嫂子唠叨着总是打游戏不找工作的姐夫,问他什么时候开始工作。一个厌倦了嫂子故事的男人威胁她,说如果她对他这样做,她会后悔的,而且他之前看到她自慰了。对于尴尬的嫂子,该男子跑到她身边并开始抚摸她,并说如果她按照他的意愿行事,他就会在不通知家人的情况下掩盖她。
三个女人去野外玩,互相按摩,开了一个性感派对,共同享受性爱…大家都很享受,但是一个女人…
在泰国海边渡假胜地芭达雅,韩国兄弟泰京和在熙住在一所高级别墅裡,哥哥泰京因身怀重症到泰国养病,弟弟在熙则陪同照顾他,年轻男子旻杰的突然造访,却打乱他们的平静生活。原来在熙服役时认识了旻杰的哥哥旻勳并与他交往,在熙退伍后,旻勳在军中受到霸凌而选择自杀,旻杰对此耿耿于怀,于是前往泰国寻找在熙。 起初旻杰深信在熙必须对哥哥的死负责,但在朝夕相处后,他才发现在熙深爱著哥哥,更与在熙互生好感,爱意在热带幻夜中逐渐萌芽。知道自己来日不多的泰京,看出旻杰和在熙两情相悦却充满顾忌,进而想帮弟弟留住旻杰,内心却感到无法言喻的酸楚。互相抚慰的三人建立起一段微妙关係,他们必须透过瞭解、原谅与成全,才能走出自己的伤痛。
<男人的技巧> 男人结识异性并发生性关系的技巧。他开始在她细腰大胸的身体上使用他的性技巧。 <性欲大爆发> 一名男子来到性咖啡馆宣泄性欲。还有那个出于好奇来到这里的无所畏惧的女孩。当这两个人相遇时,他们就竭尽全力地满足自己的性欲……
Ernest Hemingway’s influential short story The Killers (1927), has been adapted to film by Robert Siodmak and Andrei Tarkovsky, while Edward Hopper’s painting Nighthawks (1942) is also said to have been inspired by the story. The Killers, an omnibus film comprised of four-shorts, takes motifs from these two classics and borrows some of their imagery as mise-en-scène. The 4 directors unfold the noir world of death and waiting with different senses and sensibilities. Kim Jong-kwan’s Metamorphosis, which depicts the awakening and manifestation of power following bloodsucking; Roh Deok’s Contractors, a pyramid of contract killings and subcontracted labor; Chang Hang-jun’s Everyone is Waiting for the Man, which tracks down a ghostly figure called a mysterious killer; and Lee Myung-Se’s Silent Cinema, an allegory of his longtime dream of cinema and the world. Notably, Actor Shim Eun-kyung appears in all four films, each time in a completely different role, adding to the delight. It’s an unconventional collection of emotional, psychological, and action-oriented films.
Amane很高兴被选为公司新项目组的成员,为新赛季做准备。然而,项目组组长松田老板却是公司里出了名的性骚扰大王。某日,陪同松田老板出差的天音,不小心订错了住宿,结果共用了一个房间,老板对天音的全面性骚扰开始了