奥卡

　　The movie is generally lacking in character development. The film at one point follows the creepiest-looking gangster (Flavio Bucci from the "The Night Train Murders") to his home where he is shacking up with another gangster's wife and her kid, but more than character development this seems to be more an excuse for another sex scene. The Placido character has an interesting flashback of him working on a filthy fishing barge, which is contrasted with a fantasy where he is piloting a yacht. This movie is very class-conscious in the way it has this poor Sicilian boy falling for a rich, northern girl (the Italian title "La Orca" comes from the designer outfit she's wearing). Placido is pretty good here, but this handsome, light-complexioned hunk is not too convincing as a lower-class Sicilian ruffian. As for Neihaus, I can't decide if she is a bad actress, or is just playing a really obnoxious character (she's more Paris Hilton than Patty Hearst). She does get naked several times which, judging from the English, title was the primary consideration.

走进我的生活

尤金妮亚被男友切断了联系，她失去了工作，她的室友离开了，她的狗也逃走了。现在她有一个计划：重塑自己并找回失去的东西。

最后的演出2024

　　In every movie that he watches, 16-year-old Andoy creates narratives that could help him find answers to the questions that have always bothered him: Who is he and who is his father? While the truth remains elusive, his imaginings remain unrealized until two movie-like characters appear in their barrio - Ariel, a hairdresser who lures young men with his inexplicable charm, and Isidro, a mysterious, long-haired man who owns a VCD player. Andoy finds himself entranced with Ariel and Isidro and begins to spend intimate time with them. As he gets entangled with their twisted lives, his reality becomes mystified. Just like the movies, Andoy must decide whether to conclude his years-long search for his father with a bang or with a whimper.

皇家圣诞惊喜

　　经历了第一部电影的“皇家惊喜”之后，现已订婚的莱利·史蒂文森和曼德拉·阿米图已经回到了洛杉矶的生活。随着假期的临近，莱利的吉娜姨妈和雷叔叔提出举办圣诞夜订婚活动在他们位于肯塔基州格拉斯哥美丽的家中举行派对——这似乎也是莱利一家会见曼德拉父母诺班图女王和奇迪克国王的最佳时机……但真的是这样吗？莱利和曼德拉将不得不应对他们的女族长之间的紧张关系各自的家庭，计划他们的订婚派对，以及另一个“皇家惊喜”，这让这对夫妇的整个未来受到质疑。—切冯·奥肖内西

波尔图

　　与日常四周格格不入却仍不想陷于自怜自伤的话，谈一场恋爱如何？可惜这年头轰轰烈烈不轮到他们，迂回兜转最后甘于暧昧缠绵，一头栽进的迷雾抹不掉自恋两字？两颗寂寞的心相逢于波图一夜，淡淡的连结共享了莫名感动的时刻；眼前只有丝丝入扣的影像，背后也许尚勾起似有还无的回忆，之后你记得也好，最好忘掉。比《情留半天》更飘逸，较《有人喜欢蓝》更浪荡。真实本就在万千一瞬之间消逝，有情人能把握的，说是时间的结晶，到头来只能是如诗的升华。

布达佩斯之恋

　　人们总是难以抗拒《忧郁星期天》的悲伤情调，原来这首歌与一段复杂凄美的爱情故事有关。上世纪30年代的匈牙利首都布达佩斯的一个餐馆里，美丽的伊洛娜（艾丽卡·莫露珊 Erika Marozsán 饰）同时被两个男人深爱着。一个是餐厅老板，另一个是钢琴师。三个人都并不愿意改变现况，打破平衡，伊洛娜同时拥有两个男人的爱而深感平静幸福。钢琴师为她创作出《忧郁星期天》，他和餐厅也因此一举成名。　　然而，汉斯的出现彻底毁灭了这一切。他曾经是一个无名小子，深深迷上《忧郁星期天》 的同时，更是成为伊洛娜的裙下之臣。汉斯向伊洛娜求婚，却被拒绝，满腔恨意的他如今成了军官，风光无限，正带着他蓄谋已久的复仇计划来到伊洛娜身边，给他们的生活以致命一击。爱、复仇与战争的故事，在布达佩斯纠结上演。

神秘契约

安德里和他的妻子瓦蒂想快速致富。当他们为一位富有的祖母担任护士时，机会来了。当奶奶突然去世时，他们想控制她的财产。为了防止邻居起疑，曾经在太平间工作的安德里故意用福尔马林来假装奶奶还活着，并故意带着奶奶在村子里转悠。

我最喜欢的蛋糕

　　玛欣因丈夫早逝、儿孙成年离家，生活仿佛单身独居女郎。退休多年的她，每天睡到日上三竿，再与好友聚餐，安然而自得。外人看来自由自在的日常，她却感到索然无味，望着街上结伴的人群，孤单涌上心头。直到邂逅腼腆的出租车司机，有如遇见另一个寂寞的灵魂，她心血来潮邀请对方到家里共度夜晚，端出拿手蛋糕佐美酒，重温青春的舞蹈乐章。而他们并不知道，这一夜，将成为两人一生最难忘的时刻。

拉乌夫

　　Rauf hopes to win over his big crush, the older Zana, with the help of the colour pink. But what does pink really look like anyways, and will he even be able to find it in his snowy little Kurdish village up in the mountains? Meanwhile, disturbing rumours sweep in from the outside world.

