电影筛选为了女儿，Rose（拉达•米契尔 饰）与女儿一起来到了一个奇怪的地方。 女儿常常梦游，Rose寻遍医生都无法把女儿的病治好，虽然灰心过但Rose还是不愿放弃医治女儿。女儿是她的命根，女儿梦游时总是说着一个名字，于是她丢下丈夫（肖恩•宾 饰），到了那个叫寂静岭的地方。 Rose以为在那里能找到治疗女儿疾病的答案，但这个地方却出乎了她当初所想象。祸不单行的是女儿在这时候奇怪地失踪了。这里不像一般的城镇，空气中弥漫着让人窒息的浓雾。在这里居住的人不多，却有很多奇怪的生物居住，Rose到处寻找女儿，却不得要领。而且更常常遇到令她意想不到的事情，从未接触过的事物。渐渐的，她了解了有关这个地方的历史，也得知了一个秘密……
该片改编自加拿大作家Mordecai Richler1997年的同名传记体小说。 男主角保罗·吉亚玛提曾获第68届金球奖最佳男主角奖项。 巴尼·潘诺夫斯基（保罗·吉亚玛提 Paul Giamatti 饰）是一个电视导演，同时又是一个曲棍球爱好者。酗酒、抽烟、言语粗俗，这些缺点无一例外跟随着他。65岁之时，他开始追忆自己的一生。他遇过不同的女人：第一任妻子克拉拉（蕾切尔·李费佛 Rachelle Lefevre 饰）相信自由的灵魂。第二任P夫人（明妮·德里弗 Minnie Driver 饰）是个富有的犹太人。第三任妻子米利亚姆（罗莎曼德·派克 Rosamund Pike 饰）美丽贤惠。而保罗与父亲伊西（达斯汀·霍夫曼 Dustin Hoffman 饰）的关系似乎缺少一种真正的亲情。暮年的他，回忆起过往的种种，又会是怎样一种情绪......
“一张照片，也许可以改变世界”----它根据故事中的两位主角Greg Marinovich和Joao Silva的回忆录改编，讲述一位图片编辑Silva（玛琳·阿克曼饰）与她的四位战地摄影师，其中包括主角Greg Marinovich（瑞恩·菲利普饰演），他们组成枪声俱乐部，深入南非用自己的相机和镜头记录和揭示了这里的秘密和罪恶。 影片的背景设置在90年代初南非种族隔离后的第一次自由选举时期，他们来到这片充满了血腥和暴力的所在，在枪声和威胁中拍摄了极端优秀的作品，这些作品后来也获得了当年的普利策奖，与此同时，他们也付出了沉重的代价。。。 ◎幕后制作 影片充满诚挚与刺激,在揭露道德与真相的同时,也有裸露和性感镜头造势。而摄影爱好者大概不能错过电影中各式相机的出场,有老式胶片机也有现代数码相机。
UP STAR is back, with an all-new movie that takes the popular singing dogs on trip around the world, where Tiny and friends find fantastic new songs and meet exciting new canine singers that prove music really is the universal language.
1985年，浓雾笼罩的郊外，周日早晨少女丽莎·约翰逊（阿比盖尔·布蕾斯琳 Abigail Breslin 饰）被弟弟罗比（Peter DaCunha 饰）吵醒。她颇感烦恼地起床，按照妈妈（米歇尔·诺尔顿 Michelle Nolden 饰）的指示洗衣服，爸爸布鲁斯（彼德·奥德博拉治 Peter Outerbridge 饰）则在地下室修着汽车。看似平凡无奇的普通人家，却弥漫着诡异神秘的气息。不知曾几何时，丽莎发现每天重复着同样的内容，家人反复干着同样的事、说着同样的话、度过同一个浓雾笼罩的周末。她尝试改变这一切，然而无从下手，此外更有带着死神气息的男子警告丽莎不要破坏当前的一切。 无法忍受折磨的丽莎，不可避免落入过去、现在和未来的夹缝中，局势完全失控……
A tenuously linked group of nobodies trudge through their woeful existence in dreary Winnipeg. A sickly middle-aged man in a failing marriage, a stand-up comedian whose sets are met by utter indifference, a stoner couple who share only trivial exchanges, and a young loner unsympathetic to his caring mother are each living lives lost in translation, detached from their surroundings and the people around them. -- from viff.org
Few films examine the societal pressures and expectations faced by young women of colour in North America. The piercing and often anxious divide between cultural traditions versus independence and acceptance among white peers is an overwhelming experience that only those who have lived it are in a position to describe. In her impressive debut feature, Pakistani Canadian writer-director Haya Waseem explores the family dynamic in a new light. The result is personal, intimate, and brought to life by an exciting new voice in Canadian cinema. Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong. Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.
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