In a post-apocalyptic adventure in the Swedish archipelago, a science team struggles to find a way to protect the few surviving humans from a lethal mushroom organism. Forced on a journey through the wilderness to find a new bunker in which to continue their research, they come into conflict with an armed gang that uses a drug to delay the effects of the organism. The scientists want to find a more permanent solution, and have to fight for the very survival of humanity.
狄德利希·赫斯林是奈泽西小城造纸厂老板的儿子。他从小欺软怕硬,害怕权势,又追求权势。他爱在老师面前打小报告,以看到别人挨批评而高兴。上了寄宿学校后,他更多的接触到女孩。当他获得他的爱情后,却拒绝与之结婚,因为她还有另外一个追求者,因为被他认为不够纯洁。他也拿到了博士学位。但不是为了就职或进行学术研究,而是为了追求金钱势力。他父亲去世后,由他接替父亲当造纸厂的老板。他见风使舵,周旋于自由党人和社会民... 《臣仆》是亨利希·曼批判现实主义文学的代表作。导演试图通过影片作一次人的本性的揭露。通过巧妙的蒙太奇和画面的叠化,对“臣仆精神”进行了无情的讽刺。当表现狄德利希·赫斯林的奴性时,利用,利用了俯视镜头,把他低三下四跪近皇帝的样子缩成蛆虫般大小。表现他以势欺人时,又利用了仰视镜头,把他放大到巨人一般,将帝国时代奴颜卑膝,可鄙而危害社会的德国小市民的典型刻画地淋漓尽致,
驻扎在塔林、致力于编写欧洲网络防御密码本的罗杰·哈里斯在前往圣彼得堡的途中失踪。英国大使馆的彼得·奎尔认为罗杰已经叛逃。蒂尔达·罗宾斯 (Tilda Robbins) 冒充艺术史学家,由 JSC 派往布鲁塞尔,到达时发现罗杰斯的秘书穆里尔 (Muriel) 正在收拾行李。她受到俄罗斯裔爱沙尼亚持不同政见者的恐吓,要求透露有关罗杰的信息,并准备离开该国。蒂尔达试图劝阻她,但无济于事。蒂尔达只能自谋生路,她参观了网络防御中心并采访了最后一个见到罗杰的人贝蒂娜·吉滕斯。在回来的路上,彼得·奎尔强迫她靠边停车,他自称是军情六处。他警告她,俄罗斯未来打算重新占领爱沙尼亚,以及为什么该国对欧盟安全至关重要。
Shlomi, an eighteen-year-old Israeli soldier, flees the Gaza battlefield and heads to his girlfriend in Tel Aviv only to discover that the IDF elite is convinced he was kidnapped in the fog of war. This is a tragi-comic journey, taking place over a period of 24 hours in the hot and humid streets of Tel Aviv, shifting from terror to hope, from romance to nightmare. Director's Note: The clash between love and law is also the clash between breathless running and paralysis. One pushes Shlomi to defect from war-torn Gaza to Tel Aviv, to his beloved's arms. The other threatens both his existence and the world around him.
塞缪尔(汉斯·齐施勒 Hanns Zischler 饰)和科拉(西比勒·卡诺尼卡 Sibylle Canonica 饰)结婚多年,两人共同抚养着九岁的儿子尼古拉斯(Finn Kirschner 饰),日子在日复一日的平静之中缓慢的流逝着。然而一场噩梦突然降临到了这个家庭的头上,一天,尼古拉斯失踪了。 负责此案的犯罪心理学家梅尔内特(马蒂娜·戈黛特 Martina Gedeck 饰)介入到了这个家庭之中,在和科拉的相处过程中,梅尔内特逐渐察觉出了一丝诡异的气氛。一段令人震惊的录像带在校园之中传播开来,被囚禁的尼古拉斯正是录像带中的主角。录像带的出现让整个事件开始动摇和发酵,梅尔内特坚信,在这个看似美满的家庭之中,隐藏着不可告人的秘密。
年轻指挥家亚德里安(奎姆·古铁雷兹 Quim Gutiérrez 饰)的女友贝伦(克拉拉·拉戈 Clara Lago饰)失踪了,活不见人死不见尸,只留下一段视频讯息。郁闷的亚德里安不断被警察怀疑和调查,烦不胜烦之下到小酒馆浇愁,一不小心喝的大醉,受到女招待法比安娜(玛蒂娜·加西亚 Martina García)照顾,两人迅速陷入新的恋情。很快,法比安娜住进亚德里安的大宅,敏感的她时时感到房子里面不对劲,浴室里面好像总有奇怪的声音,亚德里安对此不以为意,但法比安娜开始时时留心,还一度怀疑是他前女友的鬼魂作祟。一天,在卧室更衣的法比安娜拾到一把古怪的钥匙,似乎接近了一个天大的秘密……
这部由电影制片人兼多媒体艺术家约翰·格里蒙普雷(代表作《双重特工》)创作的新纪录片堪称一部精心结构的电影随笔。影片以刚果及其首位民主选举的总理帕特里斯·卢蒙巴的谋杀为背景,融合了地缘政治、爵士音乐、冷战阴谋和殖民实践,是一部爆炸性的混合体。片中既有详尽的研究和数据,又在形式上绝对巧妙和自由。影片追踪了卢蒙巴的权力崛起以及殖民者对将国家控制权交给其公民的抵抗。同时,影片还记录了美国试图通过派遣爵士音乐家如妮娜·西蒙、杜克·艾灵顿、路易斯·阿姆斯特朗等人来影响该国的努力。这些音乐家来到刚果演奏,浑然不知他们不过是中情局阴谋的幌子。最终,这部影片充满了音乐和电影能量,同时对仍然拒绝被抹去的殖民幽灵发出了一声强烈的政治控诉“我控诉”。
A boy is haunted by terrifying nightmares where a monster lurks inside the closet. To his relief, his father appears in the middle of the night helping him to face his fears. But the boy will begin to question the true nature of these apparitions, having to face the truth about his father's destiny and the evil force that threatens to consume him.
Ningrum has had to face negative views from local residents since childhood because her mother, Handini, was always accused of having sex with many men. The death of one of Handini's close friends further plunges her family into local gossip. Ningrum's life becomes increasingly uneasy when the man she secretly loves, named Jalu, is trapped as Handini's new sacrifice. Ningrum has to face various supernatural terrors. Finally, Ningrum got a clue and asked for help from a Kyai who gave him a powerful spear to destroy black magic on earth.