我们再次见到了这两对夫妇:塞西莉和安德烈亚斯,以及他们的儿子利奥,丽芙和马尔特,以及他们的女儿西尔。两个孩子现在都两岁了,家人仍然保持联系,但过着截然不同的生活。在体检中发现,这两个婴儿从未被交换过。震惊平息后,两家人决定搬到安德烈亚斯和塞西莉的集体住处,这样双方父母就可以每天和两个孩子在一起。然而,很快,夫妻俩对生活方式、装饰、饮食习惯和养育方法的截然不同的看法就变得明显,两个家庭努力生活在同一屋檐下。塞西莉对她的亲生女儿西尔的感情比对利奥的感情要深得多,她决定背着其他三位父母寻求西尔的监护权。塞西莉意识到自己做错了,但为时已晚,她的自私计划也暴露无遗。集体分崩离析,丽芙和马尔特带着西尔离开,塞西莉现在必须努力争取
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
塞缪尔(汉斯·齐施勒 Hanns Zischler 饰)和科拉(西比勒·卡诺尼卡 Sibylle Canonica 饰)结婚多年,两人共同抚养着九岁的儿子尼古拉斯(Finn Kirschner 饰),日子在日复一日的平静之中缓慢的流逝着。然而一场噩梦突然降临到了这个家庭的头上,一天,尼古拉斯失踪了。 负责此案的犯罪心理学家梅尔内特(马蒂娜·戈黛特 Martina Gedeck 饰)介入到了这个家庭之中,在和科拉的相处过程中,梅尔内特逐渐察觉出了一丝诡异的气氛。一段令人震惊的录像带在校园之中传播开来,被囚禁的尼古拉斯正是录像带中的主角。录像带的出现让整个事件开始动摇和发酵,梅尔内特坚信,在这个看似美满的家庭之中,隐藏着不可告人的秘密。
正所谓“少要沉稳老轻狂”,年届不惑的弗兰提斯克·汉那(Vlastimil Brodský 饰)越老越有活力,他不去理会老婆艾蜜莉(Stella Zázvorková 饰)辛苦存下棺材本钱的良苦用心,也懒得搭理那个不成器儿子糟糕的婚姻。弗兰不愿面对即将到来的死亡,只想尽情享受最后的时光。他和剧院的好友艾德(Stanislav Zindulka 饰)假扮各种身份的人,从中得到无限的乐趣,却也因此惹下不少的麻烦。垂暮的生命,因一颗青春顽皮的心而充满光芒…… 本片荣获2002年克里夫兰国际电影节最佳影片奖;2002年捷克金狮奖最佳女主角奖(Stella Zázvorková)、最佳剧本奖和最佳男配角奖(Stanislav Zindulka);2002年捷克皮尔森电影节金翠鸟奖最佳影片奖。
大卫·卢里(约翰·马尔科维奇 John Malkovich 饰)在开普敦一所大学持教,然而年过五旬的他却因诱骗并与女学生发生关系而被学校惩处。在学校组织的听证会上,大卫对校方的指控供认不讳,却没有半丝悔改之意。被迫辞职的大卫来到山区小镇女儿露西(杰西卡·海恩斯 Jessica Haines 饰)的农场,却意外遭遇入室抢劫以及三个歹徒对女儿实施强奸,大卫因自己的无能为力感到十分自责,可是女儿对这件事情的冷处理态度则让大卫大动肝火,加之女儿对黑人邻居的一再让步则让他更为不解。大卫感觉到羞耻,他感觉自己就像狗一样活着…… 该片改编自同名诺贝尔文学奖获奖小说,并于2008年获得中东电影节最佳影片奖以及多伦多电影节的国际影评人联盟奖。
TRANSMITZVAH is a love story between siblings. They exhibit their wounds, exchange the pieces of each other’s puzzle, and complete (or start) the process of reaffirming their own identity. Rubén –the Singmans’ youngest son– challenges tradition by deciding to have a Bat Mitzvah instead of a Bar Mitzvah. Twenty years later, Rubén –now MUMY SINGER– returns to their hometown as a famous Yiddish singing star. After a sad event in the family, MUMY loses her voice and, with the help of her brother EDUARDO, tries to complete the path to adult life. A comedy with a jolly, playful, and musical dialogue about MUMY SINGER, and her trip to the past to make herself up, avoiding shortcuts and labels. The journey to who we really are can’t be avoided and must necessarily be taken.
Far from Tel Aviv and big city crimes, Daphna, 40, a promising police officer with a big mouth, finds herself in the small town of Afula dealing with petty crimes, seeking shade from the scorching heat, taking care of her aggressive cat, but more importantly, dodging the nagging question:" When are you going to get married, and have children?". The disappearance of Orly Elimeleh, a beautiful and wild 36 year-old army widow and former beauty queen, soon raises another troubling question for Daphna - why isn't anybody looking for her? This indifference towards Orly's uncertain fate shakes Daphna to the core as she begins to identify with her and to suspect the worst. Her concern gradually consumes her life, blurs her reality and causes her to question whether she is just imagining things, or is she on the contrary, the only one seeing things clearly. Matan, the younger 34 year-old son and "black sheep" of the powerful Oheyon's, Orly's late husband's family, seems to be the only one who ...
