Maníaco do Parque mergulha na história do maior serial killer brasileiro, o motoboy Francisco (Silvero Pereira), que foi acusado de atacar 21 mulheres, assassinando dez delas e escondendo seus corpos no Parque do Estado, em São Paulo. A história do assassino e os detalhes da sua psicopatia são revelados por Elena (Giovanna Grigio), uma repórter iniciante que enxerga na investigação dos crimes cometidos pelo maníaco a grande chance de alavancar sua carreira. Enquanto Francisco segue vivendo livre e atacando mulheres, sua fama na mídia sensacionalista cresce vertiginosamente, gerando terror na capital paulista.
The five most ruthless torturers of Pinochet’s dictatorship are serving out sentences amounting to several hundred years in a luxury prison at the foot of the Andes. The place has a pool, gardens and aviaries where they are watched over by guards who feel more like their employees. When one of the inmates gives a TV interview, his declarations fuel an unexpected backlash. The fear of a possible move will make the men do everything in their power to stay put, unraveling the delirium and the violence.
Director John Raftopoulos co-wrote the screenplay with Dave Paterson (2067) based on the true love story between himself and his current wife. Take My Hand follows vibrant young Australian woman Laura, who forges a successful banking career in London and seemingly has the perfect marriage. Her world is turned upside down when she is diagnosed with multiple sclerosis and her husband starts to show his true colors. When a tragic accident leaves her a widowed mother with three sons, she returns home to Australia, and is reunited with Michael, a high school friend and a divorcee with one daughter, who has loved Laura since they were teenagers.
这部由电影制片人兼多媒体艺术家约翰·格里蒙普雷(代表作《双重特工》)创作的新纪录片堪称一部精心结构的电影随笔。影片以刚果及其首位民主选举的总理帕特里斯·卢蒙巴的谋杀为背景,融合了地缘政治、爵士音乐、冷战阴谋和殖民实践,是一部爆炸性的混合体。片中既有详尽的研究和数据,又在形式上绝对巧妙和自由。影片追踪了卢蒙巴的权力崛起以及殖民者对将国家控制权交给其公民的抵抗。同时,影片还记录了美国试图通过派遣爵士音乐家如妮娜·西蒙、杜克·艾灵顿、路易斯·阿姆斯特朗等人来影响该国的努力。这些音乐家来到刚果演奏,浑然不知他们不过是中情局阴谋的幌子。最终,这部影片充满了音乐和电影能量,同时对仍然拒绝被抹去的殖民幽灵发出了一声强烈的政治控诉“我控诉”。
Shlomi, an eighteen-year-old Israeli soldier, flees the Gaza battlefield and heads to his girlfriend in Tel Aviv only to discover that the IDF elite is convinced he was kidnapped in the fog of war. This is a tragi-comic journey, taking place over a period of 24 hours in the hot and humid streets of Tel Aviv, shifting from terror to hope, from romance to nightmare. Director's Note: The clash between love and law is also the clash between breathless running and paralysis. One pushes Shlomi to defect from war-torn Gaza to Tel Aviv, to his beloved's arms. The other threatens both his existence and the world around him.
Once upon a time, Juan Pérez, the poorest of the poor, reaches fame in a fluke accident in what seemed to be an attempt of suicide, to protest against the government and his social condition. The Ministry of Economy, surrounded by the scandal in which he is blamed by Pérez's decision, decides to reward him changing his life giving him a little house, a car and a job. But when other poor people (Pérez's close friends) find out about his reversal of fortune, decide to imitate him faking suicide attempts in different buildings in Mexico City. The Ministry of Economy, terrified by the glance of having a plague of beggars, decides to declare poverty a crime and hence finish for once and for all with all the poor in the country. Pérez ends up behind bars. Three years later, Pérez is released and goes back to his previous social condition, but this time, aware of having one day as a rich man is better than a life as poor, he will do anything to get out of his misery... And he will manage to do so!
Runa, a 16-year-old Kurdish girl, escaped from Iraq to avoid the attacks of ISIS. Together with her family, she had been stuck on the Polish-Belorussian border before she eventually arrived in Poland. She had to grow up at an accelerated speed – after her mother’s death she became the head of her family. Now, she needs to take care of her four younger brothers and father, who cannot cope with the mounting difficulties. The film follows their uncertain fate, but gives a prominence to the portrayal of the teenager, an ordinary and extraordinary girl at the same time. Thanks to her animated drawings, the audience can discover more about her. The film is presented in the national and international competitions.
A main character of the incest movie "Gli sfiorati", in english is also known as Drifters, is Mète. He is 30 yeras old graphologist, enchanted by the secrets that can reveal the human hand. A week before father's wedding, his 17 years old stepsister moves to his Roman apartment. She is very hot and sexy teenager and the new neighborhood is now the beginning of their friendly (well, not exactly friendly) relations.
