电影筛选A chamber orchestra is working out of a rundown theatre in Reykjavik. Financial hardship places a great strain on the band and the lead violinist, Sigrun. The annual grant from the city is coming to an end so the band hires a world renowned cellist in order to save the band. The media goes wild and money starts to flow to the band again. Too bad the cellist is not a very nice person – he is quite the assgrabber and a two faced cheater. Too late to fire the star and the grand concert that will save the band is about to begin when the cellist chokes to death – 15 minutes before the concert. The band decides to risk it all and play the concert with a dead solo artist – not really thinking about how to end such a macabre show.
With a sense of duty and iron toughness, the Burgundian weapon master Hagen von Tronje holds the crisis-ridden kingdom together. In doing so, he suppresses his secret love for the king's daughter Kriemhild and represses his own dark past. When the legendary dragon slayer Siegfried of Xanten appears in Worms and threatens the old structures with his unpredictable nature, Hagen progressively turns into a tragic figure. The fantasy film is a new interpretation of the Nibelung saga and captivates with its fantastic scenery and brilliantly choreographed combat scenes.
"Nove Ospiti per un Delitto" is a mediocre giallo in the tradition of Agatha Christie's "And Then They Were None". Nine members of the same family go to an island, where nobody lives - but the head of the family (Arthur Kennedy) owns a nice house there. Problem is that he and his three sons keep a dark secret, and this dark secret begins to haunt them as soon as they are on the island. One by one they fall victim to a mysterious killer... (IMDb)
At Christine's funeral, her foster son suddenly shows up, a grown-up man with whom the family has been out of contact for quite some time. He brought a letter, stating that Christine wants to be buried in Wentelen, to the bewilderment of her biological children, and even more so to that of her husband. In addition to that, all the relatives are surprised that the foster son of Christine apparently maintained a correspondence with Christine. Nevertheless, Christine's last wish is respected, and they decided to bury her in Wentelen, and wish to do so traditionally, meaning: walking behind the hearse. During a walk of several days, all the relatives (foster sisters, foster father, alleged friends and real ones, the foster son, lovers) have enough time to get to know each other better. Because in the end they have no other conclusion than that nobody really knew anyone. Old intrigues are dug up, the foster sisters finally learn why the foster brother just disappeared from the family, and they can begin to develop a real image of the mother. Once Christine's final resting place is reached and she is buried, all family ties, good and bad, are shaken around.
一位暴虐的女房东在流行病期间对她的房客横行霸道，让他们在一张偏执狂的网络中互相对抗，以造成致命的结果。
驻扎在塔林、致力于编写欧洲网络防御密码本的罗杰·哈里斯在前往圣彼得堡的途中失踪。英国大使馆的彼得·奎尔认为罗杰已经叛逃。蒂尔达·罗宾斯 (Tilda Robbins) 冒充艺术史学家，由 JSC 派往布鲁塞尔，到达时发现罗杰斯的秘书穆里尔 (Muriel) 正在收拾行李。她受到俄罗斯裔爱沙尼亚持不同政见者的恐吓，要求透露有关罗杰的信息，并准备离开该国。蒂尔达试图劝阻她，但无济于事。蒂尔达只能自谋生路，她参观了网络防御中心并采访了最后一个见到罗杰的人贝蒂娜·吉滕斯。在回来的路上，彼得·奎尔强迫她靠边停车，他自称是军情六处。他警告她，俄罗斯未来打算重新占领爱沙尼亚，以及为什么该国对欧盟安全至关重要。
Yaşar, a young man, has a hard time after his father's death. His inheritance from his father causes Yaşar to have problems with his stepmother. Meanwhile, Yaşar learns that her sister-in-law, Canan, who is living in the same house, is in love with her. While Yaşar is dealing with the inheritance issue and his sister-in-law, he realizes that there are some strange events at home. Yasar's mentally disordered daughter Efsun's dark past is unearthed, making things even more complicated. The pain of the family, who had to face the dark past of Efsun, is just the beginning for them.
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
电影周榜单
友情连接：