电影筛选作家 Jasmijn 在造成致命事故后面临着严重的写作障碍。她只剩下写给受害者鳏夫维姆的无数未回信。贾斯敏意识到她不能继续这样的生活，并做出了一个相当激进的决定。她没有告诉任何人，就收拾好行李前往摩洛哥，维姆在那里经营一家酒店。当她的姐姐和她的出版商试图找出她在哪里时，贾斯敏和维姆在摩洛哥的阳光下建立了意想不到的友谊。只有贾斯敏还没有找到合适的时机告诉他她的真实身份。
Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.
Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade. Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)
这部由电影制片人兼多媒体艺术家约翰·格里蒙普雷（代表作《双重特工》）创作的新纪录片堪称一部精心结构的电影随笔。影片以刚果及其首位民主选举的总理帕特里斯·卢蒙巴的谋杀为背景，融合了地缘政治、爵士音乐、冷战阴谋和殖民实践，是一部爆炸性的混合体。片中既有详尽的研究和数据，又在形式上绝对巧妙和自由。影片追踪了卢蒙巴的权力崛起以及殖民者对将国家控制权交给其公民的抵抗。同时，影片还记录了美国试图通过派遣爵士音乐家如妮娜·西蒙、杜克·艾灵顿、路易斯·阿姆斯特朗等人来影响该国的努力。这些音乐家来到刚果演奏，浑然不知他们不过是中情局阴谋的幌子。最终，这部影片充满了音乐和电影能量，同时对仍然拒绝被抹去的殖民幽灵发出了一声强烈的政治控诉“我控诉”。
Ema is the successful TV anchor of a national TV broadcaster, the star of a tabloid show. A perfectionist, she has no hesitation in putting at steak her health or money for higher ratings. One of her cases brings her in a middle of a huge scandal which will dramatically change her life. Ema will discover that behind all things happening to her are unexpected characters...
这些是第一次世界大战的年代，斯特凡诺·佐尔齐医生在意大利北部一座大城市的免除诊所度过他的日子。在那里，他不仅照顾从前线屠杀中归来的士兵，还与那些希望被免除服役的人作斗争，这些人通过送他们去军事法庭来进行模拟和自残。斯特凡诺从未想过会遇到一个故意寻求病理的人，就像为了从更大的邪恶中拯救自己而购买救生艇一样。但现在他厌倦了这场使他成为检察官和宪兵的冲突。 朱利奥·法拉迪医生则在一栋偏僻建筑的公寓里工作。他是一个不安分的人，强烈反对战争，对那些在他的“私人战争”中的士兵怀有一种温柔而占有欲的爱。如果斯特凡诺确实尽了最大的努力来治疗士兵并让他们回去战斗，朱利奥则让他们生病，或者帮助他们严重自残，足以被免除服役。这两位医生是大学同学，也是好朋友，他们不仅在专业上暗自较劲，在感情上也是如此：他们都与安娜有联系，她是一位勇敢且性格坚强的护士。但在1918年那场可怕的“西班牙”流感大流行到来之际，爱情、政治和科学交织在一起，危险地纠缠在一起…
4年前，臭名昭著的拉西欧监狱发生了一场暴动，这一事件引起里约热内卢州社会的广泛争论，也不同程度改变了许多人的命运。直接领导精英部队（BOPE）的罗伯特·纳西贝托中校（Wagner Moura 饰）由此荣升为安全局的副秘书长，拥有更大的施展空间；而他的爱将安德鲁·马蒂亚斯（André Ramiro 饰）被政客当作替罪羔羊，踢出了BOPE部队。当然，纳西贝托也遭受着来自政坛、战友和家人各方面的压力，他将一腔愤懑转化到工作中，不仅扩编强化了BOPE的实力，还通过一次次铁腕的打击荡涤了贫民区毒贩的罪恶势力。 毒贩销声匿迹，黑暗的阴霾却未散去。以罗卡（Sandro Rocha 饰）等人为首的腐败警察势力进入贫民窟，他们欺行霸市，官匪勾结，成为里约州另一个难以祛除的顽疾……
电影周榜单
友情连接：