝，一种类似于亲情的感情在两人之间产生了。

老师的宠物

　　Robin, a young student, is obsessed with Tanya, his teacher. He then sees Tanya kissing a female student, so he blackmails her. When Robin believes that he is in control, he learns Tanya's dark personality

入侵之战

　　When neighboring country Veragua suddenly attacks Curaçao and Aruba, the Dutch government is taken completely by surprise. The conflict escalates rapidly. Three young Dutch Corps recruits must figure out what is the right thing to do.

失落的国度

　　1996年的塞尔维亚，在反对米洛舍维奇政权的学生运动中，15岁的斯特凡领导了自己的革命：接受不可接受的事实，将他的母亲-——执政党的发言人视为罪犯的帮凶。尽管他爱着母亲，但还是成为了她的反对者。

铁骨金沙

　　谬托知已 实是狼心狗肺　　遇难不屈 乃获最后胜利　　广袤的北美草原一望无际。　　大熊族酋长的儿子托凯依托(盖文源配音) 长得高大雄伟，精于马术。在白人开设的酒店里，他看见父亲同阴险狡诈的福克斯(戴学庐配音)赌钱，气恼地走开了。老酋长输光了现钱，又从怀里摸出一粒金子，白人大为惊愕，贪婪的目光一起射向酋长的怀里。福克斯蓦地拔出匕首顶住酋长的胸口，要酋长说出金子藏处，老酋长不从，结果为福克斯杀死。　　驻军少校史密斯(翁振新配音)面对部落的反抗忧心忡忡，束手无策。罗奇(杨成纯配音)少尉奉命押送军火，前来增援，中途遭到塔雄卡维科和托凯依托的袭击，罗奇受伤落荒而逃。　　托凯依托为避免冲突激化，只身来到父亲遇难的酒店，同少校谈判和平和公理。具有正义感的白人骑士亚当斯(任伟配音)见罗奇挟嫌报复，提醒少校阻止了谋杀。托凯依托趁机放火烧了仓库，然后远走高飞。　　由于年迈昏庸的大熊族长老(富润生配音)轻信福克斯的许诺，托凯依托不得不遵命前往驻军处谈判。罗奇借口黑山发现金矿，以建造铁路为由，强迫托凯依托在迁移书上签字。年青的酋长识破了罗奇的诡计，将协议书当场撕毁。罗奇凶相毕露，下令关押酋长。少校见罗奇过于霸道，上前阻止，福克斯竟挥拳把少校击倒在地。　　印第安人被强行驱赶到一片荒凉的石头地，长老才如梦初醒。同时，罗奇为了夺取大权，谋害了受伤的少校。临终前，少校痛苦地呼喊着女儿凯蒂。葬礼后，正直善良的亚当斯承担了照顾凯蒂的责任。　　释放托凯依托的命令下达后，福克斯悄悄溜进了地窖，凯蒂发觉后，连忙叫喊亚当斯。地窖里，福克斯又持刀逼迫托凯依托供出藏金子的山洞。千钧一发之际，亚当斯及时赶到，福克斯只好悻悻地走了。　　在移民迁送站，托凯依托得悉战友塔雄卡维科惨遭杀害，不由痛楚万分。由于奸细塔托卡诺的出卖，白人还抢走了唐纳酋长的武器和马匹。唐纳误以为托凯依托和托比亚斯(沈大谦配音)出卖了他们，命人擒获了两人。双方误会消除后，他们一起从罗奇的营地夺回了枪枝马匹，并杀死了罗奇。　　福克斯见托凯依托杀死了罗奇，便率领部落紧追托凯依托不舍。托凯依托安排别人渡河之后，决定同福克斯一伙决一死战。狡猾的福克斯冷不防抛出绳索，紧紧套住了托凯依托。哪知正当他得意忘形时，托凯依托奋力从背后跃上福克斯的马，一刀结果了罪恶累累的“屠夫”。这时，众骑士纷纷围着托凯依托，唐纳酋长挺身而出，引开骑士。最后，两人摆脱了追踪，顺利返回了部落。　　晨曦初露，微风轻拂，托凯依托向部落的男女老少发誓:给部落带来永久的和平和安宁。

尖叫周

　　六个好友开了一整周的“尖叫周”主题party，但是他们总是被他们过去的一些秘密所困扰着，仿佛闹鬼一样...

拉玛斯

　　Mona, a baker's daughter, feels trapped by her controlling father Adon. New employee Lina ignites Mona's desires. Adon has contrasting plans for Mona. Torn between duty and passion, Mona must decide her future path.

三人行必无吾焉

　　Before tying the knot, Ollie and Zoe want to try something new.

丽莎灵异实录

　　丽莎拥有能够与超自然生物交流的超能力。这部电影将以类似《灵动：鬼影实录》的形式呈现恐怖事件。

傷心牧羊人

　　美麗的土耳其西南部有著牧羊比賽的習俗，牧羊人阿里每年都會把羊兒染紅，領著羊群穿越村莊的唯一道路，經過圍觀人群震天價響的槍鳴來到河邊，等待評審宣布得獎者。阿里年年比賽失利，只好到採礦場當名司機，雖然與傳統生活越離越遠，但他仍然無法脫離與自然、動物的緊密連結，直到一頭鹿的死亡撼動了他……。本片藉由一名牧羊人的生命歷程，講述著土地與環境的轉變

有一天我们会告诉彼此一切

　　故事发生在1990年夏天前东德图林根州附近的乡村。即将年满19岁的玛丽亚和男友约翰内斯住在约翰内斯父母的农场里，她宁愿沉浸在书本中，也不愿专注于毕业。随着德国的统一，人们有一种新时代来临的感觉。 当玛丽亚遇到住在隔壁的农民亨纳时，玛丽亚与这个比她年龄大一倍、任性、有魅力的男人燃起强烈的激情。在充满未知的气氛中，爱情诞生了：一种充满渴望和欲望的秘密激情，吞噬了前进道路上的一切。

佩德罗·巴拉莫

　　传奇摄影师罗德里戈·普列托（《花月杀手》）的电影处女作在一个看似废弃的墨西哥小镇展开，在这个小镇上，过去和现在迷人地共存，这是一个关于欲望、腐败和继承的迷人故事。

情感的力量

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.　　Alexander Kluge: The Power of Feeling　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.