三千年的思念

　　Alithea Binnie虽然对生活还算满意，但对世界却抱着怀疑的态度。　　在伊斯坦布尔，她遇到了一个精灵，后者向她提议用自由换取实现三个愿望。　　但Alithea学识非常渊博，她知道与许愿有关的故事都没有好结局。精灵于是向她解释了这么做的原因，并讲述了自己辉煌的过往。　　她被精灵讲述的故事所吸引，最终许下一个最令人惊讶的愿望。

伊贝林的非凡人生

　　Mats Steen, a Norwegian gamer, died of a degenerative muscular disease at the age of 25. His parents mourned what they thought had been a lonely and isolated life, when they started receiving messages from online friends around the world.

混蛋2013：德国版

　　塞缪尔（汉斯·齐施勒 Hanns Zischler 饰）和科拉（西比勒·卡诺尼卡 Sibylle Canonica 饰）结婚多年，两人共同抚养着九岁的儿子尼古拉斯（Finn Kirschner 饰），日子在日复一日的平静之中缓慢的流逝着。然而一场噩梦突然降临到了这个家庭的头上，一天，尼古拉斯失踪了。　　负责此案的犯罪心理学家梅尔内特（马蒂娜·戈黛特 Martina Gedeck 饰）介入到了这个家庭之中，在和科拉的相处过程中，梅尔内特逐渐察觉出了一丝诡异的气氛。一段令人震惊的录像带在校园之中传播开来，被囚禁的尼古拉斯正是录像带中的主角。录像带的出现让整个事件开始动摇和发酵，梅尔内特坚信，在这个看似美满的家庭之中，隐藏着不可告人的秘密。

湄公河水鬼

　　黎太太（越香 饰）靠着在湄公河上替人寻找落水失踪的亲友维生，然而她的工作却意外触怒越南传说中的水鬼「Ｍa Da」，导致她心爱的女儿被「Ma Da」缠上，黎太太必须赶紧找到解救女儿的方法，否则她将沦为河底的亡魂……。

好朋友2018

　　返乡青年Yad在Joris奶奶家工作，两人的相遇天雷勾动地火，一发不可收拾，历经母亲的不谅解、父爱的失落感、旁人的嘲讽，磕磕绊绊后，两人是否仍能相互扶搀？

吃石头的人

此刻最后

　　Sophie is a twenty-year-old American woman who has lived all her solitary life in a bubble. During a vacation in Palermo with her sister, she meets Giulio and his group of Sicilian friends. Anxious to let go and live life to the hilt, Sophie decides to walk along the edge of disaster and gets sucked into a vortex of risky behavior that turns a mere romp on the wild side into a heart-pumping fight for survival – and redemption.

克罗马小子

　　Emi must deal with his magician parent's disappearance after a trick spirals out of control.

身段

　　Andrea Absolonová was a talented Czech professional diver with a bright career ahead of her. However, her sports career had been cut short by a spinal injury during a training session at the Atlanta Olympic Games. She then embraced a professional career in the adult entertainment industry, where she became an internationally recognized porn actress. She died at the age of 27.

大卫的情人

　　安娜是一名稍有成就的电影演员。她经历过失望、孤独、落魄。在同时她很想重获纯真和纯洁。在一次音乐会上和一名澳洲歌手一夜情后。安娜怀上了他的孩子，7个月后，又在同地点遇上了旧情人，却被人告知这竟是南柯一梦……

尤兹莱斯梅

希齐尔失去了长期接受重症监护的妻子哈利梅。她的女儿哈蒂斯从一直热心帮助她生病的母亲的护士埃夫伦那里得知，是他导致了她母亲的死亡。哈蒂斯试图对来到她家的父亲表示同情。她没有向他透露真相，但过了一段时间，她再也无法保守这个秘密，并与她的妹妹卡德尔分享了。卡德认为他们应该将埃夫伦的供词告诉他们的父亲，但同时认为他们应该去报警。卡德尔对妹妹的坚持给哈蒂斯带来了生存问题，她被埃夫伦的坦白压垮了。所有家庭成员都必须在家庭晚宴上面对真相。

失去的女孩

　　Three outcast teenage girls get a new perspective on high-school life when they are mysteriously transformed into boys, in this skillfully crafted tale of sexual confusion with a supernatural twist.

空网

　　故事发生在里海沿岸，年轻的阿米尔与娜吉斯深爱着彼此。然而，在当今的伊朗社会，仅仅拥有爱情远不足以共筑未来的生活，因此他们隐瞒了相爱的事实。阿米尔背负着巨大的压力，为了得到女友“上流”家庭的认可，他急需一大笔钱作为丰厚的彩礼。无奈之下，阿米尔在渔场里做了一名渔夫，而他也因此卷入了危险却暴利的鱼子酱走私勾当。阿米尔在其中越陷越深，而另一旁，娜吉斯却一直在拖延时间，意图拖延父母给她安排的婚事。在今日仍旧恪守成规、腐败横行、阶级固化的伊朗社会中，他们的爱情、希望与梦想能否找到一条出路?

塞姆·卡拉卡的眼泪

它讲述了塞姆·卡拉卡的生活故事,他是安纳托利亚摇滚乐的传奇名字,创作了许多作品。这部电影不仅讲述了土耳其最具标志性的男性声音之一塞姆·卡拉卡的生活,尤其是在70年代末和80年代,而且还讲述了那个时代的社会政治背景。在此期间,土耳其青年呼吁更多的民主和自由,同时面临国家压迫和秘密团体的炸弹袭击。在某种程度上,这部电影是土耳其70年代和80年代政治气候的概要。塞姆·卡拉卡以其独特的嗓音和独特的风格,在人们心中始终占据着特殊的位置。他的斗争,无论是在音乐上还是在政治上,都受到广泛的赞赏和尊重。方向巧妙,演员出色.伊斯梅尔·哈西奥奥卢、库斯坎和雅塞明·雅尔辛的表演非常出色,剧本也很平衡。

剃光头

　　SISANJE is a story of a young Belgrade high school math champ Novica who gets seduced into the world of skinheads by their charismatic leader Relja. Novica joins the gang of racist skinheads in an attempt to overcome the geek status in school but soon enough he is sucked into the world of racism, violence and hooliganism, the skinhead movement takes him over and eventually he starts climbing up the ladder in the skinhead hierarchy.

