Bridgeport, January 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. Ten years later, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography, the film will explore the relationship between the security of the living space and the violence that can jeopardize it.
Jake Cornell devoted his life to running the Seattle basketball team he inherited from his father, but his neglected marriage broke down and now his kids Barton and Alexandra side with mother Frances, who is determined to sell the ailing club. Jake can't bully or persuade them, so the board puts Frances in charge, who is clueless about the sports but enjoys modernizing marketing and PR, to Jake's horror. His last shot is winning his family back, but is out of the courting game and she's more cynical then Barton and Alexandra, whose goals he can more easily support. A arbitrage court must settle the club's and family's fate.
一个老流浪汉(Rutger Hauer 饰)路经一座被疯狂犯罪行为所笼罩的城市,这里充斥着杀童、强迫卖淫等等极恶罪行,暗中统治这里的德瑞克一家热衷于当街杀人,老德瑞克(Brian Downey 饰)和两个儿子横行街头。流浪汉从德瑞克之子的手中救下妓女艾比(Molly Dunsworth 饰),结果反被警察设计陷害,身受重伤。流浪汉试图遵守这座罪恶之城的生存法则,忍辱求生,然而事与愿违,抢劫案偏偏又找上他,忍无可忍的流浪汉终于决定拿起枪寻求公平,他对暴力罪犯大开杀戒,在城市中引发了居民群起反抗的热血,德瑞克一家同样不甘示弱,借助媒体发布了针对所有流浪汉的绝杀令,一时间,罪恶之城血流成河……
艾瑞克(约翰·马特森 Johan Matton 饰)是一名作家,有一个固定的伴侣乔娜(Linnea Larsdotter 饰),两人之间的感情十分深厚。艾瑞克和乔娜踏上了前往泰国的旅途,然而这段本该充满了欢乐和幸福的旅程却被争吵与悲伤所代替。一气之下,艾瑞克和乔娜决定分头行动。 在旅途中,乔娜邂逅了名为大卫(埃姆雷斯·库珀 Emrhys Cooper 饰)的男子,大卫曾是乔娜青梅竹马的玩伴,这意外的重逢让乔娜回忆起了过去的往事。那边厢,艾瑞克遇见了三个背包客杰米(Timothy-Ryan O'Kane 饰)、塞西尔(Elly Han 饰)和米兰达(Astrea Campbell-Cobb 饰),四人结伴而行。在分开的这段时间里,发生的种种意外让艾瑞克和乔娜开始重新思考起了他们两人之间的关系。
兰伯特闹鬼事件数年前,美丽的花季女孩奎恩·布伦纳(斯戴芬妮·斯考特 Stefanie Scott 饰)辗转找到已经退休的灵媒伊莉丝(林·沙烨 Lin Shaye 饰)。奎恩的妈妈在一年半前去世,但是她总感觉妈妈就在身边,她渴望能和妈妈再说上几句话。被奎恩真挚的情感所打动,伊莉丝决定帮她一把,谁知却似乎与某个可怕的众生建立了联系,伊莉丝告诫女孩决不能再尝试与亡母沟通。在此之后,热爱表演的奎恩回到原有生活中,谁知某次诡异事件让她遭遇严重车祸。伤愈出院后,围绕在奎恩身边的怪事愈演愈烈。 而本以为没有联系的伊莉丝,似乎也觉察到奎恩所处的危险境地,她艰难地作出决定,救助这名随时会被夺去性命的女孩……
When a mysterious planet crosses the sun, global catastrophes are unleashed. A rogue scientist is the key to deciphering the symbols and humanity’s only chance at survival.
通过这段奇妙的旅程,您可以了解这些迷人的猫科动物以及宠爱它们的人们,了解加拿大猫展的来龙去脉,当一只土耳其安哥拉猫和一只可爱的蓬松红色波斯猫展开对决,争夺“最佳展示猫”的国家奖项时,双方的爪子便会露出来。
Few films examine the societal pressures and expectations faced by young women of colour in North America. The piercing and often anxious divide between cultural traditions versus independence and acceptance among white peers is an overwhelming experience that only those who have lived it are in a position to describe. In her impressive debut feature, Pakistani Canadian writer-director Haya Waseem explores the family dynamic in a new light. The result is personal, intimate, and brought to life by an exciting new voice in Canadian cinema. Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong. Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.
上升的纽约建筑师玛戈特意外继承英国庄园。在国外拥抱圣诞节传统,她发现爱和归属感重塑了她的生活。这个故事似乎不连贯,或者也许我的意思是,它似乎没有真正的流动。玛戈特的纽约生活与她的英国庄园生活不协调。玛丽亚·梅诺诺斯似乎是在扮演玛戈特的角色,在争吵中脱颖而出。我可以很容易地看到这个女人是庄园的女主人。或者我肯定她会成为高价值房地产的团队激励者。我看不到的是梅诺诺斯和我们这些凡人在一起。哦,她试了试,做了一些简单的努力,但似乎还是做不到.我也没看到凯尔·普赖尔和他很像。故事的第一个镜头让我的品味很差.我开始想,这部电影是否会与几乎任何类似的圣诞故事相反--在这种情况下,抛弃历史,用空洞的浮华取而代之。要想知道她的遗产里有什么收获还需要一段时间。与此同时,玛戈特在追踪维多利亚留给她的线索。线索是线索,还是否定了线索?这是一部不怎么样的电影,但我并不喜欢.
带着愤怒和决心,失声的卡尔玛(谢拉·贝尔夏 Shera Bechard 饰)走出了国门,她此行的目的只有一个,那就是找到早年被人贩拐卖的姐姐安娜(Patricia Stasiak饰)。凭借着手上收集的线索,卡尔玛迅速找到了人口贩卖团伙中的两名成员,可是在痛下杀手之后,她也成为了黑白两道追捕的对象。一次意外让卡尔玛落入了人贩的手中,虽然遭受了被侮辱的悲惨命运,但这一事件让卡尔玛顺利的打入了敌人的内部。卡尔玛杀死了暴徒,释放了被他们囚禁的女人们,通过这些人之口,卡尔玛得知姐姐早已不在人世。但事实却并非如此,当卡尔玛带着满身鲜血站在人贩头目的面前之时,安娜的突然出现将她的一切自信和努力全然推翻。
Here comes DEATH's probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH's origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light. Excitement grows as Schuldiner, his band, and the world around him evolve, and the music grows ever-more outrageous and bombastic. DEATH's threat morphs from simple zombie attack to multi-headed mega-monster hellbent on absorbing entire planets. Then suddenly, Chuck is just gone, and the lights go out. The formula for movies about bands dictates that victory is seized from the jaws of mortality in the final act. This is where things get weird. Chuck Schuldiner perished during the moment of heavy metal's weakest ebb, and possibly the quietest moment of his own career. The drawling guitar ...