电影筛选《OnlyFans 的崛起》是一部发人深省的纪录片，全面探讨了开创性平台 OnlyFans 前所未有的发展和文化影响。通过对 Spencer Barrick、Adria Rae、Dan Dangler、Kenzie Ann、Amber Marie 和 Nicole Doshi 等有影响力的创作者的一系列深入采访，该影片以细致入微、引人入胜的方式讲述了该平台的发展历程。这部纪录片首先深入探讨了 OnlyFans 的起源以及这些创作者第一次接触该平台的方式。—海岸线娱乐
Carla Harris, a beautiful but not so successful actress from L.A., witnesses how her husband is tragically killed in an attempt to save a woman from her male attacker. She travels to her parents' home in a small town in the mountains to get some rest only to be repeatedly harassed by redneck locals and a teenager. The local sheriff refuses to help and so it all ends up in a gang rape and with Carla's parents shot dead. Carla survives and escapes from the mental hospital to seek bloody revenge
On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music. McCartney reached out to master documentarian and long-time friend Albert Maysles, inviting Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Over several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.
这是一部清谈电影，由八个小故事组成，每个故事都是发生在欢愉之后的两人间的对话。 一个年轻人向伴侣阐述他认为男女关系不平等的原因，却听到对方解释两人之间的关系并不是爱情；一对儿Gay的其中一人，突然对自己的身份产生了怀疑；一对儿小情人经历了初夜，男孩却被女孩的母亲堵在了屋里；两个Les走出房间，其中一个急于撇清自己和同性恋的关系；一对垂暮的嬉皮士夫妻，回忆起昔日种种的疯狂经历；两个渐入中年的Gay，在车上展开了一场关于同性恋人中“女性一方”身份的讨论；一对分手后的情侣，背着各自恋人再次聚到了一起，但是他们又一次爆发了争论；两个几乎陌生的人在欢愉之后试图彼此沟通，但是在身份和经历的差异下，他们的交流将指向何处……
Amanda Fuller is dynamite in Simon Rumley's (Red, White & Blue) mind-bending gothic psychodrama about a fashion-obsessed woman whose life falls spectacularly apart. You're unlikely to see many better performances this year than Amanda Fuller's mesmerising turn as April, a 30-something whose self-image and perception of life is determined by the vintage clothes she wears and sells at a funky emporium in Austin, Texas with husband Eric (Freak Me Out favourite Ethan Embry; The Devil's Candy, SFF 2016; Cheap Thrills, SFF 2013). When Eric strays, a devastated April meets Randall, a smooth-talker with a predilection for strange sexual games. That's just the start of this dazzlingly filmed and superbly edited journey into real and imagined worlds. A killer soundtrack rounds out the best film yet by genre-mashing British ace Simon Rumley (The Living and the Dead).
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