女上司

利库，来自罗马尼亚

　　主人公是一位92岁的老人。战争与和平、共产主义和革命后的时代都曾在他身上留下印记，他笑过、哭过、爱过，饱经世事沧桑，终成历史的见证者。　　虽是一部专题纪录片，但却讲述了过去的故事与人在迟暮之年的境遇，引发了人们对于自身，对于时光易逝、人生苦短的思考。

40

　　A famous vlogger commits suicide after her content is based online. When she is about to kill herself, a man is quick enough to save her.

永向战场

　　New Zealand–born groundbreaking CNN camerawoman Margaret Moth risks it all to show the reality of war from inside the conflict, staring down danger and confronting those who perpetuate it.

人偶，流放的精神

　　Golem 是犹太神话中的生物，象找征代替和流放。这部影片讲述一个妇女和她姐妹们的故事，她们丈夫死亡后而被迫流放。背景是90年代的巴黎，导演在1982拍摄的纪录片在以色列被禁播后，他曾自我流放到巴黎。影片重复的主题是迁移和无根，就像传奇的Golem一样。

宇航员恋人

　　情不知所起，一往而深。爱情是一场危险的游戏。一个夏天，Pedro，一个公开的同性恋者，和Maxi，一个单身的异性恋者，开始了一段深厚的友谊，这让他们的朋友们都感到惊讶。Pedro和Maxi假装成情侣，结果骗过了所有人，包括Maxi的前女友，她突然出现搅局。然而，随着时间的推移，这两个设下圈套的男人最终也落入了自己编织的情网。性冲动变成了不可抗拒的欲望，两个人最终同床共枕；这仅仅是一次转瞬即逝的爱恋，还是一场至死不渝的爱情？

交响尸人梦

　　A chamber orchestra is working out of a rundown theatre in Reykjavik. Financial hardship places a great strain on the band and the lead violinist, Sigrun. The annual grant from the city is coming to an end so the band hires a world renowned cellist in order to save the band. The media goes wild and money starts to flow to the band again. Too bad the cellist is not a very nice person – he is quite the assgrabber and a two faced cheater. Too late to fire the star and the grand concert that will save the band is about to begin when the cellist chokes to death – 15 minutes before the concert. The band decides to risk it all and play the concert with a dead solo artist – not really thinking about how to end such a macabre show.

卢卡的血红色

巴巴拉决定帮助患有脑瘫的儿子,带她的家人到印度进行实验治疗。

艾芙琳2012

伊芙琳从拉丁美洲的家乡前往西班牙。她以为自己要去当一名女服务员，但她被欺骗并被绑架到路边俱乐部卖淫。这是一个洗脑的故事；一个把一个普通女孩变成性奴隶的人。

性、毒品与税收

　　本片回顾北欧史上最具话题性的两大人物，由丹麦影帝尼可拉斯布洛(Nicolas Bro)與皮魯艾斯貝克(Pilou Asbak)，詮釋離經叛道的法律狂人與嬉皮資本家，他們奢侈無度的生活，互相扶持又彼此利用的微妙關係，成為空前絕後的時代象徵。　　一趟沒有規則與權威，通往自由及解放的兜風之旅！法律是他們的籌碼、女人則是他們的軍隊，挑戰社會禁忌、對抗陳舊官僚。改編自北歐震驚社會的真實事件，崇尚享樂、沉溺性愛的航空鉅亨與稅務專家好友，聯手打造全北歐最大的航空公司，滾滾而來的鈔票讓他們越發縱慾狂歡，直到遊走在法律邊緣的秘密公諸於世，兩人的合作關係和友誼蒙上巨大陰影…。　　旅遊公司老闆史派有個好鑽法律漏洞、專長逃稅和商場鬥爭的換帖好友兼個人律師吉斯托。從中小企業到富可敵國，兩人雖然有著迥異的志向和興趣，卻一直是彼此堅強而忠誠的靠山。然而，當吉斯托公開其極右派的政治主張，致使舉國譁然並引來政府關切時，史派夾在友情和自身名利之間，將如何取捨？

