正所谓“少要沉稳老轻狂”,年届不惑的弗兰提斯克·汉那(Vlastimil Brodský 饰)越老越有活力,他不去理会老婆艾蜜莉(Stella Zázvorková 饰)辛苦存下棺材本钱的良苦用心,也懒得搭理那个不成器儿子糟糕的婚姻。弗兰不愿面对即将到来的死亡,只想尽情享受最后的时光。他和剧院的好友艾德(Stanislav Zindulka 饰)假扮各种身份的人,从中得到无限的乐趣,却也因此惹下不少的麻烦。垂暮的生命,因一颗青春顽皮的心而充满光芒…… 本片荣获2002年克里夫兰国际电影节最佳影片奖;2002年捷克金狮奖最佳女主角奖(Stella Zázvorková)、最佳剧本奖和最佳男配角奖(Stanislav Zindulka);2002年捷克皮尔森电影节金翠鸟奖最佳影片奖。
Nina, 30, a Ukrainian language teacher who can't leave the city of Luhansk, occupied by separatists in Eastern Ukraine, is forced to undergo retraining courses for teaching Russian. Andrii, 17, is a student who was orphaned in the aftermath of the war. They cross paths when Nina witnesses Andrii being arrested by the police after hanging the Ukrainian flag from the roof of his school. Nina knows that because they live in a world of injustice and lies Andrii can stay in jail for a long time, and she risks her life to free him. As they gravitate towards each other, they try to remind people in the occupied territories that they deserve a future, too.
根据真实事件,印度尼西亚巴厘岛发生抢劫案,四名来自国外的专业银行劫匪和ATM机破坏者在巴厘岛横冲直撞。劫匪闯入一家钱币兑换中心的办公室后,将多名职员殴打至昏迷不醒。这些职员清醒后,发现嘴巴被贴上胶纸,他们自行脱身后向警方报案。巴厘岛警方正在紧追不舍地追捕劫匪。这几名劫匪非常的有经验,准备充分,下手迅速。还没等警方及时出警,他们就已经消失了。而且这伙匪徒十分的贪婪,另外多次策划了其他的抢劫案。不过在警长西卡的努力侦破下,警察很快发现了劫匪的漏洞和行踪。并且提前预判了了劫匪的下一个行动目标。就在劫匪们兴高采烈的开始新一次的抢劫时。警方赶到现场时,发现劫匪的行踪,立即展开追捕行动……
1944: Stella Goldschlag will Jazz-Sängerin werden und träumt von einer Karriere am Broadway. Aber die Nazis beherrschen Deutschland. Und Stella ist Jüdin. Nachdem Stella zusammen mit ihren Eltern untertauchen muss, verwandelt sich ihr Leben in eine schuldhafte Tragödie. Durch einen Verrat wird sie von der Gestapo gefasst, gefoltert und zur «Greiferin» gemacht: Um sich und ihre Eltern vor der Deportation nach Auschwitz zu bewahren, beginnt Stella, systematisch andere Juden zu verraten.
当一方发现另一方不忠之后,两人看似完美的夫妻关系开始动摇,但情感关系的维系又谈何容易呢?
北方大屠杀的唯一幸存者,名为桑多·基德(彼得·李·劳伦斯)的人寻求复仇。在遭受了惨无人道的行为后,基德独自执行报复行动,他肆意破坏,击毙并杀死了参与屠杀的每一个人。他在复仇中毫不留情,暴力手段致命。桑多招募了得克萨斯游侠,追捕亡命之徒(路易斯·巴布),并遇到了一位富有同情心的赏金猎人…
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
15岁的意大利少女梅丽莎(María Valverde 饰)与母亲和祖母的住在一起,她的生活平淡甚至有些枯燥,每天这个天真纯洁的女孩都在渴望一段浪漫的爱情。某天,梅丽莎和好友参加同学所组织的派对,她邂逅了英俊帅气的男孩丹尼尔(Primo Reggiani 饰)。只是爱情之花并未如期盛开,梅丽莎遭遇了一次带有羞辱性质的性经历,她却从此迷上了这个玩世不恭的男孩。在接下来的日子里,梅丽莎可以引起丹尼尔的注意,而丹尼尔则对她进行各种各样的羞辱。在明白丹尼尔的心意之后,梅丽莎通过放纵来进行报复,她甚至将每段性经历都写入日记…… 本片根据曾轰动欧洲的真实的少女日记——《床前100次梳理乱发》改编。
Ema is the successful TV anchor of a national TV broadcaster, the star of a tabloid show. A perfectionist, she has no hesitation in putting at steak her health or money for higher ratings. One of her cases brings her in a middle of a huge scandal which will dramatically change her life. Ema will discover that behind all things happening to her are unexpected characters...
