1944: Stella Goldschlag will Jazz-Sängerin werden und träumt von einer Karriere am Broadway. Aber die Nazis beherrschen Deutschland. Und Stella ist Jüdin. Nachdem Stella zusammen mit ihren Eltern untertauchen muss, verwandelt sich ihr Leben in eine schuldhafte Tragödie. Durch einen Verrat wird sie von der Gestapo gefasst, gefoltert und zur «Greiferin» gemacht: Um sich und ihre Eltern vor der Deportation nach Auschwitz zu bewahren, beginnt Stella, systematisch andere Juden zu verraten.
The story is carried by Mady, student by day, locksmith by night. But Claire, the enigmatic young woman she is helping out one night, isn’t what she seems to be. This door isn’t that of her apartment. And the bag she wants to recover at all costs isn’t hers, but Yannick’s, a man whose questions Mady will have to answer to. Caught in a hellish race, Mady only has one night to prove her innocence in a bustling city. One night to save her own skin.
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
IMPALED REKTUM in jail and with an offer to play Germany's Wacken Open Air festival. Unprepared and imprisoned, the band refuses the festival slot. However, the guitarist's father goes ill and is in dire need as the family home and slaughterhouse are about to be demolished. Cue the music: time to get out of jail! IMPALED REKTUM 的成员们在狱中被关了几年,突然接到邀请参演德国的瓦肯露天音乐节。乐队在没有准备和身陷囹圄的情况下,回绝了音乐节的邀请。然而,吉他手的父亲生病,同时他的家和屠宰场即将被拆除,急需帮助。此处音乐响起:该出狱了!
本片是哈萨克斯坦独立三十周年献礼电影。 这部旨在表现哈萨克汗国著名可汗——哈斯木汗生平历史的鸿篇巨制,由曾执导《黑色人生》《无畏一千勇士》《托米莉斯女王》等诸多经典电影作品的阿坎·萨塔耶夫担任导演。 这部电影的事件涵盖1470年代至1520年代,聚焦于哈斯木汗掌权并引领哈萨克汗国走向强盛的1511年至1521年时期的传奇故事。哈斯木汗在1510年的乌利陶战役中获胜后,他的名声传遍了整个中亚大地。哈斯木汗统治期间,哈萨克汗国是当时中亚地区最强大的国家,人口超过100万,军力30万,领土囊括了整个钦察草原,西到伏尔加河,东到额尔齐斯河,南到锡尔河,北到托博尔,奠定了未来哈萨克斯坦的版图;还制定了《哈斯木法典》。
探讨瑞典著名 DJ 和音乐制作人 Tim Bergling(又名 Avicii)的生平和传奇;Avicii - My Last Show 将展示 Avicii 的最后一场演出。
在90年代的阿根廷,一名高中生被谋杀印发了大规模抗议。在这部纪录片中,她的亲人重新讲述了此事件,以及她们追求正义而做出的努力