这个世界上没有可以信任的人。 “我想我再也不会和男人约会了。”我被对男人的厌恶所吞噬,并发誓要过没有男人的生活,但是唉……敏对自己不太了解。一个35岁的女人,尤其是敏,意识到她不能再没有男人了
无差别插入的隔壁大妈
烈杰局长喝醉了,在部下的搀扶下走进了汽车旅馆。当看到床上凌乱地躺着的杨局长的尸体时,部下开始兴奋起来……
那些在外面很成功,但实际上却很孤独的女人。我去了一家女性专用的按摩店,这家按摩店以口碑良好而闻名。英俊友善的按摩师为女性挠痒痒,抚慰她们的身心。按摩师的抚摸让女性们放下了戒心。
讲述三个韩国好色之徒,组队逛夜店并享受极品特殊服务的故事....
捡到《秒表》手表的男人在街上发现了性感美女,一想到想和她做爱,时间就停止了。尽情地揉着她,捡到的手表是一款具有停止时间功能的特别手表。所以这次更大胆地停止时间,然后享受性爱…
今天是约会节目《我中枪了》开播第一天!八名男女在集体宿舍收拾行李,寻找搭档。为了找到美味的搭档,他们将进行一场激烈的竞猜游戏。谁能品尝到最美味的'嫖客味道'?
Ernest Hemingway’s influential short story The Killers (1927), has been adapted to film by Robert Siodmak and Andrei Tarkovsky, while Edward Hopper’s painting Nighthawks (1942) is also said to have been inspired by the story. The Killers, an omnibus film comprised of four-shorts, takes motifs from these two classics and borrows some of their imagery as mise-en-scène. The 4 directors unfold the noir world of death and waiting with different senses and sensibilities. Kim Jong-kwan’s Metamorphosis, which depicts the awakening and manifestation of power following bloodsucking; Roh Deok’s Contractors, a pyramid of contract killings and subcontracted labor; Chang Hang-jun’s Everyone is Waiting for the Man, which tracks down a ghostly figure called a mysterious killer; and Lee Myung-Se’s Silent Cinema, an allegory of his longtime dream of cinema and the world. Notably, Actor Shim Eun-kyung appears in all four films, each time in a completely different role, adding to the delight. It’s an unconventional collection of emotional, psychological, and action-oriented films.