In a post-apocalyptic adventure in the Swedish archipelago, a science team struggles to find a way to protect the few surviving humans from a lethal mushroom organism. Forced on a journey through the wilderness to find a new bunker in which to continue their research, they come into conflict with an armed gang that uses a drug to delay the effects of the organism. The scientists want to find a more permanent solution, and have to fight for the very survival of humanity.
Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.
Arok是一个反银行金融体系激进组织的首领。早年间,在他当兵期间他的妻子因参与金融的买卖被骗而自杀,孩子也在之后因病去世,巨大的打击让他对腐败的金融体系产生仇恨,于是他召集了有类似经历的人一起反击。他们在雅加达放置了13颗炸弹要求印尼反恐局支付100比特币。紧急情况下,反恐局集合所有资源逮捕了该国最大加密货币交易所的创始人威廉和奥斯卡,却发现这件事他们并不知情。而在支付了比特币后,炸弹还是接连爆炸。于是,威廉和奥斯卡被要求通过技术手段追踪Arok等人。在破解后,他人深入对方窝点见到了Arok,发现此人之前参加过威廉组织的研讨会,且Arok认为加密的虚拟货币才应该取代现有的金融体系,所以他选择用爆炸的方式逼迫国家改变,且不顾平民百姓的生命。面对丧心病狂的Arok,威廉两人和反恐局齐头并进,使出全身解数最终阻止了Arok保住了财产和国家的安定。
Two 17-year-olds, Werner Holt and Gilbert Wolzow, are pulled out of school and into Hitler's army. Gilbert becomes a fanatical soldier, but at the front Werner begins to understand the senselessness of war. When Gilbert is hanged by the SS, Werner turns his gun on his own army. This film, based on Dieter Noll's novel, is a political and artistic masterpiece. Its fresh and surprising frankness about the toll war takes on youth found great public resonance after the film's release.
The action takes place in a grim anarchist future civilization after a big crash or war. A young man, Allan (Bentein Baardson), decides to move out of the city as his family live in. He brings his wife, Lisa ('Petronella Barker'), and the son to a big garbage dump located outside the city. Where they settle and survive on the waste they find on the dump. They are in many ways more closely related to each other by living this way, and Lisa eventually becomes pregnant. But there is a great shortage of water (Sweetwater) and the family of three must go out and look for water. When they discover they are not alone in staying in landfill. It will be a struggle for existence.
「网黄」辣罗从不吝展示自己的性感胴体,在手机镜头前搔首弄姿,无处不见他的巨雕展翅,更经营成人社群,春光乍泄满是性爱影片。他决定更进一步,离开打工工厂,成为专职GV男优。辣罗开始与交手的男优私约拍片,在色情网络的声势逐渐水涨船高。贩卖性爱为他赚进大笔钞票,却让他的心灵逐渐崩盘。 以《蓝色的应召男郎》勇夺柏林影展最佳短片的阿根廷导演,再次关注男同志色情产业,记录当代网络色情环境与深陷其中的男体。当肉体被虚拟贩卖,真实生活是否也将迈向虚无?宛若不存在的镜头穿梭在GV片场、性爱现场与网路时空,巧妙徜徉各式私密场域间,摄影机运动神乎其技,令人大开眼界。魔幻写实的拍摄手法,与故事中呈现之虚实维度反覆交融、完美贴合,建造一座镜花水月,却又残酷锐利的酷儿性乐园。
再过不久,贝茨(Tabrett Bethell 饰)和丈夫卡麦林(安迪·惠特菲尔德 Andy Whitfield 饰)就将迎来属于他们的孩子,两人完全沉浸在幸福的氛围之中。在回老家的路上,夫妻二人入住了一家汽车旅馆,而就在当天夜里,卡麦林绝望的发现大着肚子的贝茨失踪了。直觉告诉卡麦林,这一切都是旅馆搞的鬼,爱妻心切的他不顾警察的阻拦独自踏上了寻妻之路。 醒来的贝茨发现自己被困在了一间废旧的工厂里,同时,肚子上的伤口告诉她,孩子已经不知所踪。在工厂里,贝茨发现了许多和自己一样被绑架而来并且强制生产的妇女,母爱使然,她们决定团结一致,找到各自的孩子,逃出这噩梦般的地方。然而,随着行动的步步深入,贝茨发现自己似乎陷入了一个恐怖的阴谋之中。
15岁的意大利少女梅丽莎(María Valverde 饰)与母亲和祖母的住在一起,她的生活平淡甚至有些枯燥,每天这个天真纯洁的女孩都在渴望一段浪漫的爱情。某天,梅丽莎和好友参加同学所组织的派对,她邂逅了英俊帅气的男孩丹尼尔(Primo Reggiani 饰)。只是爱情之花并未如期盛开,梅丽莎遭遇了一次带有羞辱性质的性经历,她却从此迷上了这个玩世不恭的男孩。在接下来的日子里,梅丽莎可以引起丹尼尔的注意,而丹尼尔则对她进行各种各样的羞辱。在明白丹尼尔的心意之后,梅丽莎通过放纵来进行报复,她甚至将每段性经历都写入日记…… 本片根据曾轰动欧洲的真实的少女日记——《床前100次梳理乱发》改编。
Öznur is a young and beautiful woman. She has had a platonic love since childhood to Kudret, who is her cousin. Kudret, however, is married to a woman named Nisa and is very happy. Jealous, Öznur uses terrible black magic to change this so that she and Kudret will be together. However, she is not prepared for the evil that this spell unleashes.