这只是一个故事

一名韩国女性性工作者发现自己被一位富有的百万富翁囚禁，而这位百万富翁却隐藏着一个黑暗而险恶的秘密。

约翰·范德卡斯蒂尔-恩恩·贝杰·埃斯特伦#艾因贾尔斯

老妈乱入夏令营

　　为了挽救儿子的期末露营之旅，这位单身母亲充当起了校车司机，并试图向儿子证明自己真的可以成为一位酷妈。

盲眼的基督

　　迈克尔坚信自己曾经在沙漠中得到神明的启示，但他的邻居都不以为然，甚至把他当成镇上的傻瓜。某天夜里，得知童年玩伴在一处偏僻的村庄里卷入事端，迈克尔决定赤足穿越沙漠，以期求得神迹，拯救自己的朋友。

冒牌上流

　　因遭遇诈骗而欠下巨额债务后，两个想要成为社交名流的人精心设计伪造身份，骗取富人的钱财

乡村酔恋

　　故事发生在一个名叫哈里亚纳邦的小村庄里，哈利（潘卡杰·卡普尔 Pankaj Kapur 饰）是村里非常有名的实业家，不仅财力雄厚，在当地也非常受村民们的敬仰。哈利有一个宝贝女儿名叫碧吉莉（安努舒卡·莎玛 Anushka Sharma 饰），如今，碧吉莉已经长到可以嫁人的年纪了，哈利开始操心起她的婚事来。　　哈利相中的当地著名的大政治家查得的儿子巴代尔作为女婿，虽然碧吉莉和巴代尔之间根本没有任何的感情，但这对于哈利来说却并不是问题。问题出在碧吉莉的身上，实际上，碧吉莉早已经心有所属了，那个人就是哈利身边最受信赖的男仆马图（伊姆兰·汗 Imran Khan 饰）。

离开的母亲

　　自从20岁发现自己怀孕并将生下女儿阿曼达以来，克拉拉与母亲这个角色的关系一直很困难。她认为自己的身体不适合当母亲，因此在没有任何快乐的情况下付出，并在肮脏的夜总会里长时间工作。她决定离开女儿和伴侣，但十年后，当阿曼达生病时，她被迫承担起新的责任。

诺娃与爱丽丝

　　两位艺术家诺娃和艾丽斯被经纪人勉强安排了一次联合巡演。艾丽斯是一位拥有大批观众的知名明星，但她从未创作过自己的歌曲，如今她的明星光芒正在减退。诺娃则是新晋的前卫艺人，事业蒸蒸日上，但台下的生活却一片混乱。两人在音乐上和个人生活上的碰撞不可避免。然而，当巡演大巴驶过瑞典夏季的音乐会场地时，一切都悬而未决，她们不知道这个夏天将彻底改变她们的生活。

决战豪门3：金钱的代价

　　Devastated by the recent kidnapping of his 15-year-old son, Largo Winch looks on, helpless, as his business partner commits suicide during a live press conference. As everything turns against him, as his business empire starts to fail, he discovers that the two events are perhaps linked: if he finds the criminals responsible, he will perhaps see his son again. From Canada to Burma to Hong Kong… Largo doesn’t yet know that his search will lead him straight to hell… An action-packed movie with an intrigue-filled plot that will grip you without respite till the final breathless seconds.

一夜风流2024

　　一天晚上，两个陌生人在酒吧见面。卡拉刚刚失去了丈夫，但由于丈夫虐待她，她不知道如何应对悲痛。与此同时，这是Dindo作为自由人的最后一晚，因为他将在第二天向当局自首。他们可以在夜晚结束前交谈，他们发现了一个令人震惊的真相，这个真相将他们永远联系在一起。这种联系导致他们揭开了个人过去的黑暗秘密，这些秘密让他们陷入痛苦。

夜光2022

　　Ale, a seventeen-year-old woman, lives in rural Costa Rica with her two younger siblings. Through landscapes fueled by silence, resentment and brief moments of joy, Ale will try to protect them from the seething truth, their mother has left them and is not coming back.

黑魔巫语

　　Ningrum has had to face negative views from local residents since childhood because her mother, Handini, was always accused of having sex with many men. The death of one of Handini's close friends further plunges her family into local gossip. Ningrum's life becomes increasingly uneasy when the man she secretly loves, named Jalu, is trapped as Handini's new sacrifice. Ningrum has to face various supernatural terrors. Finally, Ningrum got a clue and asked for help from a Kyai who gave him a powerful spear to destroy black magic on earth.

因卡比

弗兰克是一名退休杀手，他选择消失并以私人出租车司机的身份重新开始生活。他与在市中心一家阴暗赌场工作的年轻女子露西成为了朋友。失去孩子安吉拉的监护权后，露西又陷入了毒品和高级卖淫的恶性循环。一天晚上，她目睹了她的一位客户被谋杀，他是城里一位著名的百万富翁。露西设法逃脱，但凶手却想榨干她的血。除了她唯一的朋友弗兰克之外，她没有人可以求助。弗兰克只是为了钱而杀人，但现在他必须杀人来保护唯一一个从未有人为她挺身而出的人。

女巫不存在

才华横溢的年轻女孩凯蒂在 13 岁生日那天收到了一个神奇的护身符。这个护身符的任务是寻找第五个也是最后一个女巫来完成星女巫的命令。因为在其不完整的形式下，该组织无法保护地球免受邪恶女巫康奎拉的侵害。当凯蒂和她最好的朋友罗伊一起探索她的新魔法力量时，星女巫竞技场的花花公子格里姆贝克以及邪恶的孔奎拉正在拼命寻找凯蒂。