禁营：集体附身

　　取材于印尼的真实故事，在2016年的夏天一群学生正在参加夏令营活动，但是到了夏令营的第三天，开始发生很多离奇的事情，就在当晚话剧表演的时候，演员们开始被一个可怕的灵体复仇，混乱接踵而至。

迷失暗夜

　　埃米利亚诺生活在墨西哥的一个小矿镇。在正义感驱使下，他寻找那些对母亲的失踪负有责任的人。他的母亲是一位活动家，组织当地的工人反对一家国际矿业公司。埃米利亚诺没有得到警察或司法系统的帮助，但他发现了一条指向富豪阿尔达马家族的线索。不久，他就在阿尔达马家族得到了一份工作，并决心揭开表面下的秘密。

施特恩女士

　　年迈的孤身一人的斯特女士对生活失去了希望，一心寻死，正在她想尽办法结束自己生命的时候，命运让她遇见了形形色色的人和事，给她灰暗的生活带来了一丝亮光，也动摇了她死亡的念头。

情感的力量

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.　　Alexander Kluge: The Power of Feeling　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

血与油

　　Colombian music icon Juanes plays Moisés, the eldest of three brothers plying this perilous trade and the linchpin of the operation, while Alberto Guerra delivers a compelling performance as Ulises, a man paralyzed by conflicting decisions and haunted by fear and grief. When Juan (Alejandro Speitzer) — the youngest of the brothers — is coerced into working for a more powerful, rival criminal organization, the shocking underbelly of the business is laid bare and there are tragic consequences.

恶梦侦相

　　Follows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.

臣仆1951

　　狄德利希·赫斯林是奈泽西小城造纸厂老板的儿子。他从小欺软怕硬，害怕权势，又追求权势。他爱在老师面前打小报告，以看到别人挨批评而高兴。上了寄宿学校后，他更多的接触到女孩。当他获得他的爱情后，却拒绝与之结婚，因为她还有另外一个追求者，因为被他认为不够纯洁。他也拿到了博士学位。但不是为了就职或进行学术研究，而是为了追求金钱势力。他父亲去世后，由他接替父亲当造纸厂的老板。他见风使舵，周旋于自由党人和社会民...　　《臣仆》是亨利希·曼批判现实主义文学的代表作。导演试图通过影片作一次人的本性的揭露。通过巧妙的蒙太奇和画面的叠化，对“臣仆精神”进行了无情的讽刺。当表现狄德利希·赫斯林的奴性时，利用，利用了俯视镜头，把他低三下四跪近皇帝的样子缩成蛆虫般大小。表现他以势欺人时，又利用了仰视镜头，把他放大到巨人一般，将帝国时代奴颜卑膝，可鄙而危害社会的德国小市民的典型刻画地淋漓尽致，

性梦爱三部曲：性

　　Two chimney sweeps living in monogamous, heterosexual marriages both end up in situations that challenge their views on sexuality and gender roles.

这就是幸福

四十岁对于公主来说本是一件低调的事情，但当她最好的朋友为她举办了一场难忘的派对时，她的整个世界都被震动了。

灾难级假期

拿针的女孩

　　The movie is a free interpretation of the story of the notorious Danish “angel maker” Dagmar Overbye, who murdered dozens of infants in Copenhagen in the 1910s and was sentenced to life imprisonment in 1921.

西西里来信

　　“在意大利丰富的犯罪历史中，马蒂奥·梅西纳·德纳罗和他的30年销声匿迹是独一无二的，”导演们坚持说，“多年来的调查和报道中透露出的细节，让我们有机会深入了解他神秘的性格，并揭示他隐身存在所培育的广泛关系网络。在我们的电影中，在理性的沉睡中追逐梦想的人们，最终都陷入了悲剧而荒谬的噩梦之中。”

面朝大海

　　风光旖旎的海边别墅，一对年轻的情侣来此度假，沉浸在新婚的甜腻中日夜亲热，他们的旖旎春光，被一对来此纪念结婚周年老夫妻，尽收眼底。影片带着浓重的文学气质，年老夫妻窥探年少情侣，以岁月沉淀的睿智，对年少情侣的恩爱作着哲学式的分析。偶然一次意外的暴风雨袭击，让一同出海的两对爱侣，对于爱情与婚姻有了一番新的认识。难得一见的墨西哥文艺片，却有着欧洲文艺片的内核，美丽的海岛风光，则又为影片加分不少。

心碎旅馆

　　At a quiet motel, a rising star in the film industry must confront her past as she navigates her flourishing career and delicate personal relationships.

放手再爱

　　《放手再爱》的故事围绕斯特拉（约瑟芬·伯恩布什 饰）展开，讲述的是发现人生中真正重要的东西。生活的一切都在斯特拉的掌控之中 — 除了不断寻求关注的小儿子、情绪不稳的青春期的女儿，以及与她缺乏沟通的丈夫。当斯特拉收到一条改变一切的消息时，这个家庭走到了破裂的边缘。她决定和家人一起去旅行，并完成不可能的任务：让全家再次凝聚到一起。