电影筛选Bob lebt mit seiner Frau Mindy und den Kindern Tim und Susie in einer wahren Oase des Glücks. Er liebt Weihnachten und wie jedes Jahr wird mit viel Vorfreude das Haus geschmückt. Alles könnte so schön sein, wenn nicht plötzlich gegenüber dieser neue Nachbar einziehen würde. Es ist sein ehemaliger Mitschüler Stu Jones samt Familie, mit dem ihn schon seit High-School-Tagen eine Dauerfehde verbindet. Es kommt wie es kommen muss: Zwischen den beiden Sturköpfen entbrennt ein wüster Wettstreit, um die schönste Weihnachtsbeleuchtung und um den begehrten 1. Platz im jährlichen Deko-Wettbewerb der kleinen Stadt. Doch während des bizarren Konkurrenzkampfs der Eltern bahnt sich zwischen ihren Teenager-Kindern eine scheue Liebe an. Besinnlichen Weihnachtsfeiertagen steht nichts im Wege.
双胞胎姐弟珍妮（梅丽莎·德索蒙斯-波林 Mélissa Désormeaux-Poulin饰）跟西蒙（马克西姆·高德特 Maxim Gaudette饰）收到过世的母亲娜瓦尔（卢布娜·阿扎宝 Lubna Azabal饰）的遗嘱，可当宣读完内容之后，两姐弟却一时难以接受这样的遗嘱：一份是写给他们从未蒙面的父亲；一份是写给她的第三个孩子——他们更是不知道这个哥哥的存在。影片巧妙的游走在两个不同的时空：母亲终其一生苦苦寻觅自己的长子；姐弟遵循母亲的遗嘱前往中东寻找他们的父亲与兄长。可越是穷其究竟，他们面对的越是理不清的头绪跟令人震惊的真相。 本片改编自加拿大著名法语作家瓦基迪·穆阿瓦德的同名剧作。导演丹尼斯·维伦纽瓦荣获第83届奥斯卡金像奖最佳外语片提名。
艾莉森在批评餐馆时总是保持匿名。但当她因诋毁一家新餐馆而意外走红时，她的编辑坚持要求她以卧底身份为她所诽谤的厨师做备餐厨师来弥补过失。
In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.
Dogs go and do singing and stuff. EMPOWERING.
When his girlfriend Sasha and best friend Elias give hothead Richard a harpoon for his birthday, he wants to try this new toy out right away. So the three of them set out for a day trip on a boat, but suspicion and jealousy soon start to get the upper hand. Before long, the tension has become unbearable. To make matters worse, the boat’s engine fails and then it turns out they left their supplies on shore: a nerve-wracking struggle for survival ensues that spares no one’s secrets – or blood. This post-modern adaptation of a story by Edgar Allan Poe in which three shipwrecked sailors draw lots to see who has to sacrifice himself as a cannibalistic snack, is a bloodthirsty thriller that leaves sufficient space for laughs. It’s painfully obvious from (nautical) miles away that this triangular relationship is not going to end well.
丹尼尔·卡卢亚(《逃出绝命镇》《黑豹》)将主演环球新片《皇后与瘦子》(Queen & Slim)，已定档2019年11月27日北美上映，明年1月开拍。该片是一部复杂的剧情片，讲述一对黑人男女“皇后”和“瘦子”第一次约会，开车被警察叫停。之后的发展跟《逃出绝命镇》就不一样了：两人因自我防卫杀死了那名警察，随后没有自首，而是一起亡命天涯。希望藉由这个爱情故事探索美国的社会和政治。女主角皇后正在选演员，计划用新面孔。 《无为大师》《头号玩家》的丽娜·维斯编剧，她的《无为大师》导演搭档Melina Matsoukas执导，这也是后者首次导演电影。剧本是基于《百万碎片》作者、争议作家詹姆斯·弗雷写的一版剧本进行改编，新电影公司Makeready注资。
“THE INVISIBLES” is a visually stunning story about an alternate dimension that exists in the same time and space as our own. Charlie (Tim Blake Nelson) and Hanna (Lucy Liu) are in crisis and facing the end of their marriage, when Charlie literally starts to disappear. As he fades from the world, he discovers a new world of INVISIBLES; people who have disappeared just like him and who now exist in an alternate reality that shares the same physical space as the real world, but have no ability to impact it. Invisibility offers Charlie many benefits. Money is no longer required, there are limitless opportunities to eat and drink anything and everything where and when he wants and being invisible he gets to behave however he likes. But better than that, he lives in a place where emotional pain and personal trauma are now forgotten. Yet Charlie keeps being drawn back to his old life, visiting his wife Hanna even though she no longer sees him. As he starts to see their marriage from her point of view and face the tragic loss of their six-year-old son, he soon realises that he must fight to return to reality, and learns that living in the present and looking to the future is the key to life.
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