谬托知已 实是狼心狗肺 遇难不屈 乃获最后胜利 广袤的北美草原一望无际。 大熊族酋长的儿子托凯依托(盖文源配音) 长得高大雄伟,精于马术。在白人开设的酒店里,他看见父亲同阴险狡诈的福克斯(戴学庐配音)赌钱,气恼地走开了。老酋长输光了现钱,又从怀里摸出一粒金子,白人大为惊愕,贪婪的目光一起射向酋长的怀里。福克斯蓦地拔出匕首顶住酋长的胸口,要酋长说出金子藏处,老酋长不从,结果为福克斯杀死。 驻军少校史密斯(翁振新配音)面对部落的反抗忧心忡忡,束手无策。罗奇(杨成纯配音)少尉奉命押送军火,前来增援,中途遭到塔雄卡维科和托凯依托的袭击,罗奇受伤落荒而逃。 托凯依托为避免冲突激化,只身来到父亲遇难的酒店,同少校谈判和平和公理。具有正义感的白人骑士亚当斯(任伟配音)见罗奇挟嫌报复,提醒少校阻止了谋杀。托凯依托趁机放火烧了仓库,然后远走高飞。 由于年迈昏庸的大熊族长老(富润生配音)轻信福克斯的许诺,托凯依托不得不遵命前往驻军处谈判。罗奇借口黑山发现金矿,以建造铁路为由,强迫托凯依托在迁移书上签字。年青的酋长识破了罗奇的诡计,将协议书当场撕毁。罗奇凶相毕露,下令关押酋长。少校见罗奇过于霸道,上前阻止,福克斯竟挥拳把少校击倒在地。 印第安人被强行驱赶到一片荒凉的石头地,长老才如梦初醒。同时,罗奇为了夺取大权,谋害了受伤的少校。临终前,少校痛苦地呼喊着女儿凯蒂。葬礼后,正直善良的亚当斯承担了照顾凯蒂的责任。 释放托凯依托的命令下达后,福克斯悄悄溜进了地窖,凯蒂发觉后,连忙叫喊亚当斯。地窖里,福克斯又持刀逼迫托凯依托供出藏金子的山洞。千钧一发之际,亚当斯及时赶到,福克斯只好悻悻地走了。 在移民迁送站,托凯依托得悉战友塔雄卡维科惨遭杀害,不由痛楚万分。由于奸细塔托卡诺的出卖,白人还抢走了唐纳酋长的武器和马匹。唐纳误以为托凯依托和托比亚斯(沈大谦配音)出卖了他们,命人擒获了两人。双方误会消除后,他们一起从罗奇的营地夺回了枪枝马匹,并杀死了罗奇。 福克斯见托凯依托杀死了罗奇,便率领部落紧追托凯依托不舍。托凯依托安排别人渡河之后,决定同福克斯一伙决一死战。狡猾的福克斯冷不防抛出绳索,紧紧套住了托凯依托。哪知正当他得意忘形时,托凯依托奋力从背后跃上福克斯的马,一刀结果了罪恶累累的“屠夫”。这时,众骑士纷纷围着托凯依托,唐纳酋长挺身而出,引开骑士。最后,两人摆脱了追踪,顺利返回了部落。 晨曦初露,微风轻拂,托凯依托向部落的男女老少发誓:给部落带来永久的和平和安宁。
Runa, a 16-year-old Kurdish girl, escaped from Iraq to avoid the attacks of ISIS. Together with her family, she had been stuck on the Polish-Belorussian border before she eventually arrived in Poland. She had to grow up at an accelerated speed – after her mother’s death she became the head of her family. Now, she needs to take care of her four younger brothers and father, who cannot cope with the mounting difficulties. The film follows their uncertain fate, but gives a prominence to the portrayal of the teenager, an ordinary and extraordinary girl at the same time. Thanks to her animated drawings, the audience can discover more about her. The film is presented in the national and international competitions.
A single mother and the man who has not been able to forget her since she was 23 years old. A woman who yearns to be a mother and a single father in her fifties who only thinks about her. A discouraged man who starts dating a driver who gives love advice on the radio. And a mature woman who comes from Miami looking for new experiences. A crazy and funny musical comedy where the characters will discover that it is never too late to be crazy again of love.