电影筛选亚伯·阿普尔鲍姆是一名少年得志的侦探，如今已是31岁的成年人，却只是在处理一些无趣琐碎的案件并且被他最初的身份感所困扰。他的父母对此深感担忧，因为亚伯对与他同龄的人最相关的事情完全不感兴趣——比如经济稳定、成家。他们再也不能强迫他相信他比其他人都特别，并鼓励他放弃自己的做法。亚伯没有听从他们的建议，反而借着酒精来安抚自己的自尊心。亚伯在一所老派的侦探室里工作，当他还处于权力巅峰的时候，墙壁上挂着需要用相框装饰的剪报，纪念他曾经的功绩。直到某日，终于有客人带着一宗「成人」的案件上门——她的男朋友几周前被刺死-显然是暴力毒品的受害者，卡罗琳希望少年侦探替她找出谁凶残地谋杀了她的男朋友，挽回她男朋友的名誉，把凶手绳之以法。
格雷斯（萨玛拉·维文 Samara Weaving 饰）自幼失去双亲，成长在寄养家庭之中，这样的她再也没有想到自己竟然邂逅了豪门之子亚里克斯（马克·奥布莱恩 Mark O'Brien 饰），两人的恋爱顺利，通往婚姻的道路一路亮起绿灯。 终于，格雷斯满心期待的那一天到来了，然而，在新婚之夜，亚里克斯却告诉了格雷斯一个非常古怪的消息。原来，在亚里克斯的家族中流传着这样一个传统，每一位嫁进来的新娘都必须在结婚当晚完成一个游戏，而游戏的具体内容则由抽牌来决定。虽然对这样的规矩万分不理解，但格雷斯还是决定忍一时风平浪静。万万没想到，格雷斯抽到了最糟糕的那张牌——捉迷藏，格雷斯必须在天亮之前找到一个可以躲藏的地方，不能够被任何的人发现，否则就只有死路一条。
医院医师 June Lowe 和成功的作家 Rick Lowe 有着看似完美的婚姻，他们之间的一个症结是孩子的问题。 Rick希望June放弃事业，组建家庭，而June并不反对孩子的概念，但她不仅不想放弃事业，还开始自己写作，但她不明白Rick为什么 不能/不应该是已经在家工作的主要照顾者。 在这个过程中，琼觉得里克完全不理会她的感受。 当瑞克收到一封勒索信，要求他完全否认真相时，琼被卷入一起双重杀人案。 琼很快意识到瑞克正试图陷害她，他才是真正的凶手。 由于 June 需要同时躲避 Rick 和警察，而且没有人可以倾诉，包括她深爱着她的姐姐 Maggie Porter，她相信自己是凶手的指控，因此 June 不仅要查明 Rick 杀死这两名受害者的原因，还要查明他为什么要杀死这两名受害者。 想陷害她。 当她相信自己发现了正在发生的事情时，琼与瑞克进入了一场危险的猫捉老鼠游戏，谁是猫谁是老鼠并不总是很清楚。-Huggo
After a string of crushing personal and professional humiliations, Jack Lee accepts that at age 39 he is a failure. Worst of all, he's let down his selfless immigrant parents. To get back on track, Jack reaches out to others: an almost famous guru, a respected arts administrator, and two fellow computer programmers, all of whom have problems of their own.
The film centers on the Herdman kids, who are the absolute worst. They lie, they steal, they bully… and they’ve hijacked the town Christmas pageant. As the rowdy and raucous siblings force themselves into all of the lead roles, they drive the pageant’s director, Grace (Judy Greer), and other members of her family, including husband Bob (Holmes), up the wall. But through their misfit mischief, these unlikely messengers might turn out to be the ones to deliver the town’s sensational and moving portrayal of the true meaning of Christmas.
1985年，浓雾笼罩的郊外，周日早晨少女丽莎·约翰逊（阿比盖尔·布蕾斯琳 Abigail Breslin 饰）被弟弟罗比（Peter DaCunha 饰）吵醒。她颇感烦恼地起床，按照妈妈（米歇尔·诺尔顿 Michelle Nolden 饰）的指示洗衣服，爸爸布鲁斯（彼德·奥德博拉治 Peter Outerbridge 饰）则在地下室修着汽车。看似平凡无奇的普通人家，却弥漫着诡异神秘的气息。不知曾几何时，丽莎发现每天重复着同样的内容，家人反复干着同样的事、说着同样的话、度过同一个浓雾笼罩的周末。她尝试改变这一切，然而无从下手，此外更有带着死神气息的男子警告丽莎不要破坏当前的一切。 无法忍受折磨的丽莎，不可避免落入过去、现在和未来的夹缝中，局势完全失控……
Through the eyes of 9 young girls from around the world, TuTu Much is the behind-the-scenes story of what it takes to become a dancer. These girls have been given the chance of a lifetime, a four week long summer audition to get into a professional ballet school. Which girl will prove to be the dancer they are looking for? Who will have the passion, the drive and the endurance to make it? And will she and her family be ready to make the sacrifices? TuTu Much gives us all a rare look at 9 remarkable girls and a summer that no one will ever forget.
In advance of the D-Day Landings, paratroopers from the US 82nd Airborne Division are dropped behind enemy lines to capture strategic positions. One such location is near the town of Ste Mere Eglise where American airborne troops fight Nazi forces for control of a bridgehead for three days, to prevent German reinforcements from reaching the beaches
Shakespeare once said, "what tangled webs we weave", and this is the through-line of On the Fringe of Wild. Peter is a young gay man whose father is trying to make a man of him by taking him camping. He is also a talented artist who uses drawing to escape his life and hopes to get into a prestigious art school. He is being bullied by almost everyone at school, especially the popular boy Miles, who himself is closeted and using a tough guy image and a girlfriend on his arm as his defense from being found out. Miles is having a secret affair with Jack, a very insecure young man living in constant fear of his very violent and abusive alcoholic father. When Jack and Peter each escape their living situations, a chance encounter will change their lives forever as the two set up a temporary home free of the bigotry and violence they have endured. As they become close and try to be their authentic selves, Jack can no longer take the forces that are trying to tear them apart, leading to an ending that is incredibly difficult to accept but all too often a reality for many LGBTQ+ youth.
The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.
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