谬托知已 实是狼心狗肺 遇难不屈 乃获最后胜利 广袤的北美草原一望无际。 大熊族酋长的儿子托凯依托(盖文源配音) 长得高大雄伟,精于马术。在白人开设的酒店里,他看见父亲同阴险狡诈的福克斯(戴学庐配音)赌钱,气恼地走开了。老酋长输光了现钱,又从怀里摸出一粒金子,白人大为惊愕,贪婪的目光一起射向酋长的怀里。福克斯蓦地拔出匕首顶住酋长的胸口,要酋长说出金子藏处,老酋长不从,结果为福克斯杀死。 驻军少校史密斯(翁振新配音)面对部落的反抗忧心忡忡,束手无策。罗奇(杨成纯配音)少尉奉命押送军火,前来增援,中途遭到塔雄卡维科和托凯依托的袭击,罗奇受伤落荒而逃。 托凯依托为避免冲突激化,只身来到父亲遇难的酒店,同少校谈判和平和公理。具有正义感的白人骑士亚当斯(任伟配音)见罗奇挟嫌报复,提醒少校阻止了谋杀。托凯依托趁机放火烧了仓库,然后远走高飞。 由于年迈昏庸的大熊族长老(富润生配音)轻信福克斯的许诺,托凯依托不得不遵命前往驻军处谈判。罗奇借口黑山发现金矿,以建造铁路为由,强迫托凯依托在迁移书上签字。年青的酋长识破了罗奇的诡计,将协议书当场撕毁。罗奇凶相毕露,下令关押酋长。少校见罗奇过于霸道,上前阻止,福克斯竟挥拳把少校击倒在地。 印第安人被强行驱赶到一片荒凉的石头地,长老才如梦初醒。同时,罗奇为了夺取大权,谋害了受伤的少校。临终前,少校痛苦地呼喊着女儿凯蒂。葬礼后,正直善良的亚当斯承担了照顾凯蒂的责任。 释放托凯依托的命令下达后,福克斯悄悄溜进了地窖,凯蒂发觉后,连忙叫喊亚当斯。地窖里,福克斯又持刀逼迫托凯依托供出藏金子的山洞。千钧一发之际,亚当斯及时赶到,福克斯只好悻悻地走了。 在移民迁送站,托凯依托得悉战友塔雄卡维科惨遭杀害,不由痛楚万分。由于奸细塔托卡诺的出卖,白人还抢走了唐纳酋长的武器和马匹。唐纳误以为托凯依托和托比亚斯(沈大谦配音)出卖了他们,命人擒获了两人。双方误会消除后,他们一起从罗奇的营地夺回了枪枝马匹,并杀死了罗奇。 福克斯见托凯依托杀死了罗奇,便率领部落紧追托凯依托不舍。托凯依托安排别人渡河之后,决定同福克斯一伙决一死战。狡猾的福克斯冷不防抛出绳索,紧紧套住了托凯依托。哪知正当他得意忘形时,托凯依托奋力从背后跃上福克斯的马,一刀结果了罪恶累累的“屠夫”。这时,众骑士纷纷围着托凯依托,唐纳酋长挺身而出,引开骑士。最后,两人摆脱了追踪,顺利返回了部落。 晨曦初露,微风轻拂,托凯依托向部落的男女老少发誓:给部落带来永久的和平和安宁。
这部作品基于奥斯曼帝国崩溃时期关于“被诅咒的房子”的传闻。故事讲述了不情愿地作为新娘来到阴暗的伊斯坦布尔大宅的菲克里耶,以及这座大宅神秘的主人纳西特·内菲·埃芬迪,他们将踏上一段揭开过去黑暗秘密的旅程。
The action takes place in a grim anarchist future civilization after a big crash or war. A young man, Allan (Bentein Baardson), decides to move out of the city as his family live in. He brings his wife, Lisa ('Petronella Barker'), and the son to a big garbage dump located outside the city. Where they settle and survive on the waste they find on the dump. They are in many ways more closely related to each other by living this way, and Lisa eventually becomes pregnant. But there is a great shortage of water (Sweetwater) and the family of three must go out and look for water. When they discover they are not alone in staying in landfill. It will be a struggle for existence.
驻扎在塔林、致力于编写欧洲网络防御密码本的罗杰·哈里斯在前往圣彼得堡的途中失踪。英国大使馆的彼得·奎尔认为罗杰已经叛逃。蒂尔达·罗宾斯 (Tilda Robbins) 冒充艺术史学家,由 JSC 派往布鲁塞尔,到达时发现罗杰斯的秘书穆里尔 (Muriel) 正在收拾行李。她受到俄罗斯裔爱沙尼亚持不同政见者的恐吓,要求透露有关罗杰的信息,并准备离开该国。蒂尔达试图劝阻她,但无济于事。蒂尔达只能自谋生路,她参观了网络防御中心并采访了最后一个见到罗杰的人贝蒂娜·吉滕斯。在回来的路上,彼得·奎尔强迫她靠边停车,他自称是军情六处。他警告她,俄罗斯未来打算重新占领爱沙尼亚,以及为什么该国对欧盟安全至关重要。
Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.