终结生存

我们每天醒来，上班，回家重复周期。这是社会上普通工作成员的生活，然后有一天您会醒来考虑另一个平均一天，但是您发现自己的生活不再是平均水平。泰勒（Tyler）一直在世界上的梦想和想法结束，直到现在，他所有的朋友都认为他有点疯狂。他从周一至周五的正常工作变成了搜索和储存食物和武器。在他的途中，他遇到了其他普通人找到通往“安全区域”的方式，但是僵尸，僵尸，并不是一件容易的事。整个州是这样吗？整个国家？甚至世界？泰勒（Tyler）倾向于发现，并会尽一切努力生存.....最终生存吗？

佩佩2024

　　河马本在非洲，怎会流落南美？又怎说起人类语言，叩问我来自何方、为何讲话、为何被杀等大哉问，仿佛是位哲学家？70年代，哥伦比亚毒枭走私河马，圈养在家当宠物。毒枭死后河马逃窜荒野、繁衍成群，政府认定数量失控、批准猎杀，佩佩成为美洲史上第一只被枪杀的河马。本片以佩佩的死后独白为舵，驾驶狂想飞船穿梭时空，上溯当年莫名渡海来异乡，下述偶遇人类引误解，并将河马的外来种命运化为隐喻，折射出阶级、殖民、独裁等多重命题。

情感的力量

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.　　Alexander Kluge: The Power of Feeling　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

最后12天

　　故事围绕卡米尔和丹尼尔展开，这对年轻夫妇在爱情和疾病的复杂关系中摸索前行。当丹尼尔面临危及生命的健康危机时，他们的关系被推向了极限，暴露了他们最深的恐惧和脆弱，同时也凸显了他们之间牢不可破的联系。—机智的杰克

真正的痛苦

　　为纪念逝世的奶奶，许久未见的堂兄弟大卫与班吉相约前往波兰参加导览团，也顺道探访奶奶的老家。一路上，班吉有话直说、率性风趣的性格迅速与同团人士拉近距离，令木讷拘谨的大卫既焦虑又羡慕，压抑已久的情绪日益沸腾。然而，随着旅途种种安排不断挑动班吉的敏感神经，他的狂放不羁似乎逐渐走向失序，大卫试图息事宁人，但内心的不安却席卷而来。这趟寻根之旅，能否解决彼此心底难以言说的痛楚？

赤裸探戈

　　这是一个传奇故事。说的是邮购新娘，从波兰到阿根廷。开头与安吉莉娜·茱莉演的《原罪》极相象，但这个片子要更早些，是90年拍的。客船上，年轻美丽的史蒂芬妮冒充自杀的艾芭，从可以当她父亲的，专制的丈夫身边逃走。她到的是一个从未到过的地方，面对的是离奇而痛苦的命运--但假若再给她一次机会，她是不是还会将自己的那双鞋，留在别人落水的甲板边呢？　　这是一个骗局。被骗来的新娘，在婚礼之后，成了妓院里的妓女。但这个女孩子不一样，她茫然的任性里头有一种特别的力量和胆量。在新婚之夜，她杀了第一个嫖客，然后见到了查洛，一个以探戈舞步走向她的男人。

吉斯林：最后的日子

　　Quisling was put on trial and executed for his collaboration with the Nazis during the Second World War.

火山之下2024

　　A Ukrainian patchwork-family spends their last day of vacation on the island of Tenerife. The four do not know yet that the next day their life will completely change. Overnight, they will go from being tourists to refugees.

孤海沙堡

　　A family of four is stuck in an idyllic island that hides a shocking reality.

卡林加

主角遇到了可怕的事件，揭开了隐藏在表面之下的险恶谜团。为了打造一个反映*Kantara*、*Tumbbad*、*Arundathi* 和*Virupaksha* 等电影最近成功的盛大奇观，这部电影的导演有远大的抱负。这个想法是将恐怖、民间传说和神秘主义的元素融入到一个让观众兴奋的叙事中，就像之前的电影一样。然而，尽管这个概念具有潜力，但在几个关键领域的执行却存在不足，特别是在剧本和整体故事讲述方面。从一开始，导演的目标就很明显，那就是营造引人入胜、身临其境的体验。影片的前 20 分钟真正体现了恐怖和阴谋。有一种明显的恐惧感，紧张感也随之增强。

希望2016

雄心勃勃的经济学家汉娜·宾尼坎普 (Hannah Binnekamp)（40 岁）发现自己与纽约著名银行家本·埃尔森（Ben Elzen）（50 岁）有染。他失去了对这桩秘密事件的控制，并帮助她对抗纽约的金融界。但当汉娜过度发挥她的手时，本成为她为了实现目标而必须对付的对手。一个关于完全失控的婚外情的惊心动魄的故事。