Carla Harris, a beautiful but not so successful actress from L.A., witnesses how her husband is tragically killed in an attempt to save a woman from her male attacker. She travels to her parents' home in a small town in the mountains to get some rest only to be repeatedly harassed by redneck locals and a teenager. The local sheriff refuses to help and so it all ends up in a gang rape and with Carla's parents shot dead. Carla survives and escapes from the mental hospital to seek bloody revenge
事业有成、家庭幸福的女医生凯瑟琳(朱利安·摩尔 Julianne Moore 饰),总是被诊所楼下的一个应召女郎牵绊着目光。音乐教授戴维(连姆·尼森 Liam Neeson 饰)生日当晚错过凯瑟琳准备的惊喜派对,第二天凯瑟琳又看到丈夫手机里收到学生发给他的暧昧短信,一切似乎验证了凯瑟琳长期以来对于丈夫不忠的怀疑。为了证实自己的猜测,凯瑟琳雇佣应召女郎克洛伊(阿曼达·塞弗里德 Amanda Seyfried 饰)去考验丈夫。在克洛伊向凯瑟琳的汇报里,关于她与戴维的交往细节令凯瑟琳感觉到极度伤心,被背叛和失落的情绪笼罩的凯瑟琳和克洛伊发生一夜情。凯瑟琳在外过夜的事情令戴维极为不悦,在夫妻二人争吵的过程中,面对妻子对于自己不忠的指控,戴维坚决否认。三人之间的关系扑朔迷离,凯瑟琳的家庭遭受严重危机……
Siblings Kristy and Jeffrey are buying supplies at a remote desert gas station when some members of a biker gang come cruising in. The bikers recognize Kristy, who used to be the main squeeze of the gang’s leader before she ran away. The pair get away, but the bikers find out that they’re living in a nearby commune, and start making their battle plans to bring Kristy back
《Six Triple Eight》讲述了一个鼓舞人心且不可思议的真实故事,主角为第一支也是唯一一支在二战期间驻扎海外的勇敢的有色人种女子军团。面对种族歧视和性别歧视、陌生的土地和饱受战争蹂躏的国家,她们坚持不懈,在短短三个月内分拣了超过1700万封邮件,让美国士兵与故乡的家人和亲人重新建立了联系。让这些女性每天坚持下去的座右铭是她们自己创造的:“没邮件,士气低。”第6888中央邮政目录营的女性们不仅仅是为邮件的投递提供便利,她们也在传递希望。 第6888中央邮政目录营的故事一直被排除在历史书籍之外,被整个国家所忽视 — 直到现在。2022年3月14日,乔·拜登总统签署了法案,授予这些女性国会的最高荣誉 — 国会金质奖章。
退休音乐家林肯是一家唱片店的老板,也是疏远的姐妹莉迪亚、格雷西和阿比盖尔的父亲,在她们的母亲去世后,他与朋友吉内尔密谋让她们在圣诞节团聚。
那是一个遥远而又让人永世难忘的时代,一位圣者将他的名字、他的精神永远镌刻在历史的丰碑之上。备受世人爱戴的上帝之子耶稣(詹姆斯·帕特里克·卡维泽 James Patrick Caviezel 饰)为生活在穷苦和磨难中的人们带去了希望和喜悦,与此同时他的存在也触犯了教廷和统 治者的利益。他拒绝着魔鬼的引诱,而门徒犹大(卢卡·莱奥内罗 Luca Lionello 饰)则抵抗不出金钱的魅力,他为此出卖了耶稣,其丑态永久留在了“最后的晚餐”之上。在此之后,耶稣被捕,当局者为他戴上荆棘做的王冠,命他背上沉重的十字架,更用带着铁刺的鞭子抽打圣人的肌肤。耶稣痛苦呻吟着,决绝地忍受当下的一切。“仁慈之父,他们什么都不知道。” 作为圣人,作为救世主,这是一条必须淌血走过的试炼之路……
On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music. McCartney reached out to master documentarian and long-time friend Albert Maysles, inviting Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Over several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.
In his starring debut Roy gets elected to congress in order to bring water to the ranchers in his district. In Washington he learns he needs the backing of a key congressman and gets that man to go west for an inspection trip. When the Congressman is initally unimpressed, Roy gets the inspection party stranded without water to show the true conditions.