盲区暗影

　　一个德国纪录片摄制组来到土耳其东北部的这个库尔德小村庄，希望深入调查近三十年前一个孩子神秘失踪的事件，却发现自己陷入了有些超自然的环境中。

白草地

　　在極權統治下，藝術工作者能找到自由創作的空間嗎？導演2009年的作品充滿寓意，故事主角走遍壯麗的爾米亞湖岸，在鹽盤上收集居民的眼

西辛7

隔壁

　　Em A Porta ao Lado, Rafa (Dan Ferreira) e Mari (Letícia Colin) vivem um relacionamento tranquilo e estável, monogâmico, dentro dos moldes mais tradicionais. Juntos há mais de cinco anos, os dois se acostumaram com a rotina e a monotonia da vida de casados, sem muitas aventuras. Mas quando Fred (Túlia Starling) e Isis (Bárbara Paz), um casal que vive um relacionamento aberto, se muda para o apartamento ao lado, Mari acaba sendo levada a questionar seu casamento e considerar outras formas de se relacionar. O encontro entre os dois casais provoca desejos, dúvidas e inseguranças, transformando completamente a vida dos quatro.

秋天里的春光

　　正所谓“少要沉稳老轻狂”，年届不惑的弗兰提斯克·汉那（Vlastimil Brodský 饰）越老越有活力，他不去理会老婆艾蜜莉（Stella Zázvorková 饰）辛苦存下棺材本钱的良苦用心，也懒得搭理那个不成器儿子糟糕的婚姻。弗兰不愿面对即将到来的死亡，只想尽情享受最后的时光。他和剧院的好友艾德（Stanislav Zindulka 饰）假扮各种身份的人，从中得到无限的乐趣，却也因此惹下不少的麻烦。垂暮的生命，因一颗青春顽皮的心而充满光芒……　　本片荣获2002年克里夫兰国际电影节最佳影片奖；2002年捷克金狮奖最佳女主角奖（Stella Zázvorková）、最佳剧本奖和最佳男配角奖（Stanislav Zindulka）；2002年捷克皮尔森电影节金翠鸟奖最佳影片奖。

卢卡的世界

为了帮助她的儿子，她的儿子患有脑瘫，巴尔巴拉将她的家人带到印度进行实验治疗。

墙后低语

　　初到柏林，苦于找不到落脚之所的大一新生马丁意外得到他人帮忙，住进了一间小公寓。据称公寓的前房客已失踪，房间里还留着他大堆东西。简单收拾完屋子之后，马丁正在为自己终于可以睡在床上而庆幸时，他发现白天素未谋面的古怪女房东就跟他一墙之隔，从那边传来的娇羞喘息声，勾起了他内心的无限好奇……

我的同学

高中朋友的生活以及他们在青少年时期所经历的挣扎。

波尔图

　　与日常四周格格不入却仍不想陷于自怜自伤的话，谈一场恋爱如何？可惜这年头轰轰烈烈不轮到他们，迂回兜转最后甘于暧昧缠绵，一头栽进的迷雾抹不掉自恋两字？两颗寂寞的心相逢于波图一夜，淡淡的连结共享了莫名感动的时刻；眼前只有丝丝入扣的影像，背后也许尚勾起似有还无的回忆，之后你记得也好，最好忘掉。比《情留半天》更飘逸，较《有人喜欢蓝》更浪荡。真实本就在万千一瞬之间消逝，有情人能把握的，说是时间的结晶，到头来只能是如诗的升华。

越笨越开心

刚刚遭受丧子之痛的家庭主妇凯伦（波迪尔·约根森 Bodil Jørgensen饰），敏感脆弱。她失魂落魄的游荡在哥本哈根的街头，在餐厅进餐时偶遇一位紧握她手不放的白痴。出于同情心，凯伦一路跟随他，目睹了一群终日装疯卖傻的“白痴们”。其实这群年轻男女并非是真正的弱智者，他们是以史托佛（杨斯·艾宾纳斯 Jens Albinus饰）为首佯装白痴的正常人。为了向中产阶级体制挑战，他们不顾舆论压力，以欺骗他人、玩弄他人为乐。凯伦一方面无法彻底成为“白痴”，一方面又对他们的行径梦寐以求。渐渐地，凯伦开始在她的家人面前扮演起了白痴，深陷其中不能自拔。本片入围1998年第51届戛纳电影节主竞赛单元-金棕榈奖。这部以“道格玛95”为电影拍摄准则的影片，不仅在拍摄手法上完全不顾画面的美感，更是继《感官世界》后又一部大量暴露性器官镜头的影片，极度挑战着电检制度和观众的道德尺度。《白痴》与《破浪而出》、《黑暗中的舞者》合称“良心三部曲”。

桑拿房的女性私语

　　故事讲述了一群妇女聚集在烟熏桑拿房中，清除羞愧和疼痛的身体上的污垢。该片被选为第 96 届奥斯卡金像奖最佳国际故事片的爱沙尼亚参赛作品。

欢愉之书

　　Lóri, a free spirited and a1rac3ve teacher, leads an ero3c life of love affairs, taking charge of her own desires and needs, whilst knowingly avoiding any a1achments.

最后12天

　　故事围绕卡米尔和丹尼尔展开，这对年轻夫妇在爱情和疾病的复杂关系中摸索前行。当丹尼尔面临危及生命的健康危机时，他们的关系被推向了极限，暴露了他们最深的恐惧和脆弱，同时也凸显了他们之间牢不可破的联系。—机智的杰克

大保镖1976

　　Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.

影子世界

　　Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade.　　Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)

情感的力量

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.　　Alexander Kluge: The Power of Feeling　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.