Without warning, millions of mysterious alien "doors" suddenly appear around the globe. In a rush to determine the reason for their arrival, mankind must work together to understand the purpose of these cosmic anomalies. Bizarre incidences occurring around the sentient doors leads humanity to question their own existence and an altered reality as they attempt to enter them.
她邀请她一直关注的小辈到她家发生性关系,并试图引诱他与她睡觉。但男子一直拒绝,称有女朋友了,怎么能和学长睡觉。然后,女人在男人面前脱掉衣服,开始猛戳男人的身体……
In this '60s retro prequel to the bizarro-noir Bloodsucker's Handbook (AKA Enchiridion), Bloodsucker's Planet follows the crew of the space ship Argosy as they respond to a distress signal from the industrial Planet Mara only to discover the planet is ruled by the sinister Mother Vampire. Along the way, they encounter disease-carrying Mara bats, a talking space roach, and Adrianna, the gynoid whose developing self-awareness is aided by her collection of vintage romance comics.
“你是否拥有成为勇者的资格”——自称“宇宙贤者”的神秘男子“萨斯卡尔”对主角优马说的这句话,就是这场战斗的开始。他对优马施加了超乎想象的终极考验。“如果你失败了,将会失去亚刻的力量……” 以怪兽防灾科学调查所“SKIP”成员的身份守护星元市的和平、聚集在“SKIP”的同伴们建立起来的信赖纽带、打败怪兽的意义……这些纠缠在一起,而正是因为获得了能够变身为奥特曼的光,现在又被萨斯卡尔玩弄于股掌之间,优马只能独自承受接二连三来到的沉重使命! 狂暴的大怪兽们、邪恶的外星人,在连时空都被扭曲的超次元中,黑色的亚刻奥特曼——“基尔亚刻”出现了。 优马——亚刻奥特曼究竟能否战胜超越“想像力”的终极考验,守护未来呢? !
The Deadly Companions is a 1961 Western film directed by Sam Peckinpah and starring Maureen O'Hara, Brian Keith, Steve Cochran, and Chill Wills. Based on the novel of the same name by A. S. Fleischman, the film is about an ex-army officer who accidentally kills a woman's son, and tries to make up for it by escorting the funeral procession through dangerous Indian territory. The Deadly Companions was Sam Peckinpah's motion picture directorial debut.
Moscow, summer 2016. A new lecture, a new guest lecturer (non other than renowned American actor and director, John Malkovich) and a new theme: “How to preserve love in the modern world” – five short stories about love. Some hilarious, some moving, all thought-provoking! The heroes suffer, struggle for love and often find themselves in absurd and ridiculous situations. Yet their trust in love, is even more real. Recommended for adults only, About Love is a must-see.
克劳德(克里斯汀·克拉维尔 Christian Clavier 饰)和玛利亚(尚塔尔·罗比 Chantal Lauby 饰)结婚多年,感情十分要好。两人育有四个女儿伊莎贝拉(福德莉奇·贝尔 Frédérique Bel 饰)、奥迪尔(茱莉亚·皮雅顿 Julia Piaton 饰)、赛格利亚(艾米丽·卡恩 Emilie Caen 饰)和劳拉(艾罗娣·方坦 Elodie Fontan 饰),一眨眼,如花似玉的四姐妹都已经长大成人,到了谈婚论嫁的年龄。 克劳德和玛利亚是虔诚的天主教徒,两人当然希望他们的女婿能够和自己有着相同的信仰,然而现实却往往不尽如人意,前三个女儿分别爱上了阿拉伯人、犹太人和中国人,老夫妻两将最后的希望放在了小女儿的身上,让两人没有想到的是,小女儿却领着一位非裔黑人站在了他们的面前。
随着女性年龄的增长,她们的性欲会变得更加强烈。似乎是为了证明这一点,随着年龄的增长,她的性欲也逐渐成熟。陌生的送货员、熟悉的邻居,甚至还有继子。即使她偷情或自慰被发现,她也会毫不犹豫地自信地引诱他们
职业杀手丹尼已经到了退休的年纪却依旧认为自己是业界翘楚,工作没什么进展的他正在追求俱乐部经理安娜。某天,丹尼突然接到组织的任务派遣,他对此非常激动,结果发现只是去训练新人威尔。而这个威尔虽然天赋异禀、能力出众却也有着十足的个性,难以驯服。这对错配的搭档被要求除掉犯罪集团的一个高层人员。虽然两人性格天差地别,互相看不顺眼,但为了任务却也将就地相互配合。而令组织没有料到的是,丹尼的经验加上这个小孩的才华,让两人之间建立起了一种意想不到的默契。而这种默契再加上安娜的重要帮助使得三人发现了组织的真正目的。他们发现其实组织是想完成自己内部的更新换代,不仅利用他们出掉对手,更是在之后就要替换掉他们仨人。得知真相的三人联手捣毁了组织。
妄想——一个男人爱上了按摩店柜台上的一个女孩,并每天都去那里。后来有一天……我去按摩店见她,在我从她手中接过房间钥匙的那一刻,我感觉到她柔软的手触摸着我。然后过了一会儿……令人惊讶的是,她突然在柜台脱掉衣服,一边看着男人一边开始自慰…… 2.苗条的妹妹 - 搬进新家的男人。我试图去看望女房东并跟她打招呼,但她说她很忙,让我晚点再见她。几个小时后,醉酒的房主走错了房间,进入了那个男人的房间,男人看着她醉醺醺的样子,无法控制自己的思想,开始对她产生欲望。3. 不让妻子知道——A出差的男人丈夫来见他的情妇。他把自己的名片给了女友,但女友一直唠叨他要离婚,于是他让她给他买一个包来安抚她。而那段时间,他非常想勾引她……
美妍和素珍离开一家健康按摩店后正在寻找工作。素珍为了赚大钱而寻找非法按摩店,强迫不自在的美妍与她一起工作。随着素珍越来越主动,VIP客人也越来越多,而一直看着她花钱的美妍也变得更加主动
甜蜜的性爱:再来一次
康纳是一位有抱负的作家。她的丈夫是一名编辑,工作时间根据作家的日程安排而变化,非常忙碌。栗原是一位陷入低谷的成人小说作家,饱受缺乏灵感的困扰。秘书见他这个样子,就灵机一动。那就是把当护士的神无叫来当帮手
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.