In this '60s retro prequel to the bizarro-noir Bloodsucker's Handbook (AKA Enchiridion), Bloodsucker's Planet follows the crew of the space ship Argosy as they respond to a distress signal from the industrial Planet Mara only to discover the planet is ruled by the sinister Mother Vampire. Along the way, they encounter disease-carrying Mara bats, a talking space roach, and Adrianna, the gynoid whose developing self-awareness is aided by her collection of vintage romance comics.
On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music. McCartney reached out to master documentarian and long-time friend Albert Maysles, inviting Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Over several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.
n the year 20XX, humanity has almost come to an end. A tsunami of meteors bombarded the entire planet; remaining survivors are forced to kill for food and power. The meteorites contained a mysterious material causing certain death to anyone who encounters it. But in very rare cases, some humans survive the exposure and undergo a metamorphosis into horrific “meteorite beasts”. People call them 'ANOROC'. These new beings hunt and kill humans for their lifeforce and have become the enemy humanity has ever known. The Earth has one last defender against ANOROC; her name is 'LION-GIRL'. A modern exploitation film like no other, and featuring story and character design by legendary Manga artist, Go Nagai (Cutie Honey, Devilman, Mazinger Z), alongside glorious practical effects, gratuitous nudity, and an utterly unhinged story, Lion-Girl is an outrageous sci-fi epic.
在4个月的时间里,10个私人教练会吃到美国人的平均体重,并停止锻炼。然后,每个教练都会和他们的胖客户一起开始制定减肥计划。在第二个4个月结束的时候,他们将展示他们的新砝码。教练们能够减掉他们的体重吗?他们的体重变化会成功激励队友吗?
THE PLAYROOM unfolds like a dream wrapped around a family drama: four children in their attic hideaway make up a fantastic story, while downstairs their parents weave a drunken intrigue of their own. In a lyrical but gripping dual narrative, the story of the children’s life intertwines with the story they make up about their life–until the two stories collide and the delicate family structure collapses. The action plays out through the eyes of Maggie Cantwell, a tempestuous teenager who turns reality into a game and make-believe into a life-or-death undertaking. But Maggie is getting too old to believe in the tales she spins for the younger children. Before the night is over, she must confront the truth and make a terrible choice. Emotionally riveting and surprisingly funny, THE PLAYROOM is the story of how Maggie and her siblings survive the most fateful night of their lives.
当小说家安德烈娅(萨莎·皮特斯 Sasha Pieterse 饰)暗示她即将出版的新书可能会出现令人心碎的转折时,她的粉丝们开始抗议,要求他们最喜爱的角色不要被杀死。 安德烈娅需要一个避风港来完成她的小说,于是逃到了她家位于威尔伍德镇的农舍。 让她大吃一惊的是,她最终遇到了自己曾经的暗恋对象赛斯(米切尔·斯拉格特 Mitchell Slaggert 饰),赛斯是一名木工,在小镇几乎被一场大火摧毁后,他正在帮助小镇重建。 两人一拍即合,携手重燃小镇的圣诞气氛,没过多久,空气中就弥漫着锯末和浪漫的火花。 这段恋情仅仅是她旅行结束后的一段假日情缘吗? 还是两人能建立起天长地久的爱情?
Double agent Picasso Trigger is assassinated in Paris by double-crossing bad guy Miguel Ortiz. Then Ortiz begins eliminating agents of The Agency who were involved in his brother's death. The Agency (belatedly) springs into action to stop Ortiz' heinous activities. The usual gunplay, romance, and nifty toys with bombs ensue.
《旧案重提:体育场屠杀》多年来,杀害智利抗议歌手维克多·哈拉一事,一直归罪在皮诺契特军队的一位军官头上。现在,流亡的他试图为自己开脱罪责。
三个成年兄弟姐妹(拉莫特-基普内斯、道登、劳埃德-琼斯)在圣诞节回到童年的家,履行已故祖母的遗愿,并试图就家族公司的新领导达成一致。安妮·默克尔(波士顿)——也被称为奇迹夫人——假扮遗产规划师,用她独特的圣诞魔法帮助家人找到共同点,重燃他们的纽带。当兄弟姐妹们试图解决问题时,夏洛特(拉莫特-基普内斯)也发现自己与庄园的看守人兼初恋奥斯汀(诺夫兰)重新建立了联系。
故事发生在人头攒动的大都市纽约,在这里,生活着一位名叫伊莎贝尔(艾米·欧文 Amy Irving 饰)的姑娘,在这个物欲横流的城市里,伊莎贝尔的特质则显得尤为珍贵,她是书店的店员,整日博览群书,对知识的渴望永无止境。 可是,正直善良的伊莎贝尔在她祖母的眼中俨然就是一位“问题少女”,因为已经到了成家年龄的她似乎并没有任何想要结婚的打算。就这样,着急的祖母风风火火地开始为伊莎贝尔物色起了对象,通过祖母的牵线搭桥,伊莎贝尔结识了名为山姆(彼得·里格特 Peter Riegert 饰)的犹太男子。山姆是一名小贩,他对秀外慧中的伊莎贝尔很快一见钟情,可是,伊莎贝尔却并不这么觉得。
Millers in Marriage follows Eve Miller, the former lead singer-songwriter of an indie rock band, who finds herself drawn to a music journalist amid a toxic marriage. Meanwhile, Eve’s sister Maggie, a bestselling author, is encountering challenges in her marriage of 30 years as her career surpasses her husband’s. At the same time, Renee, a recently divorced successful fashion executive, is navigating a budding relationship with Andy Miller, an artist who is juggling his feelings for Renee and his recently separated wife Tina, Renee’s former colleague.
年轻医生Wil(杨雅慧 饰)是个美国华裔。她事业如意,工作干炼,但就是不爱打扮,不喜欢结交男朋友,这令到母亲(陈冲 饰)非常操心。母亲刻意拉女儿到一些华人圈子的聚会,帮女儿物色对象,却总是一无所获。不料母亲的生活也开始混乱——她怀上了孩子,却不愿公开谁是孩子父亲。为了面子问题,Wil的外公外婆把母亲赶出家门,责令她一定要找个人嫁出去。于是,妈妈投奔到女儿的门下,暂时寄宿在此,女儿开始四处网罗男人相亲。除了母亲的事情让Wil烦恼,她还有一个秘密需要苦心遮掩——自己女同的身份恐怕会让思想传统的母亲接受不了,于是,Wil和女朋友开始转战地下,二人爱得偷偷摸摸。人人为了面子,都有一个自己的心结,不知何时打开。