Lucjan is a theatre actor whose health is failing. He forgets his lines on stage and feels confused and out of place in his daily life. He decides to end his acting career and soon winds up in a nursing home. In this new place, the elderly man misses his late wife. He starts having nightmares that seem to become real. In one of them, he discovers a passage into a magical world deceptively similar to his theatre. Lucjan starts living in two parallel dimensions – real life and the fairy tale – that become increasingly dependent on each other and intertwined. His immersion in the imaginary world leads to an unexpected ending. A bittersweet treatise on passing. The fairy-tale world Lucjan creates is not so much a metaphor for death as a symbolic reconciliation to its coming.
本片是哈萨克斯坦独立三十周年献礼电影。 这部旨在表现哈萨克汗国著名可汗——哈斯木汗生平历史的鸿篇巨制,由曾执导《黑色人生》《无畏一千勇士》《托米莉斯女王》等诸多经典电影作品的阿坎·萨塔耶夫担任导演。 这部电影的事件涵盖1470年代至1520年代,聚焦于哈斯木汗掌权并引领哈萨克汗国走向强盛的1511年至1521年时期的传奇故事。哈斯木汗在1510年的乌利陶战役中获胜后,他的名声传遍了整个中亚大地。哈斯木汗统治期间,哈萨克汗国是当时中亚地区最强大的国家,人口超过100万,军力30万,领土囊括了整个钦察草原,西到伏尔加河,东到额尔齐斯河,南到锡尔河,北到托博尔,奠定了未来哈萨克斯坦的版图;还制定了《哈斯木法典》。
一天晚上,埃米尔卡(Emilka)在一家俱乐部遇到了年纪稍大的马西克(Maciek)。他向由单身母亲抚养长大的埃米尔卡展示了一个充满欲望、激情、躁动不安和叛逆的全新世界。女孩和他一起搬进来,起初一切似乎都很完美,但渐渐地,埃米尔卡发现了她独立的身份,并开始与他分开。当她成为歌手的梦想成真时,Maciek感到受到威胁。一场有毒的爱情游戏开始了,充满了欲望和嫉妒 Emilka meets the slightly-older Maciek out at a club one night. He shows Emilka—who was brought up by a single mom—a whole new world filled with desire, passion, restlessness and rebellion. The girl moves in with him and at first everything seems just perfect, but gradually Emilka discovers her separate identity, and starts to grow apart from him. When her dream of becoming a singer comes true, Maciek feels threatened. A toxic love game begins, full of lust and jealousy.
Tells the story of Hassan - a security guard living an impoverished life with his mother who dreams of traveling and living abroad. One day he stumbles on the sport of blind soccer and cunningly decides to pose as a visually impaired man to join a team right before the World Cup tournament in Europe.
狄德利希·赫斯林是奈泽西小城造纸厂老板的儿子。他从小欺软怕硬,害怕权势,又追求权势。他爱在老师面前打小报告,以看到别人挨批评而高兴。上了寄宿学校后,他更多的接触到女孩。当他获得他的爱情后,却拒绝与之结婚,因为她还有另外一个追求者,因为被他认为不够纯洁。他也拿到了博士学位。但不是为了就职或进行学术研究,而是为了追求金钱势力。他父亲去世后,由他接替父亲当造纸厂的老板。他见风使舵,周旋于自由党人和社会民... 《臣仆》是亨利希·曼批判现实主义文学的代表作。导演试图通过影片作一次人的本性的揭露。通过巧妙的蒙太奇和画面的叠化,对“臣仆精神”进行了无情的讽刺。当表现狄德利希·赫斯林的奴性时,利用,利用了俯视镜头,把他低三下四跪近皇帝的样子缩成蛆虫般大小。表现他以势欺人时,又利用了仰视镜头,把他放大到巨人一般,将帝国时代奴颜卑膝,可鄙而危害社会的德国小市民的典型刻画地淋漓尽致,
弗洛瑞恩(托拜西·宣克 Tobias Schenke 饰)是一个单纯懵懂的少年,刚刚步入青春期的他对于异性几乎一窍不通,可他周围的同学们都已经在“蠢蠢欲动”了。一次偶然中,弗洛瑞恩的“小弟弟”竟然开口说话了,在震惊之中,“小弟弟”告诉弗洛瑞恩,它希望弗洛瑞恩能帮自己找个伴儿。 弗洛瑞恩将自己的传奇经历说给了同伴们听,可是没有人相信他的话,毕竟,“小弟弟”会说话可不是什么天天都会发生的寻常事,在这些嘲笑弗洛瑞恩的同伴里,红牛(Axel Stein 饰)是个例外,他不仅相信了弗洛瑞恩,更对他充满了羡慕。性感热辣的莱欧妮(米娜·唐德 Mina Tander 饰)找到弗洛瑞恩,拜托他去她家帮她背台词,如此大好的机会,弗洛瑞恩和他的“小弟弟”怎么可能轻易放过呢?